When it comes to video editing nobody wants to spend hours mastering nuances of video cutting techniques. All we usually need is to place several pieces together, add some fade-ins and outs, include subtitles and do this with as little efforts as possible. At the same time nobody wants to compromise with the final quality of the video. Indeed, simple not necessarily should mean primitive. VSDC Free Video Editor is a simple and easy to use video editor featuring a lot of functions even a pro editor wouldn't be ashamed of.

We host professional development events for faculty members at our university and not everyone who is interested in each event is able to attend. With Movie Maker, we are taking our recordings of the live event, editing out the pre- and post-workshop conversations and any dead time during the event (i.e., individual activities), and making the recordings available to all faculty members (and graduate students). These events (both live and archived) are playing a role in increasing faculty members' activity and development.
Nero Video 2017 is slightly cheaper at $50 than many competing video editing suites, but it offers most of the same features, including Ultra HD 4K support and intelligent curation features for your media library. And with H.265 format support for mobile devices and the handy ability to switch between a basic and advanced editing mode, Nero will please a wide range of users. It’s mostly intended for burning physical media, and doesn’t have good social exporting options. But even if you’re not planning to do DVDs, Nero is worth a look if you want a budget option for video editing software. (Read our full review.)
One of the capabilities that has been making its way into consumer-level video editing software is support for LUTs (lookup tables), also known as CLUTs (color lookup tables). This staple of pro-level software lets you quickly change the look of a video to give it a specific mood. For example, think of the dark blue look of thriller movies like The Revenant. You can download LUTs for free from several sites or use those included with some video software to give your video a specific look. One well-known LUT type is the kind that can make a daytime scene look like it was shot at night.

Another thing I don't like is how they decided to "encode" their batteries. I'm sure there's some advantage to it, most likely safety to ensure you're using a genuine Canon battery they can quality control, but how it's affected me is that now buying an aftermarket battery means that you won't get a read-out of how much power you have left while using them. Not a huge deal, but it is kind of annoying. I like to have spare batteries, but at almost $60 a pop, no way I can afford to have a genuine Canon one. So I'll have to live with one made by a 3rd party and not knowing how much power is left in it if I have to use it... It also means the Canon charger will refuse to charge these batteries, so the 3rd party charger will be required to charge up these 3rd party batteries...
Of course, none of the extras matter if an app can't do the most basic editing tasks. At this point, however, all of the products included here do a good job of letting you join, trim, and split video clips. They also let you make use of special effects such as animated transitions, picture-in-picture (PiP), chroma-key (the technique that lets you place a subject against any background, often known as green screening), and filters that enhance colors or apply creative effects and distortions. With most of them you can add a multitude of timeline tracks that can accommodate video clips, effects, audio, and text overlays.
Apple’s iMovie, which competes only with cross-platform free apps and Adobe Elements, is the obvious choice for the best Mac video editing software, thanks to its outstanding output, themes and trailers, macOS integration, and features that encourage good moviemaking skills. For the best free software, HitFilm Express 9 gets the nod for its abundant cinematic capabilities and stylish interface. If you often share your videos on YouTube and other social media platforms, the free, cross-platform VideoPad is your best option.
Corel VideoStudio has all the characteristics of the other top-of-the-line products on this list, including 360-degree VR and 4k support, but it also has the distinction of being the first piece of consumer video editing software to offer motion tracking—which, if you’re not already familiar, is a feature that allows you to track specific objects throughout your cut (if you wanted, say, to point an arrow at one of your characters, blur out his face, or bestow him with a funny hat). Most of the products on this list come equipped with motion tracking, but VideoStudio still boasts one of the best motion tracking systems around.

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PowerDirector Ultra features CyberLink’s True Theater Color technology, which analyzes the color of your footage and enhances aspects like hue, saturation and brightness. It's a great way to get Hollywood-style color treatment on your video project. You get more than enough tools to create a video that looks like it could have been made in a movie studio. You may never edit a full-length feature film with this software, but you could.
The Edit menu also contains the new Stabilization choice if you're running Windows 8 or 8.1, as well as play speedup and slow-mo (this retains the audio, so you can have fun making you and your friends sound like chipmunks or lions). As in iMovie, all editing is done in the same thumbnail/timeline area—no popup windows for trimming like you find in other video editors like CyberLink PowerDirector.
The last downside, and perhaps the biggest one for some people, is the lack of 4K video recording. It's kind of a disappointment that phones can do it now but this DSLR still cannot. There are some comparably priced DSLRs from Nikon and others like Sony that have this feature. But honestly, even without this I will still prefer to stay with Canon simply because your camera is only as good as your lens, and Canon has probably the best lenses out there, but definitely without question has the widest selection of lenses to choose from.
There are like a million features in this phone, so I think I'm going to stop listing them one-by-one here and instead point out one more that I think can make the difference between for someone who is unsure of the camera. I think one major reason someone would be unsure enough to be reading this long review before buying this, is actually someone who is thinking about getting this as a first DSLR. Meaning you've either only used point-and-shoot cameras, or even worse, you've only used your cell phone... lol. :-P
Now one big question I know is on everyone's minds. APS-C or Full-Frame? Now the obvious answer is that if you're making money with the camera, go full-frame, if not, APS-C. But actually it's not that simple. First, there's no reason someone doing photography as a hobby shouldn't get a full-frame camera, other than the fact that they cost a whole lot more. But if you can afford it and you want the advantages of a full-frame camera (better resolutions, better low-light photography, etc.) and you don't mind the extra bulk, then why not? And on the flip-side, if you're a pro and want a smaller, less bulky camera to take with you on a shoot, then there's also no reason to say an APS-C camera will not be worth buying... But since you're looking at the T7i, let me go over a few actual advantages to an APS-C camera regardless of your status as an amateur or professional.

So you might be a little intimidated by the idea of a DSLR with the different lenses and the switches and the buttons and you were probably hearing me and others rant about the ISO, APS-C, aperture, etc. and wondered what the heck that is and why they are good or bad... Well, completely understandable. And while I recommend reading some good books on the topic (Understanding Exposure by Bryan Peterson is an excellent one BTW), this phone has a new feature that is sure to make the transition a lot easier and less intimidating. Now the default LCD information view shows like a feature guide. Basically when you select a mode on the knob, the LCD will actually display an easy to understand summary of what that mode is called and basically what it means for your photo. Sometimes with some basic graphics to represent the differences. I turned this off and is using the old-style view, not because I'm a snob, but because I have used DSLRs before and have a little technical experience with it to know what they mean. The guided view is just too bright and I like the dark theme of the standard information view. But this new way of showing the different modes is actually quite awesome if you're just starting out with DSLR photography.
When using this software, I was able to create videos that helped me teach and motivate students. I was also able to make videos that clarified concepts that we were working on in the classroom. I was able to teach students how to use the software which they did wonderfully. It brought joy to the classroom and the kids were doing something that they clearly enjoyed.
Final Cut Pro: Offers speed and power for the new generation of video editors. The latest edition boasts a clean new look and a low-profile interface that increases work space. An interesting feature is the improved Magnetic Timeline 2 feature that offers flexible layouts based on roles and automatic color coding. The latest release is ideal for the new MacBook Pro as it supports wide color workflows and the Touch Bar.
However, simple editing can be done on the cheap if you’re willing to ditch powerful, high-end software such as Final Cut Pro, or Adobe Premiere, in favor of a more modest program. Let’s face it, you’re probably not going to be taking home the Palme d’Or with the film you cut on your laptop, but your home movies and YouTube uploads can take on a whole new shine with a few straightforward tools.
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