The set of features provided in Windows Movie Maker is, yet again, quite modest. You can use only a handful of effects and transitions there, compared to the impressive collection offered in Movavi Video Editor Plus. The same goes for title presets. When you edit your projects, whether at home or in the office environment, you’d probably want a bit more room for creativity. This is precisely what is available to Movavi users, together with handy features like callouts, auto adjustment, and timeline mode.

For the most advanced, least fiscally prudent of beginners, there’s Apple Final Cut Pro X. $299.99 might be a little steep for a product you may well have a difficult time understanding; but for those among you who enjoy a challenge, and who aspire to some level of professionalism in video editing, why not go for it? Apple has made the transition from iMovie to Final Cut Pro more painless than ever—so if you’re the kind of guy or gal who enjoys him/herself an Apple product, and has worked with iMovie to the point of mastery, it might be time to splurge on Final Cut Pro. The power is still daunting; the interface, significantly less so.   
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Ignore all the unfavorable reviews of the Dazzle DM4100, unless you like AOL or would recommend AOL to a friend. I tend to be a tough critic when it comes to inferior technology, but the Dazzle TRULY IMPRESSED ME!!! 15 minutes to install on an AMD K6-450 notebook, default settings, smooth 30fps better-than-VHS capture, and a reasonable price. Yes, the video out works well too, naysayers! OK, I had to figure out a couple of software issues as I experimented with options, but if you can't deal with software quirks, you shouldn't own a PC !! ....but if you do, you probably think "AOL is #1" means AOL is the best. No, it just means an unrelenting high-budget sales campaign can easily brainwash the cranially-challenged. The rest of us just ignore the ads, and enjoy using quality products like the Dazzle 4100, without opening the manual, or whining to/about tech support.
But the supplied "MovieStar" capture/editing software's editing functions won't work and the program remains unstable. I keep getting errors like "Unable to build temporary movie for unknown reasons." Of course I read their FAQ and the manual (no section describing the problem.....no troubleshooting section). So far, I am unable to do anything with the clips but trim the ends to shorten them. To do this I have to "produce" a new clip for each editing function. I cannot combine clips by inserting transitions. And it still crashes the system....even with nothing else running. I suspect it is not compatible with my GeForce 256 video card. So I emailed their "support" address through their website [...] explaining the problem and got back a computerized response. Then I called their "support" number (long distance.....not an 800#) and was put on hold with the explanation that the California phone system was on the bugger implying that if I couldn't get hold of them it wasn't their fault. So, I left them a voice mail message with my office number. They called and left me a email where I was supposed to be able to get email support from them (anthonyp@dazzle.com) which was returned to sender.
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If you want something that is aimed more at the professional from a marketing standpoint, it couldn’t hurt to look into the Vegas Pro line. On its 15th iteration, Vegas has introduced a ton of new features, from hardware acceleration harnessing Intel QSV to a picture-in-picture OFX plug-in, all the way to a super intuitive new instant freeze frame option for referencing shots without stopping workflow. If you opt for the premium, upgraded package (which won’t run cheap), you’ll even get an exhaustive package of NewBlueFX fIlters to color your projects like a true Hollywood flick. What’s interesting about Vegas, and what we think gets overlooked, is they’ve attempted to give you an intuitive set of controls that takes the best of Final Cut, Premiere and others and merges them into one. Sure, it might not have the streamlined, Adobe CS-friendliness of Premiere, nor is it even compatible with Macs, but that’s OK. The workflow in this might just give certain users who can’t quite jive with the other guys a place to truly shine.
Those looking for a powerful editor with a huge variety of built-in resources and responsive technical support may be better off dropping some cash on a consumer video-editing program, like award winners Adobe Premiere Elements, CyberLink PowerDirector or Corel VideoStudio. However, first consider trying out software such as HitFilm Express 2017, VideoPad, DaVinci Resolve or VSDC, which offer all of the basics for free, and then purchasing additional features à la carte or simply upgrade as your experience and needs grow.
For the most advanced, least fiscally prudent of beginners, there’s Apple Final Cut Pro X. $299.99 might be a little steep for a product you may well have a difficult time understanding; but for those among you who enjoy a challenge, and who aspire to some level of professionalism in video editing, why not go for it? Apple has made the transition from iMovie to Final Cut Pro more painless than ever—so if you’re the kind of guy or gal who enjoys him/herself an Apple product, and has worked with iMovie to the point of mastery, it might be time to splurge on Final Cut Pro. The power is still daunting; the interface, significantly less so.   
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True. The 80D “only” shoots up to 1080p HD. If you want 4K, look elsewhere — if you’re into landscapes or travel videography, this may matter to you. The world though is still mostly operating in 1080p. Keep in mind, 4K will multiply (significantly) your storage requirements, in addition to processing power needed to edit and render. Only you can decide if this is the time to make the jump (I still think mainstream 4K adoption is 2+ years away). I love my 4K computer monitors because fonts are razor sharp. Yet, I don’t see substantive different between 80D images and those, say, from a Panasonic G7. The latter looks somewhat digital to my eyes, though it’s still a fine little camera.
This free video editor makes it a cinch to export your creations to YouTube, Facebook, Dropbox, Flickr, Google Drive and an assortment of mobile devices through a simple pull-down menu. You have to sign in to these services first. And while YouTube uploaded directly to my channel without incident, you may have to save your video to your hard drive with social media specs and then upload to the social network yourself.
He went on to say that your end goal should also play a big part in your decision, advising that if you’ll edit video infrequently, you should get simpler software. “If it’s a one-off project, the fewer whistles the better,” Tyler said.  He called out Adobe Premiere Elements and Wondershare Filmora as good choices because they have easy-to-understand workflows for non-editors.
Next, is to import the media file that you want to edit. Click on “Import” at the top left and choose the location from where you want to import the files. You can import from local drive by clicking on “Import Media Files,” download online or import from a device once you connected it to the computer. You can also, drag and drop media files to the program.
Another hidden "cost" is periodic or even constant in-line advertising or reminders that an upgrade is available. Our favorite program, HitFilm, never pushes an upgrade on you, but it makes you go through a social media and authorizing song and dance to download the product or switch computers. VideoPad (on the Mac) makes you verify at every launch that you are using the free version for noncommercial purposes.
There are more video editing software applications than we can fit into this roundup of the best options, which includes only software rated three stars and higher. The best known among them is probably Vegas Movie Studio, which was recently acquired by Magix from Sony. Sony's product used a very cluttered interface that more resembled high-end professional video editing software from the early days of the craft. Magix has made some progress in simplifying it and bringing it up to par with the competition, but more work is needed for it to be included here.

So—we stretched the meaning of “software” a bit earlier; now, we’re going to stretch the meaning of “beginner.” We included CyberLink PowerDirector on this list because its interface is, at the end of the day, pretty straightforward. Head to the product page, run through the tutorials, and you’ll be alright. There is within the interface, however, an embarrassment of options and effects. If you’re not willing to invest the time in learning all of them, it can get a bit overwhelming. 

At $80 Corel VideoStudio Ultimate X10.5 combines an elegant and professional-feeling interface with high-end specialty features like 3D and 4K Ultra HD, making it one of the most satisfying and versatile consumer-level video editors on the market. It also has an elegant, modern-looking user interface, and can export to YouTube, Facebook, Flickr, and Vimeo with all the options you’d expect. It’s versatile, efficient, and top of its class. (Read our full review.)

Premiere Clip is perfect for creatives whose videos are bound for social media channels like YouTube and Instagram. You can easily import video clips from places like your phone, Lightroom, Creative Cloud and Dropbox, and then use the app’s Freeform editor to trim or split clips, adjust exposure and highlights, add audio and more. And, of course, you can add filters, which is a given in today’s social media sphere.
The Easy Editor launches the Magic Movie Wizard to help you create a finished video in just a few minutes. All you have to do is load the clips you want in the video, select the style of video and pick your background music. The program then analyzes your footage with its Magic Style algorithms to pick out the best shots in your footage and arrange them into a finished project. When you preview this generated video, you have the option to do some fine-tuning in the Full Feature Editor.
Tyler explained that the software you buy should complement the hardware you use, as well as the type of project you’re working on. “You want to have software that will work well with your phone, digital camera, action cam or whatever you’re shooting on. If you plan on shooting on a lot of different devices, you want a program that’s compatible with a lot of different formats.”

Matt, and his partner Todd, have been creating videos for years, and they have spent the last six months working nonstop on creating an opportunity for you that is unlike anything you’ve ever seen… You see creating a video commercial tends to be complicated. You need access to decent graphics, a good script, and the talent to put it all together. BUT Matt and Todd have done all of that for you. These videos are all ready to go, and customizing them couldn’t be easier.
Windows Movie Maker es realmente fácil de usar. Lo que más me gusta de este software gratuito es que me permite arrastrar y soltar los videos que tengo dentro, y luego me permite editarlos y unirlos fácilmente. También me encanta el menú superior que me permite agregar texto, música e incluso efectos (como la imagen de video HQ y las "texturas" en blanco y negro), solo haciendo clic una vez en la opción deseada. Realmente creo que editar videos es muy fácil cuando uso Windows Movie Maker.
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