There are tons of in-program effects such as transitions, titles, credits, captions and even included audio scores, meaning you won’t get held up at any step of your editing process. There are panning and shift capabilities, high-quality post-processing zoom, as well as a plethora of color filtering plugins to give you the look you’ll need, even if the raw footage isn’t quite there. You’ll have the ability to export your movies in up to 4K resolution, and the software even supports 360-degree video projects. It’s a great powerhouse for beginners.


For starters, they’ve added in some crazy seamless morph transitions to help you blend together all the parts of your visual story. They’ve thrown in a pretty unique paintbrush filter effect that will work in tandem with already-shot video, letting you transform raw, live footage into living animations. Not only does Studio 21 Ultimate offer support for uploading 360-degree video but they’ve included a surprisingly intuitive set of trim, edit and control features for 360 video that will let you ensure your viewer gets the exact immersive experience you want.
All the applications we reviewed fulfill the same basic need; however, they differ greatly in their interface layouts, workflows and toolsets. In our tests, we assessed how easy each program is to learn and use. We also tracked how hard the application makes it to perform common tasks like editing video footage; adding effects, transitions and titles; picking menu templates; customizing projects; and burning finished DVDs. We found that all the programs are relatively easy to use once you know your way around the interface, although some were much more straightforward than others.
Although this software makes a decent job, it has its cons. For example, I don´t like that there aren´t any options to directly add text to a piece of video, and it´s even worse that you cannot export your own custom font styles into the software. It would be a great and awesome addition if there was on option inside Movie Maker that allowed users to drag and drop text, images and any other objects that made video creation and editing more sophisticated.
When it comes to user-friendliness, sophisticated features and ways to output your video, nothing beats the cross-platform Adobe Premiere Elements. With genuinely inspiring but practical features, Elements’ new video collage, audio remix, enhanced face detection, haze removal and adjustment layers focus on what consumers need every day. Its companion Organizer app keeps assets organized and searchable, and the touch-friendly interface works quite well in Windows 10.

It gets to be somewhat annoying that after I use the software many times in a row, it becomes really slow. Let me give you an example: if I´ve edited around 10 videos in a row, then when I want to edit video 11, the software starts freezing, and when it finally starts working, it takes centuries for the video to be saved and downloaded successfully. I don´t know why this happens, but it would be great if Microsoft could check this issue.
BTW, for whatever the reason, Canon still does not include a lens hood with the bundle. A bit odd that. So factor in about $35 for that (note that the hood from the older 18-135mm lens included with the 70D won’t work, you’ll need the EW-73D). Plus don’t forget you should really add a UV filter to protect your lens. I recommend a 67mm B+W (Hoya is good too) which won’t break the bank.

Export options: Another area where free meets inconvenience may be at the tail end of the project, when you want to export your video, only to discover that the free version will not output to your desired format. Before you start using a free package, make sure that it will save your video to the platform and resolution you need, whether your video will eventually wind up on YouTube or on a Blu-ray disc.


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The T#i line is what they call a "pro-sumer" line, which is basically between a consumer line camera like a very basic DSLR and a professional DSLR camera, thus the term "pro-sumer." Typically what this meant is an DSLR with an APS-C sized sensor, decent resolution, and some hand-me-down professional features of pro-grade cameras from a few years ago. For this reason, sometimes it's not worth upgrading from one of these cameras to the next until at least a few generations have past (meaning if you have a T5i, it's not really a giant leap forward to upgrade to a T6i). However, the T7i is somewhat different. When I was doing research on what features it has and what it is missing compared to the pro-grade DSLRs that are considered "current" right now, I was surprised to find very little. The main differences really is that the pro-grade cameras have the LCD display on the top that would display all of your relevant camera settings, and then a few of them would also sport a full-frame sensor. Other than that, the differences are very minor. Something like maybe 1 or 2 frames less in burst mode or something like that. Nothing that would really jump out at you and make you regret not stepping up to the professional grade equivalent (Think it would be the 77D?). It actually has pretty much all of the big features of even their current pro-grade DSLRs, making the T7i probably one of the best prosumer DSLRs to buy.
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