After struggling with GoPro Studio's constant glitches and quirkiness, I finally got fed-up enough to search for an editor that fits my needs. For me that was something simple, reliable and actually usable. I didn't need a lot of features yet, just a means of basic editing without freezing-up. Very reliable! Two things I noticed that were minor issues for me: 1. - audio/video syncing during editing/preview was an issue that was solved by rendering often, 2. - I'd like the fade transition to be more smooth and adjustable but maybe I have to look into this a bit more. Overall a pleasure to use. I actually look forward to using it compared to the dread I felt using GoPro Studio, which isn't even available to download any more. Another appropriate review I read of GoPro Studio was that it was free, powerful and dysfunctional.
Next, is to import the media file that you want to edit. Click on “Import” at the top left and choose the location from where you want to import the files. You can import from local drive by clicking on “Import Media Files,” download online or import from a device once you connected it to the computer. You can also, drag and drop media files to the program.
For an option that falls in the middle of the price range, CyberLink has one of the most impressive arsenals of tools -- and it's still easy to use. The recently revamped interface is intuitive, and the features are “content aware,” meaning that they analyze raw footage for things such as shakiness, lighting and faces to create a better final cut. There is also added support for 4K video content.
The granddaddy of video editing, Adobe Premiere Pro is the cross-platform, uber-popular timeline based video editor that’s long set the standard for video editing software. Capable of tackling nearly any type of video format, Adobe’s software is ready to produce video for any type of professional production, including film, television and the Web. Premiere Pro offers enough horsepower to handle 360-degree virtual reality video to 8K footage all in native format. It can even import and export footage from competitive software such as Final Cut Pro.
We still live in the days of talkies, so you want to be able to edit the audio in your digital moves as well as the images. Most of the products included here offer canned background music, and many, such as Pinnacle Studio, can even tailor the soundtrack to the exact length of your movie. All of these programs can separate audio and video tracks, and most can clean up background noise and add environmental audio effects such as concert hall reverb. A couple of the products have an auto-ducking feature, which lowers background music during dialog—a definite pro-level plus.
The Full Feature Editor contains simplified versions of nearly all the tools available in professional video editing software. For example, you have access to an audio mixer that lets you fine-tune your sound, the chroma key that allows you to create green-screen effects, and a surround-sound configurator that optimizes your video for home entertainment systems and even movie theaters. These tools and others allow you to make the same type of videos as Hollywood professionals. PowerDirector is a great program not only for creating great videos, but also for learning nonlinear editing in case you decide to upgrade to professional video editing programs.
I love this camera. I recently got into film making and was looking for an entry level camera to start with, my choices were between the 80D, 77D and the T7i. Upon my research I realized that all have the same size image sensor at 24 MP and the same basic software except the 77D & T7i have the newer Digic 7 processor & 80D has the Digic 6, the 80D also has more features and is weather sealed. However, in terms of image quality on both video and photos the result is basically the same excellent!!!. The auto focus on this camera is amazing and really helps with filming at events. I think this camera is good value for your money if you are now starting out. My advice if you are looking to choose between the 3 cameras and you are new film making or photography buy this camera and invest your money in good lenses. I recently picked up the 50 mm 1.8 along with this purchase and the depth of field has taken my photos to a new level. Im pleased with this purchase.
Windows Video Maker is an easy-to-use solution ideal for beginners. Although the program is offered for free and come standard on virtually every windows PC, it provides all the basic features for a perfect introduction. The software utilizes the most common workflow elements of the professional video editing systems. However, it offers an intuitive interface that is easy to navigate even for the novice editors. The interface provides a simplified version of a standard video editor timeline. The timeline features clips that are characterized by Long thumbnails and ease of use.
Avidemux is the Instagram of video editing software — quick, dirty, and impressively capable. The software is designed for quick trimming, filtering, encoding, and a slew of other basic features. The cross-platform software also remains open-source — with a resourceful wiki page to boot — and tasks can be automated using assorted projects, job queues, and custom scripting capabilities that push it beyond barebones functionality.
First is the 1.6x multiplier you get to have for free with telephoto lenses. Because the APS-C sensor is smaller, you're basically "cropping" the image that comes in a lens made for a full-frame camera. Thus the term "crop sensor" used to describe something like an APS-C sized sensor. But rather than cropping the image post-process, all of the camera's light sensing pixels work within this cropped area. So if you buy a lens that is meant to work on a full-frame camera (the way you can tell is by the prefix. An "EF" lens is a full frame lens while an EF-S lens is made for the APS-C sensor. You can use an EF lens on any camera, full frame or APS-C, but if you use an EF-S lens on a full-frame camera the edges of the image will be cut off by the edge of the lens), whatever the specifications are, multiply that by 1.6. So for example, I bought the EF 70-300mm IS II USM lens to use with this. So being that this is an APS-C camera, that lens for me is effectively a 112-480mm lens. Of course the downside of this is if you want a more wide angle, a 10mm EF lens would actually be 18mm, meaning no longer wide-angle. But for those you just make sure to buy an EF-S lens, then the specifications will be correct. For me I have the EF-S 18-135mm IS USM lens for it, and at 18mm it's perfect for general use wide-angle photography. If I wanted even wider there is an EF-S 10-18mm lens out there as well.
The best DVD creator software should also have all the qualities of a top-notch video editing program. There are DVD creators that focus solely on authoring and have few or no editing tools. If you just want to burn finished videos to DVDs, you may want to look into one of these applications. However, if you’re building your own creation from scratch, it’s best to buy an authoring program that has a robust set of video-editing features.
The T#i line is what they call a "pro-sumer" line, which is basically between a consumer line camera like a very basic DSLR and a professional DSLR camera, thus the term "pro-sumer." Typically what this meant is an DSLR with an APS-C sized sensor, decent resolution, and some hand-me-down professional features of pro-grade cameras from a few years ago. For this reason, sometimes it's not worth upgrading from one of these cameras to the next until at least a few generations have past (meaning if you have a T5i, it's not really a giant leap forward to upgrade to a T6i). However, the T7i is somewhat different. When I was doing research on what features it has and what it is missing compared to the pro-grade DSLRs that are considered "current" right now, I was surprised to find very little. The main differences really is that the pro-grade cameras have the LCD display on the top that would display all of your relevant camera settings, and then a few of them would also sport a full-frame sensor. Other than that, the differences are very minor. Something like maybe 1 or 2 frames less in burst mode or something like that. Nothing that would really jump out at you and make you regret not stepping up to the professional grade equivalent (Think it would be the 77D?). It actually has pretty much all of the big features of even their current pro-grade DSLRs, making the T7i probably one of the best prosumer DSLRs to buy.