First is the 1.6x multiplier you get to have for free with telephoto lenses. Because the APS-C sensor is smaller, you're basically "cropping" the image that comes in a lens made for a full-frame camera. Thus the term "crop sensor" used to describe something like an APS-C sized sensor. But rather than cropping the image post-process, all of the camera's light sensing pixels work within this cropped area. So if you buy a lens that is meant to work on a full-frame camera (the way you can tell is by the prefix. An "EF" lens is a full frame lens while an EF-S lens is made for the APS-C sensor. You can use an EF lens on any camera, full frame or APS-C, but if you use an EF-S lens on a full-frame camera the edges of the image will be cut off by the edge of the lens), whatever the specifications are, multiply that by 1.6. So for example, I bought the EF 70-300mm IS II USM lens to use with this. So being that this is an APS-C camera, that lens for me is effectively a 112-480mm lens. Of course the downside of this is if you want a more wide angle, a 10mm EF lens would actually be 18mm, meaning no longer wide-angle. But for those you just make sure to buy an EF-S lens, then the specifications will be correct. For me I have the EF-S 18-135mm IS USM lens for it, and at 18mm it's perfect for general use wide-angle photography. If I wanted even wider there is an EF-S 10-18mm lens out there as well.

Great camera! Love the tilt up screen, small size, and build quality. The new control knobs for the manual operating modes are very easy and intuitive. The touch screen system is great. I own an earlier model M1 and the focusing on this M6 is very fast and accurate. The WiFi link to a smart makes moving pics to the phone fast. I take lots of travel pictures and they have been great with this camera.


Magix is a bit of a sleeper as far as movie editors go, and honestly it does fall short in some of the higher level features that you’ll find in the big dogs like Final Cut and Adobe Premiere. But let’s start with the basics of what makes it great for a beginner, and that’s the fact that, well, it handles the basics really well. First off, it’ll run on most modern Windows machines, up through Windows 10, which is great for beginners because those people most likely won’t have the budget or desire to shell out for a Mac. So it’s software that will work out of the box for your affordable Windows machine. According to their website, the software has been going strong for 15 years, delivering upwards of 93 percent customer satisfaction on its iterations.
If you are familiar with Windows software, Movie Maker has a lot of functionality - and if you know where to look. The product has a small learning curve if you want to do simple tasks like edit video length or add audio. You can simply drop in video and the interface can easily be navigated. You can save video into different formats or extract audio with ease.
Final Cut Pro: Offers speed and power for the new generation of video editors. The latest edition boasts a clean new look and a low-profile interface that increases work space. An interesting feature is the improved Magnetic Timeline 2 feature that offers flexible layouts based on roles and automatic color coding. The latest release is ideal for the new MacBook Pro as it supports wide color workflows and the Touch Bar.
For starters, they’ve added in some crazy seamless morph transitions to help you blend together all the parts of your visual story. They’ve thrown in a pretty unique paintbrush filter effect that will work in tandem with already-shot video, letting you transform raw, live footage into living animations. Not only does Studio 21 Ultimate offer support for uploading 360-degree video but they’ve included a surprisingly intuitive set of trim, edit and control features for 360 video that will let you ensure your viewer gets the exact immersive experience you want.
These aren't just your quick videos that give a few tips. These videos are based on the weekly Video Creators podcast and take time to go more in-depth and explore the details of growing a YouTube channel and an audience. Sometimes they're live streams, other times they're long-form interviews. Either way, you'll enjoy digging deeper into audience growth topics in this playlist.
There is one major hang-up with DVD authoring software: DVDs were invented before the advent of high-definition video. As such, they can only display standard-def footage. Since most videos are now shot in HD quality, your DVD authoring program has to compress the footage before it can burn it to a disc. This compression resulted in significant quality loss in each of the products we reviewed.
Matt, and his partner Todd, have been creating videos for years, and they have spent the last six months working nonstop on creating an opportunity for you that is unlike anything you’ve ever seen… You see creating a video commercial tends to be complicated. You need access to decent graphics, a good script, and the talent to put it all together. BUT Matt and Todd have done all of that for you. These videos are all ready to go, and customizing them couldn’t be easier.
Aside from video, images and audio can also be incorporated into your project by simply dragging your desired multimedia into the project area and arranging them in timeline-like fashion. The resulting video can always be previewed in real time, as well as any effects — themes, text, music, voice-overs  — before exporting the file directly to YouTube, Facebook, or a wealth of other platforms.
Hay un par de cosas que no me gustan tanto: lo primero es que algunos videos cortos (menos de un par de mega bytes) pueden retrasar el software, y te llevará mucho tiempo. para terminar de subirlos a Windows Movie Maker. Por ejemplo, a veces, cargo un video corto para editar, y está listo en unos segundos. Pero luego, cargo otro video más corto para editar, pero esto lleva mucho tiempo para estar listo. Lo último que no me gusta es que el software deja de funcionar algunas veces.
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