The main problem we have in regards to training is knowledge transfer and simplifying training of processes when on-boarding new staff. We do have some videos created from other platforms but no way to share. As we are primarily a Windows shop, using Movie Maker allowed me to create training videos using Microsoft approved codecs and made it much easier to share videos with other team members. The main benefit of course is they can now get some training from the videos we've created and cost savings by not having them go to another facility or rely on other training tools.
The T#i line is what they call a "pro-sumer" line, which is basically between a consumer line camera like a very basic DSLR and a professional DSLR camera, thus the term "pro-sumer." Typically what this meant is an DSLR with an APS-C sized sensor, decent resolution, and some hand-me-down professional features of pro-grade cameras from a few years ago. For this reason, sometimes it's not worth upgrading from one of these cameras to the next until at least a few generations have past (meaning if you have a T5i, it's not really a giant leap forward to upgrade to a T6i). However, the T7i is somewhat different. When I was doing research on what features it has and what it is missing compared to the pro-grade DSLRs that are considered "current" right now, I was surprised to find very little. The main differences really is that the pro-grade cameras have the LCD display on the top that would display all of your relevant camera settings, and then a few of them would also sport a full-frame sensor. Other than that, the differences are very minor. Something like maybe 1 or 2 frames less in burst mode or something like that. Nothing that would really jump out at you and make you regret not stepping up to the professional grade equivalent (Think it would be the 77D?). It actually has pretty much all of the big features of even their current pro-grade DSLRs, making the T7i probably one of the best prosumer DSLRs to buy.
With light features also comes a light footprint, and Avidemux takes up little space compared to the other programs in our roundup. It also allows users to change extensions and select individual output formats when they’re finished editing a video, but the less-than-friendly interface makes it difficult to utilize the more intricate features and worthwhile tools. It may remain a bit buggy and prone to crashing, but the program’s defaults still work as intended, making Avidemux a standout choice once you’ve learned your way around the software. Just remember to save your work.
If you want something that is aimed more at the professional from a marketing standpoint, it couldn’t hurt to look into the Vegas Pro line. On its 15th iteration, Vegas has introduced a ton of new features, from hardware acceleration harnessing Intel QSV to a picture-in-picture OFX plug-in, all the way to a super intuitive new instant freeze frame option for referencing shots without stopping workflow. If you opt for the premium, upgraded package (which won’t run cheap), you’ll even get an exhaustive package of NewBlueFX fIlters to color your projects like a true Hollywood flick. What’s interesting about Vegas, and what we think gets overlooked, is they’ve attempted to give you an intuitive set of controls that takes the best of Final Cut, Premiere and others and merges them into one. Sure, it might not have the streamlined, Adobe CS-friendliness of Premiere, nor is it even compatible with Macs, but that’s OK. The workflow in this might just give certain users who can’t quite jive with the other guys a place to truly shine.
Apple’s iMovie, which competes only with cross-platform free apps and Adobe Elements, is the obvious choice for the best Mac video editing software, thanks to its outstanding output, themes and trailers, macOS integration, and features that encourage good moviemaking skills. For the best free software, HitFilm Express 9 gets the nod for its abundant cinematic capabilities and stylish interface. If you often share your videos on YouTube and other social media platforms, the free, cross-platform VideoPad is your best option.
The Full Feature Editor contains simplified versions of nearly all the tools available in professional video editing software. For example, you have access to an audio mixer that lets you fine-tune your sound, the chroma key that allows you to create green-screen effects, and a surround-sound configurator that optimizes your video for home entertainment systems and even movie theaters. These tools and others allow you to make the same type of videos as Hollywood professionals. PowerDirector is a great program not only for creating great videos, but also for learning nonlinear editing in case you decide to upgrade to professional video editing programs.
Dual Pixel AF is, no question, best-in-class. And it’s still the primary reason to look at the 80D (or even the older 70D from 2013). In my experience focus is superb — dead accurate, fast tracking, silent. Perfect for video. Even if you’re a purist, and prefer manual focus (which you should always learn) nailing initial focus is a treat with the DPAF (45-point); then once you’ve got that you can flick the switch to manual to tweak from there or adjust as a scene develops.
Hay un par de cosas que no me gustan tanto: lo primero es que algunos videos cortos (menos de un par de mega bytes) pueden retrasar el software, y te llevará mucho tiempo. para terminar de subirlos a Windows Movie Maker. Por ejemplo, a veces, cargo un video corto para editar, y está listo en unos segundos. Pero luego, cargo otro video más corto para editar, pero esto lleva mucho tiempo para estar listo. Lo último que no me gusta es que el software deja de funcionar algunas veces.
In our tests, we timed how long it took to install each application, import and organize video files, build a test video and menu, burn a disc, and more. We found that programs that take even a few minutes longer than other applications to complete simple tasks can end up adding hours to the total process. The best DVD authoring programs run fast and save that extra time you would otherwise spend babysitting a progress bar.
There are two different licenses you can choose from with Lightworks: "Free" and "Pro." (The latter of which, as you might have guessed, requires that you cough up some cash.) The main difference between the two licenses is that the Pro version offers more features, including stereoscopic output and advanced project sharing. But the free version is still quite powerful, providing 100+ effects and supporting multicam editing.
Finally, you'll want to pay attention to sharing capabilities. In the past, you only needed to worry about saving your videos to a DVD or a highly compressed video file, but the rise of Vimeo and YouTube has resulted in new sharing options. If you're looking to share your videos to your social network, make sure that your software is capable of doing so.
While most professional-grade software can handle multi-cam editing, Premiere Pro goes one step beyond, handling as many sources as necessary with as many angles as required. The inclusion of the bundled Lumetri Color Panel allows advanced color adjustments to be handled with ease. Additionally, Adobe’s integration with After Effects and Photoshop adds even more reason for professional grade editors to choose Premiere Pro.
Our team of reviewers used each program’s editing tools, effects and export options to create identical test DVDs. They timed how long it took to burn a new DVD, complete with menus and chapters when possible. Our video experts then played the new DVDs on a large-screen television and searched for imperfections such as compression artifact, motion blur and interlacing issues. The results of these tests, as well as our reviewers’ personal experiences using each program, were used to decide the programs’ final scores and ranks. All our tests were designed to replicate the experience of an average user as well as a veteran editor.
Corel’s Pinnacle Studio 21 Ultimate gives you everything you’ll get with the standard copy of Pinnacle Studio 21, plus a host of upgraded features. It does everything the lower version will do: giving you seamless editing interface, the ability to work in full HD, as well as a great set of features for laying out a perfect story with video. But, it will also offer you a host of post effects that put this thing way out of its price class.
Avidemux is the Instagram of video editing software — quick, dirty, and impressively capable. The software is designed for quick trimming, filtering, encoding, and a slew of other basic features. The cross-platform software also remains open-source — with a resourceful wiki page to boot — and tasks can be automated using assorted projects, job queues, and custom scripting capabilities that push it beyond barebones functionality.
The simplest way to create a digital movie in Movie Maker is to add your clips to the timeline and choose one of the seven AutoMovie Themes—Default, Contemporary, Cinematic, Fade, Pan and Zoom (best used with photos), Black and White, and Sepia. It's nowhere near as extensive a set of options you'll see in iMovie, let alone Adobe Premiere Elements, but they're in simple good taste. These are displayed as thumbnails in the center of the Home ribbon. They add an intro title screen, transitions, and credits to the production.
Clinton directs and shoots videos for Stark Insider. Recent projects include BTS short LUZIA with Cirque du Soleil, short film collection WHO IS STARK INSIDER?, and art-doc WRONG'S WHAT I DO BEST shot on location at the San Francisco Art Institute. His Broadway shorts, such as SHREK UNMASKED, have garnered acclaim. He's worked with DreamWorks, Disney on Ice, and "studied under" filmmaker Werner Herzog. He also writes on Stark Insider about the San Francisco arts scene, Napa, Silicon Valley and gadgets including camera gear. More about Clinton Stark: Bio | IMDB | Gear List
Every other program has dedicated tracks for each type of media such as video, audio, images, etc. The fact that you can use any media on any track makes this software much more dynamic and provides more control over your project. However, the DVD authoring tools in this program fall short of the best we tested. For example, you don’t get the ability add bonus features or save a disc image to your hard drive. While neither of these things are a deal-breaker, they’re both found in our top pick for this category.
This was released at the same time as the T7i and it’s a fantastic camera. It’s got the same dual pixel autofocus but also has a few minor differences. Firstly we’ve got this lcd screen on the top. This gives you a little bit more information without having to look through the viewfinder. We’ve also got this scroll wheel on the back. To be honest, these aren’t huge differences between the two and the t7i is a smaller camera, so if you can live without those two features, the t7i will be good for you.
As the name suggests, Magisto.com works magically. Magisto is yet another platform for sharing the life experiences in the form of online videos. It works automatically and turns your raw video material into full-fledged polished and beautiful carved piece. Magisto has inbuilt editing styles that a user can use in deciding the mood, atmosphere and style of the clip. Extremely professional workforce sits on your raw material to nourish and bring out something new. A separate visual and audio analysis is icing on the cake.
For our speed comparison, we tested all of the Windows and cross-platform video editing software on an HP Spectre x360 convertible laptop running Windows 10 Home. The laptop's 64-bit Intel Core i5 processor, with a 5200U CPU, runs at 2.2 GHz on an Intel HD Graphics 5500 system and has 8GB of RAM. We tested iMovie on a MacBook Air (late 2013) with a 1.7-GHz Intel Core i7 processor, Intel HD Graphics 5000 and 8GB of RAM, and running macOS Sierra v. 10.12.1.
This is great for setting your composition because it means you can take photos from up high or down low without having to look through the viewfinder. And if you’re a youtube or a blogger, having the ability to flip the screen completely around is great, because it means you can see yourself while you’re filming, which is what I’m doing right now. A little tip is that if you get one of those cheap $5 remotes off of amazon, you start and stop your recording without ever having to touch the camera.
BTW, for whatever the reason, Canon still does not include a lens hood with the bundle. A bit odd that. So factor in about $35 for that (note that the hood from the older 18-135mm lens included with the 70D won’t work, you’ll need the EW-73D). Plus don’t forget you should really add a UV filter to protect your lens. I recommend a 67mm B+W (Hoya is good too) which won’t break the bank.
Because it's so deeply entwined with the macOS, iMovie was one of the fastest apps when it came to encoding video. Once that's finished, it also gives you plenty of sharing options: You can upload directly to YouTube, Facebook and Vimeo, and share any video frame as an image. When you couple iMovie with iMovie Theater and iCloud, you can also view your creations on any Apple device or via Apple TV.
Nero Video 2017 is slightly cheaper at $50 than many competing video editing suites, but it offers most of the same features, including Ultra HD 4K support and intelligent curation features for your media library. And with H.265 format support for mobile devices and the handy ability to switch between a basic and advanced editing mode, Nero will please a wide range of users. It’s mostly intended for burning physical media, and doesn’t have good social exporting options. But even if you’re not planning to do DVDs, Nero is worth a look if you want a budget option for video editing software. (Read our full review.)
Apple’s Final Cut Pro X software falls into what we call the “prosumer” category because it treads the line between a product for consumers who want to up their video-editing game and one for professionals who need powerful editing tools. It lacks a traditional timeline-track interface, which is enough to scare some users off, but the software is intuitive and powerful nonetheless. It has great organizational tools like libraries, ratings, tagging, auto analysis for faces and scenes, and automatic color coding for track-specific clips, useful keyboard short-cuts and drag-and-drop media importing give Adobe’s Premiere Elements a run for its money. Unfortunately, you can't directly open projects from Final Cut Pro 7 or earlier, but there are many third-party plug-ins that will help you out there.
Like iMovie, Movie Maker uses a simplified version of the standard video editor timeline, with clips represented by "long thumbnails." The first frame is shown at full contrast, while the following ones are faded, in a distinction between this look and iMovie's. The thumbnail tracks optionally show you the audio waveforms along the bottom, so you can see where the loud and quiet parts of your video lay. You get five size choices for the thumbs, which is probably enough, and a zoom control at the bottom lets you stretch out these clip representations. You can trim or split clips using the cursor insertion point combined with edit buttons. It's quite easy once you get used to the unique editing system used by the app: you click at a point in your clip, and can then drag the resulting insertion line around the timeline.
I'll keep this short ... despite a bad review on Amazon, I bought this product. I received it promptly, I installed the highly regarded Pinnacle Studio v14 software FIRST, on my computer, AS INSTRUCTED. I connected the Canon DV tape camcorder to the Dazzle with the 'AV Out' cable that came with the camcorder originally, plugged the Dazzle into a front-mounted USB port on the computer, launched Studio, and imported 6 year old video from tape to disk by simply hitting the 'play' button on the camcorder ... I have a lot more work to do for video editing, but this beats the HELL out of installing a machine specific capture card. I can't think of a simpler way to capture tape-based video. You can pick from a variety of file outputs, I used AVI and I'll probably experiment more and use whatever burns to DVD the best for HD tv viewing. I was dreading the pain of capturing old video, but this has made it much easier than I expected, at a very reasonable cost considering the hardware/software package you get. In fact, it works well enough that I'm willing to stick with my DV tape camera for a while longer. More importantly I have old but good quality video of family, dogs and fun that I can now capture and save to DVD.
True. The 80D “only” shoots up to 1080p HD. If you want 4K, look elsewhere — if you’re into landscapes or travel videography, this may matter to you. The world though is still mostly operating in 1080p. Keep in mind, 4K will multiply (significantly) your storage requirements, in addition to processing power needed to edit and render. Only you can decide if this is the time to make the jump (I still think mainstream 4K adoption is 2+ years away). I love my 4K computer monitors because fonts are razor sharp. Yet, I don’t see substantive different between 80D images and those, say, from a Panasonic G7. The latter looks somewhat digital to my eyes, though it’s still a fine little camera.