There are two different licenses you can choose from with Lightworks: "Free" and "Pro." (The latter of which, as you might have guessed, requires that you cough up some cash.) The main difference between the two licenses is that the Pro version offers more features, including stereoscopic output and advanced project sharing. But the free version is still quite powerful, providing 100+ effects and supporting multicam editing.
We host professional development events for faculty members at our university and not everyone who is interested in each event is able to attend. With Movie Maker, we are taking our recordings of the live event, editing out the pre- and post-workshop conversations and any dead time during the event (i.e., individual activities), and making the recordings available to all faculty members (and graduate students). These events (both live and archived) are playing a role in increasing faculty members' activity and development.
There are more video editing software applications than we can fit into this roundup of the best options, which includes only software rated three stars and higher. The best known among them is probably Vegas Movie Studio, which was recently acquired by Magix from Sony. Sony's product used a very cluttered interface that more resembled high-end professional video editing software from the early days of the craft. Magix has made some progress in simplifying it and bringing it up to par with the competition, but more work is needed for it to be included here.
The app sounds handy for people who are already doing these things. But the bigger story might just be that Facebook is trying to show it cares about the community of independent vloggers. The same people who this app is designed to appeal to are currently struggling with odd changes and errors over at YouTube. Facebook has wanted to poach them for years now. One app isn’t going to suddenly change things, but a continued commitment could help win people over.
The Powershot GX 3 I purchased to backup my EOS 7D Mark II didn't work out because of the steep drop-off in IQ. I decided to give the EOS M6 a try after reading up on mirrorless cameras, and noting that the M6 sports an APS-C sensor. I took it for a shoot at a botanical garden the day after receiving it, and I'm generally pleased with the results. I shot mainly with the EF-M 18-150mm lens, and I made sparing use of the EF-M 11-22. Both lenses produced some decent shots, and they kept the overall size and weight of my gear down. I've humped the 7DMKII with a Sigma 50-150mm lens, and I'm inclined to forgive a small dropoff in IQ in return for a much smaller, lighter kit. The M6 may struggle to backup to the 7DMKII for action shots. The 7DMKII focuses more quickly and rattles off 10 frames in the blink of an eye. That said, the M6 did a creditable job of capturing a macro shot of a flower-hopping Bumble Bee (photo attached). It's going to take time to get used to using the tilt screen instead of a viewfinder for composing shots, but it became more comfortable the more I shot. Bright sunlight is a challenge, but not an insurmountable one. The tilt screen also helped in framing close to the ground shots without having to dig my knees in the dirt. Time will tell, but first impressions of the M6 are quite positive.
Shooting movies is also great now with the servo AF feature. My T3i required that I manually focused while shooting movies. With the servo AF, the camera will actually follow the moving subject adjusting the focus on the fly. I mean, your cell phone can do it and so could my point-and-shoot Canon camera, but their old DSLRs actually didn't have that feature, but now (well, since like the T5i I think) they do and it's very useful. Speaking of movie mode, I very much like that they added another step in the power switch for movie mode instead of requiring you to turn the knob all the way to the very end to get to movie mode. Now you simply flip the switch to it.
For starters, they’ve added in some crazy seamless morph transitions to help you blend together all the parts of your visual story. They’ve thrown in a pretty unique paintbrush filter effect that will work in tandem with already-shot video, letting you transform raw, live footage into living animations. Not only does Studio 21 Ultimate offer support for uploading 360-degree video but they’ve included a surprisingly intuitive set of trim, edit and control features for 360 video that will let you ensure your viewer gets the exact immersive experience you want.
Lumen5 markets itself as a tool that turns blog posts into social promos. While the process isn’t perfect, and you’ll likely have to do some tinkering to get your blog content looking just the way you want it, the rest of the video creation process is a cinch. Merely refine some copy that teases your blog post; drag and drop some gifs, screengrabs, or video clips; add some music; and your engaging social video will be ripe for Facebook and Twitter.
Like iMovie, Movie Maker uses a simplified version of the standard video editor timeline, with clips represented by "long thumbnails." The first frame is shown at full contrast, while the following ones are faded, in a distinction between this look and iMovie's. The thumbnail tracks optionally show you the audio waveforms along the bottom, so you can see where the loud and quiet parts of your video lay. You get five size choices for the thumbs, which is probably enough, and a zoom control at the bottom lets you stretch out these clip representations. You can trim or split clips using the cursor insertion point combined with edit buttons. It's quite easy once you get used to the unique editing system used by the app: you click at a point in your clip, and can then drag the resulting insertion line around the timeline.
Cyberlink PowerDirector 16 Ultra is a prosumer video editor that aims to bring every feature under the sun to a video editor that is accessible and affordable. There’s nothing else in this price range that brings you this many well-implemented features, especially in 360 video. Complexity is its one challenge: The user interface is not always self-explanatory, and the inclusion of so many features means it can be difficult to find what you want. Read our full review.
You may want to expand into specialty and high-end features like stop-motion video, multi-camera editing, 3D 360 VR, and support for the official Ultra HD 4K format used by most Blu-ray players. You’ll generally find that the most expensive consumer video editors support these features well, and the cheaper ones either don’t support them or produce lackluster results.
Support for 4K video source content has become pretty standard in video editing software, but the support varies among the products. For example, some but not all of the applications can import Sony XAVC and XAVC-S formats, which are used by Sony's popular DSLRs, mirrorless cameras, camcorders, and professional video cameras. The same holds true for the H.265 High Efficiency Video Coding (HEVC) standard. Most of the applications here now can import and export HEVC, though there are still a few holdouts.
Added features such as time remapping for including slow motion, high-speed effects or freeze action are complemented by easily grouping or ungrouping clips on a timeline to edit in bulk or one at a time. With over 1,500 customizable effects, transitions and titles, there’s something for everyone. Even as the video itself is the focus, custom fitting your project with a soundtrack is handled well with custom-fit audio allowing your movies to both look and sound good.
One of iMovie’s most coveted features is its green-screen, or “chroma-key” tool, which allows you to place your characters in exotic locations—Hawaii, say—at a moment’s notice. Want to overlay the scene with “Somewhere Over the Rainbow”? iMovie ties directly in with iTunes and GarageBand, so you can easily implement custom tracks and sounds. When your movie’s finally ready to ship, release it into the wild using iMessage, Facebook, YouTube, or any other of iMovie’s succinctly connected platforms.
This program checks in at about 26MB, which isn't gigantic, but is still relatively large. For that, you'll get a program that is a dead ringer for professional editing programs. It has the same sort of timeline editing style that lets you combine multiple cuts, add transitions, and render them into a complete project. As such, it isn't very easy to use unless you really know what you're doing. Few things are labeled or intuitive, and all of your tools are spread out across multiple menus. If you can find the features, there are plenty of ways to cut, reshape, and modify your video's picture and audio, though. You can even kick the quality up to 30 FPS and 1080p HD. VSDC Free Video Editor supports just about every video format you can think of, so you'll have no problem turning any video into a project.
Apple’s iMovie has long been one of the most consumer-orientated video editors out there. It’s bundled with all new Macs, and touts some serious practicality for the everyday user. The latest version of the software allows you to import and edit 4K video clips from a variety of external devices, such as smartphones and GoPro cameras, and sports a clean interface that is attractive and easy to navigate. The ability to start editing on iPhone or iPad and finish on a Mac renders it even more convenient.
Hay un par de cosas que no me gustan tanto: lo primero es que algunos videos cortos (menos de un par de mega bytes) pueden retrasar el software, y te llevará mucho tiempo. para terminar de subirlos a Windows Movie Maker. Por ejemplo, a veces, cargo un video corto para editar, y está listo en unos segundos. Pero luego, cargo otro video más corto para editar, pero esto lleva mucho tiempo para estar listo. Lo último que no me gusta es que el software deja de funcionar algunas veces.
Dual Pixel AF is, no question, best-in-class. And it’s still the primary reason to look at the 80D (or even the older 70D from 2013). In my experience focus is superb — dead accurate, fast tracking, silent. Perfect for video. Even if you’re a purist, and prefer manual focus (which you should always learn) nailing initial focus is a treat with the DPAF (45-point); then once you’ve got that you can flick the switch to manual to tweak from there or adjust as a scene develops.
Though Mac users don't have the sheer number of software choices available for PCs, Apple fans interested in editing video are well served, by four products in particular. At the entry level, the surprisingly capable and enjoyable-to-use iMovie comes free with every Mac sold since at least 2011. iMovie only offers two video tracks, but does good job with chroma-keying, and its Trailers feature makes it easy to produce slick, Hollywood-style productions.
We evaluated all of the software based on functionality, ease of use, performance, sharing options and new features in the latest versions. We also judged the packages based on real-life uses for a number of categories, including best overall, best free app, best for beginners, best for YouTube maestros, best for Mac users and best for Windows platforms.
Direct publishing: When you think you have all of your clips, images, and other files in place, you can preview your movie right from the app's main interface. And if you're happy with what you see, all you have to do is click the button for Publish to YouTube to get your video online. Alternately, you can save the finished product to your computer to upload or distribute later on.
For Those who see this Shotcut is a very good Truly Windows Movie Maker's Successor, for those who are beginners. Its fast, doesn't take long loading the video and more accurate & customizable than Windows Movie Maker its also up to date. NO TRIAL, ITS OPEN SOURCE, AND HAS THE ABILITY TO RECOVER YOUR WORK IF IT CRASHES http://filehippo.com/download_shotcut/ The things that are different from Windows Movie Maker - Adding Track via Timeline Menu (3 Stack Lines) - Adding Video and Audio to Timeline via Drag and Drop - Transitions via Overlap 2 Videoclip in Timeline - Changing Transitions via Click on Transition > Look Top Left for "Open File", "Save", "Undo", etc > Look for Properties > Below Transition is Video > Beside "Video" is a DropMenu with "Dissolve" > Click on it to change - You accurately move around with the Arrow Keys or Timebox - Double Click on video on Playlist to Play, Click on Video Clip in Timeline then Space to play
Wondershare Filmora has quickly become one of the best alternatives to Windows Movie Maker for windows 10/8/7, whether you are looking to make a professional video for public consumption, or if you are just messing around with your creativity trying to learn new art form. Filmora's easy-to-use and intuitive interface allows both experienced users and brand-new users to flawlessly create wonderful videos with exceptional effects.
Because it's so deeply entwined with the macOS, iMovie was one of the fastest apps when it came to encoding video. Once that's finished, it also gives you plenty of sharing options: You can upload directly to YouTube, Facebook and Vimeo, and share any video frame as an image. When you couple iMovie with iMovie Theater and iCloud, you can also view your creations on any Apple device or via Apple TV.
Finally, you'll want to pay attention to sharing capabilities. In the past, you only needed to worry about saving your videos to a DVD or a highly compressed video file, but the rise of Vimeo and YouTube has resulted in new sharing options. If you're looking to share your videos to your social network, make sure that your software is capable of doing so.
Many video editing apps now include tools that cater to users of action cameras such as the GoPro Hero7 Black. For example, several offer automated freeze-frame along with speedup, slowdown, and reverse time effects. CyberLink PowerDirector's Action Camera Center pulls together freeze frame with stabilization, slo-mo, and fish-eye correction, and color correction for underwater footage. Magix Movie Edit Pro Premium includes the third-party NewBlue ActionCam Package of effects. And Wondershare Filmora lets you subscribe to new effect packs on an ongoing basis.
VideoPad is a comprehensive cross-platform software package for the YouTube social media crowd. While this app lacks the flashy, whiz-bang appeal of some commercial apps, it’s still a rock-solid choice for simple video editing. From the main menu, you can choose which social network you want to upload to. The app offers a number of YouTube choices ranging from 480p to 4K, as well as Facebook, Flickr, Dropbox and Google Drive, and is free for non-commercial use.
PowerDirector helps you enhance your footage with Intelligent Color Correction. This allows you to quickly and easily match color settings across your entire project, which unifies the look and feel of your video and eliminates a lot of guesswork. This might seem like a small thing, but it’s a huge leap forward for video editing software at the consumer level.