However, simple editing can be done on the cheap if you’re willing to ditch powerful, high-end software such as Final Cut Pro, or Adobe Premiere, in favor of a more modest program. Let’s face it, you’re probably not going to be taking home the Palme d’Or with the film you cut on your laptop, but your home movies and YouTube uploads can take on a whole new shine with a few straightforward tools.
Although it’s said to created intros for video ads or promo videos with logo stingers, I see no reason it’s only for a particular user. With Intro Video Creator, you can hold your customers till the end of your videos and maximize your video ads. But if you’re not a vendor, or an affiliate, you can still try this amazing product to make intros for personal uses. It will be the savior for your boring presentation.
Another impressive effect that has made its way into consumer-level video editing software is motion tracking, which lets you attach an object or effect to something moving in your video. You might use it to put a blur over the face of someone you don't want to show up in your video. You specify the target face, and the app takes care of the rest, tracking the face and moving the effect to follow it. This used to be the sole province of special effects software such as Adobe After Effects. Corel VideoStudio was the first of the consumer products to include motion tracking, and it still leads the pack in the depth and usability of its motion-tracking tool, though several others now include the capability.
First is the 1.6x multiplier you get to have for free with telephoto lenses. Because the APS-C sensor is smaller, you're basically "cropping" the image that comes in a lens made for a full-frame camera. Thus the term "crop sensor" used to describe something like an APS-C sized sensor. But rather than cropping the image post-process, all of the camera's light sensing pixels work within this cropped area. So if you buy a lens that is meant to work on a full-frame camera (the way you can tell is by the prefix. An "EF" lens is a full frame lens while an EF-S lens is made for the APS-C sensor. You can use an EF lens on any camera, full frame or APS-C, but if you use an EF-S lens on a full-frame camera the edges of the image will be cut off by the edge of the lens), whatever the specifications are, multiply that by 1.6. So for example, I bought the EF 70-300mm IS II USM lens to use with this. So being that this is an APS-C camera, that lens for me is effectively a 112-480mm lens. Of course the downside of this is if you want a more wide angle, a 10mm EF lens would actually be 18mm, meaning no longer wide-angle. But for those you just make sure to buy an EF-S lens, then the specifications will be correct. For me I have the EF-S 18-135mm IS USM lens for it, and at 18mm it's perfect for general use wide-angle photography. If I wanted even wider there is an EF-S 10-18mm lens out there as well.
True. The 80D “only” shoots up to 1080p HD. If you want 4K, look elsewhere — if you’re into landscapes or travel videography, this may matter to you. The world though is still mostly operating in 1080p. Keep in mind, 4K will multiply (significantly) your storage requirements, in addition to processing power needed to edit and render. Only you can decide if this is the time to make the jump (I still think mainstream 4K adoption is 2+ years away). I love my 4K computer monitors because fonts are razor sharp. Yet, I don’t see substantive different between 80D images and those, say, from a Panasonic G7. The latter looks somewhat digital to my eyes, though it’s still a fine little camera.
Advanced abilities continue to make their way into accessible, affordable, and consumer-friendly video editing software as each new generation of software is released. For example, multicam editing, which lets you switch among camera angles of the same scene shot with multiple video cameras, used to be a feature relegated to pro-level software. Now this and many other advanced effects are available in programs designed for use by nonprofessional enthusiasts.
It turns out that Windows Movie Maker is seriously lacking in the number of media formats available for saving your files – only four against dozens in the case of Movavi Video Editor Plus. Moreover, the Movavi app supports 4K video, which is definitely a huge advantage for those interested in handling videos in this resolution. The Intel® Media hardware acceleration is another neat feature that will make your working process a lot smoother if you go with Movavi.
What Adobe Premiere Pro is to Windows PCs, Final Cut Pro X is to Mac users. It's the best video editing software for Mac. And, as you would suspect with Apple software, the must-have editor is consummately easy to use and comes packed with enough features to warrant the admittedly high price tag. We like the grouping tools, effect options and the simplistic way you can add and edit audio. If you're already entwined in Apple's ecosystem, you'll appreciate how Final Cut cleverly coordinates with your Photos or iTunes collections.
I have been using this software for quite a long time and the thing I like the most is how simple it is to use. The coolest thing is that I can get titles, subtitles and even give credits to my video work with just one click, YES! ONE CLICK! One more thing is that making your videos more exciting is as easy as adding songs to any of the frames you have so that you can give different types of moods to different parts of your video. This software is very complete.
It has tones of features and you can start for free. There is wide range of filters, overlays, transition effects and color correction abilities. This platform is designed to serve users with smooth editing experience so that even beginners can enjoy creative media projects. Thanks to its wide format support that helps to handle all popular media files with ease.