I lost my CD that came with my Dazzle, so when I go into my computer and try to reload using the code that came with the product it doesn't work. You can never get a hold of anyone on the phone at the company. And if you push technical support for Dazzle or Avid they tell you to file a claim and see how to get a new ASC code that YOU HAVE TO PAY FOR. That is a bunch of crap, since this is their product. I would not recommend this product to anyone. They say the code they give you when you purchase the product is good for one customer service call, then after that you must purchase another code each and every time you need assistance. Obviously means this is a bad product, if you have to purchase technical support code each time you call them. Wouldn't recommend any of their products.
I make videos and brochures for a living, and one of the tolos I frequently use is Windows Movie Maker. There are two things I like about this software: first and foremost, is really easy to use: you can find all of the features easily on the user panel and add them with only one click, which is a pretty cool feature. The other thing I like is that adding music, credits, black and white effects, and many more additions to make your video creation more beautiful is also a piece of cake.
Like i said in my review of the Canon 77D however, I do wish the buttons were a little more pronounced because they are a little flat and hard to find when you’ve got your eye up to the viewfinder. At the top of the camera here you’ll notice that this is a little to the bigger brother the 77D. On the right the camera, we have your main mode dial. Essentailyl this where you can change the different setting that you want to shoot in whether that be automatic or the manual modes. One thing you’ll notice is that in the T7i you’re missing the mode dial lock that we saw on the 77d. This isn’t a huge deal to me but it’s one thing to be careful with so you don’t accidentally change your settings. At the top here we have a dedicated record button which is nice to see as well.
The last downside, and perhaps the biggest one for some people, is the lack of 4K video recording. It's kind of a disappointment that phones can do it now but this DSLR still cannot. There are some comparably priced DSLRs from Nikon and others like Sony that have this feature. But honestly, even without this I will still prefer to stay with Canon simply because your camera is only as good as your lens, and Canon has probably the best lenses out there, but definitely without question has the widest selection of lenses to choose from.

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I love movie maker. I have zero background editing videos. I can use files from my phone or my camera and upload them. I can lay over a recorded audio or song recorded with the regular voice recorder on my phone. And can add transitions just as easy as a PowerPoint. Exports into several different file types, all labeled by program. For example- YouTube channel video, face book video, emailing, etc
Final Cut Pro: Offers speed and power for the new generation of video editors. The latest edition boasts a clean new look and a low-profile interface that increases work space. An interesting feature is the improved Magnetic Timeline 2 feature that offers flexible layouts based on roles and automatic color coding. The latest release is ideal for the new MacBook Pro as it supports wide color workflows and the Touch Bar.
Magix is a bit of a sleeper as far as movie editors go, and honestly it does fall short in some of the higher level features that you’ll find in the big dogs like Final Cut and Adobe Premiere. But let’s start with the basics of what makes it great for a beginner, and that’s the fact that, well, it handles the basics really well. First off, it’ll run on most modern Windows machines, up through Windows 10, which is great for beginners because those people most likely won’t have the budget or desire to shell out for a Mac. So it’s software that will work out of the box for your affordable Windows machine. According to their website, the software has been going strong for 15 years, delivering upwards of 93 percent customer satisfaction on its iterations.
Adobe Premiere Elements 2018 is perfect for people who want to make home movies to share with friends, but who don’t have much video editing experience. It offers decent functionality for more experienced editors who don’t want to follow the walk-throughs, but other, more robust software might be better if you’re a power user pursuing YouTube stardom.
The granddaddy of video editing, Adobe Premiere Pro is the cross-platform, uber-popular timeline based video editor that’s long set the standard for video editing software. Capable of tackling nearly any type of video format, Adobe’s software is ready to produce video for any type of professional production, including film, television and the Web. Premiere Pro offers enough horsepower to handle 360-degree virtual reality video to 8K footage all in native format. It can even import and export footage from competitive software such as Final Cut Pro.
I like how simple Windows Movie Maker is to use. It don't come with pre-installed with Windows 10, but I was able to quickly download and install it. The controls are pretty straightforward and remind me of the controls on other Windows software, like Microsoft Word and Excel. I like being able to add basic effects and transitions without needing to set a ton of parameters.
If I had it to do over I would purchase a Firewire card with capture software (for a little less then I paid for this device) and edit the clips with additional software. Such software is expensive ($300 - $2000) but likely has better support. I'm thinking of purchasing the Adobe program. The DVC is adequate to capture clips as MPEG and adjust their quality.
A unique mix of video editing, visual effects and 3D compositing for filmmakers and professional motion artists. Everything you need in one product. Free edition HitFilm 3 Express also available. From short films to documentaries, commercials to vlogging - HitFilm has features for beginners and experts alike, combining depth and sophistication with an intuitive simplicity. Chief among the advancements are a powerful video editor, greater realism when rendering 3D scenes, advanced animation controls and a refined interface. Also included is HitFilm Ignite (over 140 plugins for all major video platforms), mocha HitFilm and BorisFX 3D Objects to create incredible title sequences.
Corel VideoStudio has all the characteristics of the other top-of-the-line products on this list, including 360-degree VR and 4k support, but it also has the distinction of being the first piece of consumer video editing software to offer motion tracking—which, if you’re not already familiar, is a feature that allows you to track specific objects throughout your cut (if you wanted, say, to point an arrow at one of your characters, blur out his face, or bestow him with a funny hat). Most of the products on this list come equipped with motion tracking, but VideoStudio still boasts one of the best motion tracking systems around.
Although it’s said to created intros for video ads or promo videos with logo stingers, I see no reason it’s only for a particular user. With Intro Video Creator, you can hold your customers till the end of your videos and maximize your video ads. But if you’re not a vendor, or an affiliate, you can still try this amazing product to make intros for personal uses. It will be the savior for your boring presentation.

Of course, none of the extras matter if an app can't do the most basic editing tasks. At this point, however, all of the products included here do a good job of letting you join, trim, and split video clips. They also let you make use of special effects such as animated transitions, picture-in-picture (PiP), chroma-key (the technique that lets you place a subject against any background, often known as green screening), and filters that enhance colors or apply creative effects and distortions. With most of them you can add a multitude of timeline tracks that can accommodate video clips, effects, audio, and text overlays.
Another great advanced tool found in PowerDirector Ultra is the multi-cam module. This allows you to import footage of an event taken from multiple sources, sync them up and then switch between angles easily. The result is a seamless single video that has the look and feel of a professionally produced piece. This is especially useful for events that have been recorded on several smartphones.

Ok—so to those of you working with PCs, this one won’t really apply; but we’d remiss to leave it off the list. If you’re looking for simplicity and elegance, it doesn’t get much better than Apple iMovie. iMovie’s ten high-fidelity filters are some of the classiest in the video editing game; and if you’re shooting on your iPhone, or have been editing a project on your iPad, you can use AirDrop to wirelessly and seamlessly transfer your project over to your Mac.


Cyberlink is often the first to roll out new and innovative tools and features. For example, it pioneered multi-cam functionality for consumer-level software. That technology was previously only found in professional programs like Adobe Premiere Pro and Final Cut Pro. Cyberlink’s basics are also top-notch. This program has a 99-track timeline, which gives nearly unlimited versatility. You can make simple videos quickly but also delve deeply into complex projects. You may never edit a feature film with this software, but it is more than capable of that task. In our ease-of-use tests, PowerDirector earned an A. Our reviewers noted that the interface is intuitive, the tools are accessible, and even the most advanced features are simple to learn. You can unlock the fullest potential of the program easily if you learn how to use the tools properly.
Because it's so deeply entwined with the macOS, iMovie was one of the fastest apps when it came to encoding video. Once that's finished, it also gives you plenty of sharing options: You can upload directly to YouTube, Facebook and Vimeo, and share any video frame as an image. When you couple iMovie with iMovie Theater and iCloud, you can also view your creations on any Apple device or via Apple TV.

The granddaddy of video editing, Adobe Premiere Pro is the cross-platform, uber-popular timeline based video editor that’s long set the standard for video editing software. Capable of tackling nearly any type of video format, Adobe’s software is ready to produce video for any type of professional production, including film, television and the Web. Premiere Pro offers enough horsepower to handle 360-degree virtual reality video to 8K footage all in native format. It can even import and export footage from competitive software such as Final Cut Pro.
Many video editing apps now include tools that cater to users of action cameras such as the GoPro Hero7 Black. For example, several offer automated freeze-frame along with speedup, slowdown, and reverse time effects. CyberLink PowerDirector's Action Camera Center pulls together freeze frame with stabilization, slo-mo, and fish-eye correction, and color correction for underwater footage. Magix Movie Edit Pro Premium includes the third-party NewBlue ActionCam Package of effects. And Wondershare Filmora lets you subscribe to new effect packs on an ongoing basis.
The ISO is also quite high for a prosumer grade camera, at 25,600. Obviously even with the best cameras using very high ISO's will result in more noise in your photos, but when it's capable of such high maximum ISO's, that means you can push the ISO numbers higher with less noise. For an example, with my T3i, once I hit ISO800, the image is already getting quite noisy. On the other hand, with the T7i, I've shot photos at ISO6400 (8x that for you not so handy at math, lol) before I start to notice some noise. So low-light photography is actually quite nice with the T7i, as are low-light movies.
The Powershot GX 3 I purchased to backup my EOS 7D Mark II didn't work out because of the steep drop-off in IQ. I decided to give the EOS M6 a try after reading up on mirrorless cameras, and noting that the M6 sports an APS-C sensor. I took it for a shoot at a botanical garden the day after receiving it, and I'm generally pleased with the results. I shot mainly with the EF-M 18-150mm lens, and I made sparing use of the EF-M 11-22. Both lenses produced some decent shots, and they kept the overall size and weight of my gear down. I've humped the 7DMKII with a Sigma 50-150mm lens, and I'm inclined to forgive a small dropoff in IQ in return for a much smaller, lighter kit. The M6 may struggle to backup to the 7DMKII for action shots. The 7DMKII focuses more quickly and rattles off 10 frames in the blink of an eye. That said, the M6 did a creditable job of capturing a macro shot of a flower-hopping Bumble Bee (photo attached). It's going to take time to get used to using the tilt screen instead of a viewfinder for composing shots, but it became more comfortable the more I shot. Bright sunlight is a challenge, but not an insurmountable one. The tilt screen also helped in framing close to the ground shots without having to dig my knees in the dirt. Time will tell, but first impressions of the M6 are quite positive.
Matt, and his partner Todd, have been creating videos for years, and they have spent the last six months working nonstop on creating an opportunity for you that is unlike anything you’ve ever seen… You see creating a video commercial tends to be complicated. You need access to decent graphics, a good script, and the talent to put it all together. BUT Matt and Todd have done all of that for you. These videos are all ready to go, and customizing them couldn’t be easier.
I am a total beginner at editing, but I understand programs quite fast. To make a simple video was no big deal, also the tools like audio capture and screen capture are nice to have and you do not need extra programs for it. As it goes for the free solution it is just great. I also think the company philosophy for providing a free edition is great in this point.
I purchased this product last weekend and love it so much, I'm buying a second copy later this week! I teach college and my summer project is to put all my lectures on Powerpoint. I hate learning new software and don't have the time for a drawn out learning curve. It took me minutes to set this up, and another hour or so to discover that this actually does almost everything I need (a phone call this afternoon to the tech help desk which kept me on hold for less than five minutes--a resonable wait in my opinion--explained that I couldn't do what I asked about. But I can do everything I need as far as audio goes, I can record decent video via VCR, and the television image I can monitor with software on my 'puter screen is actually clearer than on my television monitor (albeit much smaller). So I'm happy enough to try another copy (for work). I suppose in another year or so something better will come out, but for the casual video-editor who doesn't want to pour over tech specs, this is great!
Purchasing the full version of VideoStudio Ultimate X10 adds a whole extra set of options that beginners will quickly love, including multi-monitor support, easier title creation, and even stop-motion animation. Corel supports almost every output format imaginable, so it's ideal for sharing socially or for hosting online for the world to see. Another highlight for beginners is the inclusion of storyboard mode, which will help draft the exact vision they have in mind for a finished product without wasting hours and days on edits that may never see the light of day.
We also reached out to professionals who use video editing software on a regular basis and asked what aspects are most important to look for in consumer-level programs. Drew Tyler, instructor of digital media at Weber State University, told us there are two primary questions to answer: “Does it fit your eco system?” and “How much do you want to grow into the software?”
True. The 80D “only” shoots up to 1080p HD. If you want 4K, look elsewhere — if you’re into landscapes or travel videography, this may matter to you. The world though is still mostly operating in 1080p. Keep in mind, 4K will multiply (significantly) your storage requirements, in addition to processing power needed to edit and render. Only you can decide if this is the time to make the jump (I still think mainstream 4K adoption is 2+ years away). I love my 4K computer monitors because fonts are razor sharp. Yet, I don’t see substantive different between 80D images and those, say, from a Panasonic G7. The latter looks somewhat digital to my eyes, though it’s still a fine little camera.
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