Whether you’re a professional video editor or an amateur, video is a universal way to enjoy, share and create memories that can last forever. No matter if you’re capturing life’s best (and worst) moments via a smartphone, DSLR or even a point-and-shoot camera, editing video will allow you to highlight and share the footage with the world. Which video editor you use to ship your final product is best determined by your needs, the type of computer you own and, of course, your budget. With those factors in mind, here’s our take on the best video editors available today.
First is the 1.6x multiplier you get to have for free with telephoto lenses. Because the APS-C sensor is smaller, you're basically "cropping" the image that comes in a lens made for a full-frame camera. Thus the term "crop sensor" used to describe something like an APS-C sized sensor. But rather than cropping the image post-process, all of the camera's light sensing pixels work within this cropped area. So if you buy a lens that is meant to work on a full-frame camera (the way you can tell is by the prefix. An "EF" lens is a full frame lens while an EF-S lens is made for the APS-C sensor. You can use an EF lens on any camera, full frame or APS-C, but if you use an EF-S lens on a full-frame camera the edges of the image will be cut off by the edge of the lens), whatever the specifications are, multiply that by 1.6. So for example, I bought the EF 70-300mm IS II USM lens to use with this. So being that this is an APS-C camera, that lens for me is effectively a 112-480mm lens. Of course the downside of this is if you want a more wide angle, a 10mm EF lens would actually be 18mm, meaning no longer wide-angle. But for those you just make sure to buy an EF-S lens, then the specifications will be correct. For me I have the EF-S 18-135mm IS USM lens for it, and at 18mm it's perfect for general use wide-angle photography. If I wanted even wider there is an EF-S 10-18mm lens out there as well.
This is great for setting your composition because it means you can take photos from up high or down low without having to look through the viewfinder. And if you’re a youtube or a blogger, having the ability to flip the screen completely around is great, because it means you can see yourself while you’re filming, which is what I’m doing right now. A little tip is that if you get one of those cheap $5 remotes off of amazon, you start and stop your recording without ever having to touch the camera.

Corel VideoStudio has all the characteristics of the other top-of-the-line products on this list, including 360-degree VR and 4k support, but it also has the distinction of being the first piece of consumer video editing software to offer motion tracking—which, if you’re not already familiar, is a feature that allows you to track specific objects throughout your cut (if you wanted, say, to point an arrow at one of your characters, blur out his face, or bestow him with a funny hat). Most of the products on this list come equipped with motion tracking, but VideoStudio still boasts one of the best motion tracking systems around.
BIGVU is a mobile app-based video production tool that allows individual and small size video developers to shoot and post videos on various platforms. BIGVU offers three independent solutions - Social Video Creator, Video Presentation and Mobile Journalism. The suite can be used to create a variety of video contents such as marketing videos, sales pitches, news, social posts, training videos and online tutorials.
Every other program has dedicated tracks for each type of media such as video, audio, images, etc. The fact that you can use any media on any track makes this software much more dynamic and provides more control over your project. However, the DVD authoring tools in this program fall short of the best we tested. For example, you don’t get the ability add bonus features or save a disc image to your hard drive. While neither of these things are a deal-breaker, they’re both found in our top pick for this category.

First is the 1.6x multiplier you get to have for free with telephoto lenses. Because the APS-C sensor is smaller, you're basically "cropping" the image that comes in a lens made for a full-frame camera. Thus the term "crop sensor" used to describe something like an APS-C sized sensor. But rather than cropping the image post-process, all of the camera's light sensing pixels work within this cropped area. So if you buy a lens that is meant to work on a full-frame camera (the way you can tell is by the prefix. An "EF" lens is a full frame lens while an EF-S lens is made for the APS-C sensor. You can use an EF lens on any camera, full frame or APS-C, but if you use an EF-S lens on a full-frame camera the edges of the image will be cut off by the edge of the lens), whatever the specifications are, multiply that by 1.6. So for example, I bought the EF 70-300mm IS II USM lens to use with this. So being that this is an APS-C camera, that lens for me is effectively a 112-480mm lens. Of course the downside of this is if you want a more wide angle, a 10mm EF lens would actually be 18mm, meaning no longer wide-angle. But for those you just make sure to buy an EF-S lens, then the specifications will be correct. For me I have the EF-S 18-135mm IS USM lens for it, and at 18mm it's perfect for general use wide-angle photography. If I wanted even wider there is an EF-S 10-18mm lens out there as well.
The motion tracking tool is great for advanced editors who want to give their videos a special look. It allows you to isolate a moving object, person or other element and then apply effects that will follow them through the video. This is great for situations such as when you want to brighten up the colors on a person but keep the background the way it is, or even change it to black and white.
It splits its interface into two modules: Express and Advanced. These two modes function similar to the storyboard and timeline modes most other software use. Once you get the hang of it, you’ll be pleased with the quality of the transitions and effects the software has to help you create videos. Nero Video also supports third-party add-ons. However, it doesn't provide many exporting options, so check that it supports the formats you want to use before you buy. Also, even though this DVD authoring software comes with dozens of transitions, text effects and other effects, it doesn't have as many as other products we reviewed. Still, there may be enough for your needs. This application can create chapters automatically, and you can also insert music and voiceovers. When importing files, you can capture video, audio and images from your computer or any device you connect to it. Before you take the time to burn your project to a disc, you can use the playback option to see how it will work. This DVD authoring software can burn your movies to DVD, AVCHD, CD and Blu-ray discs, as well as save files on your computer or upload them to the internet.
We evaluated each program’s interface and workflow to see how intuitive they are. We tracked the number of clicks it takes to access and use common tools. If a tool is difficult to find, awkwardly implemented or counterintuitive, it can slow down your edits. We quickly discovered that the more accessible everything is, the better the editing experience will be. We gave each program an A to F grade based on this evaluation. 
He went on to say that your end goal should also play a big part in your decision, advising that if you’ll edit video infrequently, you should get simpler software. “If it’s a one-off project, the fewer whistles the better,” Tyler said.  He called out Adobe Premiere Elements and Wondershare Filmora as good choices because they have easy-to-understand workflows for non-editors.
You’ll find the familiar timeline/storyboard workflow, along with other basic tools such as titles and credits, effects and transitions, and a chroma-key (green screen). It also has some, but not all, of the advanced tools you need to make an outstanding video. You’ll get a video stabilizer to smooth out shaky footage, 4K compatibility for footage from the newest cameras, 3D editing, motion tracking and more. These are all great tools, and it’s a great bang for your buck. But there are some significant trade-offs. For example, there are no themes or templates. So, you’ll need to build every project from scratch – not very appealing to beginners. It also lacks an automatic video creator and slideshow creator, which are also great for novices. This program lacks multi-cam and 360-degree editing features that you would find on more expensive programs. If you want the newest, greatest effects and tools, this is not the program for you. In addition, the program’s interface is in bad need of a face-lift, and has been for years. It’s kind of hard to get around, and it will require working through a few projects before you can use it effectively.
Both DaVinci and VSDC mix paid features in their basic programs, but they do not explicitly mark these features as such. However, if you try to use them, you'll get an error message and an ad. We can't fault the software companies for trying to get users on board with paid versions, but just be warned that such annoyances are the hidden cost of otherwise-free video apps.

Although this software makes a decent job, it has its cons. For example, I don´t like that there aren´t any options to directly add text to a piece of video, and it´s even worse that you cannot export your own custom font styles into the software. It would be a great and awesome addition if there was on option inside Movie Maker that allowed users to drag and drop text, images and any other objects that made video creation and editing more sophisticated.
Since each organization has specific business wants, it is sensible for them to abstain from searching for a one-size-fits-all perfect software solution. Needless to say, it would be pointless to try to find such a system even among widely used software applications. The intelligent thing to do would be to list the various vital elements that need consideration such as key features, budget, skill levels of staff members, company size etc. Then, you should do your research thoroughly. Read some Windows Movie Maker reviews and check out each of the other apps in your shortlist in detail. Such in-depth homework can make sure you weed out ill-fitting systems and zero in on the system that provides all the elements you need for business success.

Your audience is the strangest creature in the world. They can spend all day long keeping refreshing their newsfeed with no purposes. But they’ll rarely be patient enough to watch a 2-minute video if they’re not attracted in some first seconds. They will cruelly scroll by your effort-consuming without giving you another chance. So the question is how to capture their attention right at the beginning? And that’s why you need to read my Intro Video Creator Review now!
Another feature that's new to me coming from a T3i that I love is the grid that you can have showing in the view-finder. Before you had to buy a replacement viewfinder eye-piece to get a grid and they didn't offer one for the T3i. Now it's done digitally and it's awesome. My only gripe is that you can't actually customize what grid pattern you want. But it's definitely a step in the right direction.
We combined a text opener with five clips linked by a cross-fade-type transition into a 2.5-minute video shot at 60 frames per second, and rendered the projects to the MPEG-4 format at 720p. We timed rendering at both 60 fps and 30 fps. We adjusted settings to take advantage of hardware acceleration for all tests whenever possible, setting them in either the preferences or the rendering controls for the best speeds. Apple’s iMovie, the lone Mac-only app, is not included in the timed comparisons.
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