Whether you’re a professional video editor or an amateur, video is a universal way to enjoy, share and create memories that can last forever. No matter if you’re capturing life’s best (and worst) moments via a smartphone, DSLR or even a point-and-shoot camera, editing video will allow you to highlight and share the footage with the world. Which video editor you use to ship your final product is best determined by your needs, the type of computer you own and, of course, your budget. With those factors in mind, here’s our take on the best video editors available today.
Disc authoring tools are another essential feature to consider if you intend to distribute DVDs or Blu-ray discs of your videos. Authoring options can be quite extensive; for example, you may be able to insert chapter markers, build disc menus and include extra features, just like in Hollywood-produced movies. The best video editor programs have a lot of authoring tools.
I'm in the market for a free or inexpensive movie editor. I am hoping to find editing software that allows you to attach audio clips to still photos or video clips. Imagine that you have 20 vacation photos each playing for 5 seconds. You add audio to describe each photo. Then, you drag the 3rd photo to the 11th position. I need (want) an editor that will drag your audio along with the photo. In Windows Movie Maker when you moved a photo the audio did not drag along with it.
We still live in the days of talkies, so you want to be able to edit the audio in your digital moves as well as the images. Most of the products included here offer canned background music, and many, such as Pinnacle Studio, can even tailor the soundtrack to the exact length of your movie. All of these programs can separate audio and video tracks, and most can clean up background noise and add environmental audio effects such as concert hall reverb. A couple of the products have an auto-ducking feature, which lowers background music during dialog—a definite pro-level plus.
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This program checks in at about 26MB, which isn't gigantic, but is still relatively large. For that, you'll get a program that is a dead ringer for professional editing programs. It has the same sort of timeline editing style that lets you combine multiple cuts, add transitions, and render them into a complete project. As such, it isn't very easy to use unless you really know what you're doing. Few things are labeled or intuitive, and all of your tools are spread out across multiple menus. If you can find the features, there are plenty of ways to cut, reshape, and modify your video's picture and audio, though. You can even kick the quality up to 30 FPS and 1080p HD. VSDC Free Video Editor supports just about every video format you can think of, so you'll have no problem turning any video into a project.
For the amateur video editor, all the functionality that's available can be a bit overwhelming. But if you're looking to produce truly professional-quality video -- without having to deal with watermarks -- Blender is a solid option. The best part: "You are free to use Blender for any purpose, including commercially or for education," according to its website. For the fine print, check out its licensing info.
We also spoke with Richard Dutcher, an independent filmmaker and director of eight feature films including “Brigham City,” “Falling," "God's Army” and “Evil Angel.” He told us that the time you spend learning a new program is at a premium. “I like things that are intuitive and with the fastest learning curve. The less time spent becoming familiar and proficient the better. The sooner I can get to work and putting the film together - that’s the most important thing to me.”
Another program, VSDC Video Editor Pro, simply has too outdated an interface, making common tasks difficult. Longtime pro video editors will note the absence of Avid Media Composer, which is simply too unwieldy for PCMag's primarily consumer audience. There are a couple of more interesting applications—NCH VideoPad and AVS Video Editor among them—that we simply haven't tested yet.
Particularly intensive is the process of rendering your finished product into a standard video file that will by playable on the target device of choice, be that an HDTV, a laptop, or a smartphone. Most of the software can take advantage of your computer's graphics processor to speed this up. Be sure to check the performance section in each review linked here to see how speedy or slow the application is. In rendering speed testing, CyberLink and Pinnacle have been my perennial champs. /injects>
There is an awesome video creator called "VideoMakerFX". Althought, it may seem that it is a typical software of that type,but it has a lot distinquishable features,which will help you to create the best video. However, it costs quite a lot, but you can download it with a 40% discount using the following link: https://bit.ly/2Obzouh Thank you for spending time to read my comment - have a nice day! Eugene.
True. The 80D “only” shoots up to 1080p HD. If you want 4K, look elsewhere — if you’re into landscapes or travel videography, this may matter to you. The world though is still mostly operating in 1080p. Keep in mind, 4K will multiply (significantly) your storage requirements, in addition to processing power needed to edit and render. Only you can decide if this is the time to make the jump (I still think mainstream 4K adoption is 2+ years away). I love my 4K computer monitors because fonts are razor sharp. Yet, I don’t see substantive different between 80D images and those, say, from a Panasonic G7. The latter looks somewhat digital to my eyes, though it’s still a fine little camera.
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Apple’s Final Cut Pro X software falls into what we call the “prosumer” category because it treads the line between a product for consumers who want to up their video-editing game and one for professionals who need powerful editing tools. It lacks a traditional timeline-track interface, which is enough to scare some users off, but the software is intuitive and powerful nonetheless. It has great organizational tools like libraries, ratings, tagging, auto analysis for faces and scenes, and automatic color coding for track-specific clips, useful keyboard short-cuts and drag-and-drop media importing give Adobe’s Premiere Elements a run for its money. Unfortunately, you can't directly open projects from Final Cut Pro 7 or earlier, but there are many third-party plug-ins that will help you out there.
Next, is to import the media file that you want to edit. Click on “Import” at the top left and choose the location from where you want to import the files. You can import from local drive by clicking on “Import Media Files,” download online or import from a device once you connected it to the computer. You can also, drag and drop media files to the program.
I won’t hide the fact that I’m a Canon fanboy. Canon just gets a lot of things right. Many of them are, in my books, the most important things, like great color science (images look beautiful and skin tones are rendered organically), the aforementioned stellar auto-focus (after all, what use is an out of focus photo or video?), and long battery life so you can shoot for hours without worry.
I bought this used for roughly $45. The set up wasn't too bad, of course there were things I had to figure out and work around to get this to work. The TV I used was an old tv with only composite connection, the one with red, yellow, and white. And the quality was, as you guessed, subpar at best. The biggest problem for me was the subtitles, I could barely read the blurred subtitles in my recordings. I eventually had to buy the madcatz universal cable with the S-video connection to work around this problem. You can youtube how to connect S-video with dazzle for this info.
Added features such as time remapping for including slow motion, high-speed effects or freeze action are complemented by easily grouping or ungrouping clips on a timeline to edit in bulk or one at a time. With over 1,500 customizable effects, transitions and titles, there’s something for everyone. Even as the video itself is the focus, custom fitting your project with a soundtrack is handled well with custom-fit audio allowing your movies to both look and sound good.
The second big draw is communication. The app creates a unified inbox for comments on Facebook and Instagram and messages from Messenger, so that you don’t have to bounce between different apps in order to respond to people. The app doesn’t seem to cover every possible messaging vector inside of Facebook’s services, but it sounds like a handy start. <<