That’s assuming you’re just exporting files. You may want to burn a DVD or Blu-ray disc, or upload your videos directly to YouTube or Facebook. Each of these comes with its own set of necessary features that some apps have and others don’t. For disc burning, you need not only support for the right formats, but DVD menu authoring tools so viewers can navigate what you’re presenting. On the social side, it’s much easier if the application syncs up directly with your account online and allows you to enter metadata like a description, tags, and privacy settings.
There are times when you don't want to share your video with the entire world. Burning a disc of your video is an excellent way to finish and personalize your creation. PowerDirector comes with several menu templates, but it also allows you to build custom menus. You can add chapters to your videos as well as features such as subtitles for the hearing impaired. You can create a disc for any purpose, whether it be as a gift for family, a screener for an independent film or a professional presentation for colleagues.
First is the 1.6x multiplier you get to have for free with telephoto lenses. Because the APS-C sensor is smaller, you're basically "cropping" the image that comes in a lens made for a full-frame camera. Thus the term "crop sensor" used to describe something like an APS-C sized sensor. But rather than cropping the image post-process, all of the camera's light sensing pixels work within this cropped area. So if you buy a lens that is meant to work on a full-frame camera (the way you can tell is by the prefix. An "EF" lens is a full frame lens while an EF-S lens is made for the APS-C sensor. You can use an EF lens on any camera, full frame or APS-C, but if you use an EF-S lens on a full-frame camera the edges of the image will be cut off by the edge of the lens), whatever the specifications are, multiply that by 1.6. So for example, I bought the EF 70-300mm IS II USM lens to use with this. So being that this is an APS-C camera, that lens for me is effectively a 112-480mm lens. Of course the downside of this is if you want a more wide angle, a 10mm EF lens would actually be 18mm, meaning no longer wide-angle. But for those you just make sure to buy an EF-S lens, then the specifications will be correct. For me I have the EF-S 18-135mm IS USM lens for it, and at 18mm it's perfect for general use wide-angle photography. If I wanted even wider there is an EF-S 10-18mm lens out there as well.
Other video editing applications have dedicated tracks for video, audio, images, effects, etc. Object based editing makes the program more dynamic and easier to manage tracks. This program also employs proxy editing, in which the program creates lower-resolution copies of videos to use during the editing process. This cuts down on the time it takes to import, render and preview projects before you export them. When you’re done, it uses the original source files to export the final project.
After struggling with GoPro Studio's constant glitches and quirkiness, I finally got fed-up enough to search for an editor that fits my needs. For me that was something simple, reliable and actually usable. I didn't need a lot of features yet, just a means of basic editing without freezing-up. Very reliable! Two things I noticed that were minor issues for me: 1. - audio/video syncing during editing/preview was an issue that was solved by rendering often, 2. - I'd like the fade transition to be more smooth and adjustable but maybe I have to look into this a bit more. Overall a pleasure to use. I actually look forward to using it compared to the dread I felt using GoPro Studio, which isn't even available to download any more. Another appropriate review I read of GoPro Studio was that it was free, powerful and dysfunctional.
Particularly intensive is the process of rendering your finished product into a standard video file that will by playable on the target device of choice, be that an HDTV, a laptop, or a smartphone. Most of the software can take advantage of your computer's graphics processor to speed this up. Be sure to check the performance section in each review linked here to see how speedy or slow the application is. In rendering speed testing, CyberLink and Pinnacle have been my perennial champs.
Whether you’re a professional video editor or an amateur, video is a universal way to enjoy, share and create memories that can last forever. No matter if you’re capturing life’s best (and worst) moments via a smartphone, DSLR or even a point-and-shoot camera, editing video will allow you to highlight and share the footage with the world. Which video editor you use to ship your final product is best determined by your needs, the type of computer you own and, of course, your budget. With those factors in mind, here’s our take on the best video editors available today.
Wondershare Filmora supports a wide range of video formats, including .MP4, .AVI, .MOV, .AVCHD and many more. It also enables you to crop, trim, cut, split and even combine footage with a few easy clicks of the mouse. What's more, it also provides various filters and visual effects to help you touch up your video. Currently, there are more than 300 builtin effects available, and you can find more effects on Filmora Effects Store.
It’s little sister, Adobe Premiere Elements provides a taste of what you can expect from Premiere Pro. It’s great for quick and easy DVD authoring, making professional-looking discs from the computer you’re using right now. It should be noted that the workflow is much different in Elements than Premiere Pro. Nevertheless, it teaches you the ins-and-outs of video editing by boiling it down to its most basic functions. Once you learn the basics, and feel like you’re ready to graduate to the full program, you can use transfer your Elements projects to Premiere Pro.
Even though Windows Movie Maker has a wide variety of special effects, some of them look a little tacky when implemented. Especially if you use a lot of them within a short span of one video. Also, a great feature of Windows Movie Maker is that you can add subtitles to your video. The problem is that this can become a little tedious when you have to manually put them in.
Here's my first experience. I use Windows 2000 on a PIII 550Mhz, with 256 RAM and 20 Gig EIDE harddrive. When Dazzle arrived, I followed the directions and installed the software and put the plug in the USB port and then discovered that this software only works with Windows 98. I visited the Dazzle web site and found out that you have to purchase a program called Movie Star is you want to use it with Windows 2000. I wound up ordering the software for [more $] plus shipping. Once, I received the new disk, I installed it, and once again, it did not detect the unit when I plugged it into the USB port. And again, I visited the Dazzle web site. I discovered that they have posted a patch for the Movie Star software that fixes "some minor problems." I downloaded and installed the patch and after rebooting the machine, I was able to get it to detect the unit.
Other recent features include a basic audio editor, the option to make previews for apps you’ve developed, and the even ability to make your own movie trailers complete with transitions and end credits. It’s not a tour de force in terms of video editing, but it’s perfectly suitable for home videos and minor projects. Consider combining it with free audio recording software!