First is the 1.6x multiplier you get to have for free with telephoto lenses. Because the APS-C sensor is smaller, you're basically "cropping" the image that comes in a lens made for a full-frame camera. Thus the term "crop sensor" used to describe something like an APS-C sized sensor. But rather than cropping the image post-process, all of the camera's light sensing pixels work within this cropped area. So if you buy a lens that is meant to work on a full-frame camera (the way you can tell is by the prefix. An "EF" lens is a full frame lens while an EF-S lens is made for the APS-C sensor. You can use an EF lens on any camera, full frame or APS-C, but if you use an EF-S lens on a full-frame camera the edges of the image will be cut off by the edge of the lens), whatever the specifications are, multiply that by 1.6. So for example, I bought the EF 70-300mm IS II USM lens to use with this. So being that this is an APS-C camera, that lens for me is effectively a 112-480mm lens. Of course the downside of this is if you want a more wide angle, a 10mm EF lens would actually be 18mm, meaning no longer wide-angle. But for those you just make sure to buy an EF-S lens, then the specifications will be correct. For me I have the EF-S 18-135mm IS USM lens for it, and at 18mm it's perfect for general use wide-angle photography. If I wanted even wider there is an EF-S 10-18mm lens out there as well.
Several of the products here (Adobe Premiere Elements is a notable exception) still support 3D video editing if that's your thing, though the this has been replaced by 360-degree VR footage like that shot by the Samsung Gear 360 as the current home-theater fad. As is often the case, our Editors' Choice, CyberLink PowerDirector was the first product in this group to offer support for this new kind of video media.
Here's my first experience. I use Windows 2000 on a PIII 550Mhz, with 256 RAM and 20 Gig EIDE harddrive. When Dazzle arrived, I followed the directions and installed the software and put the plug in the USB port and then discovered that this software only works with Windows 98. I visited the Dazzle web site and found out that you have to purchase a program called Movie Star is you want to use it with Windows 2000. I wound up ordering the software for [more $] plus shipping. Once, I received the new disk, I installed it, and once again, it did not detect the unit when I plugged it into the USB port. And again, I visited the Dazzle web site. I discovered that they have posted a patch for the Movie Star software that fixes "some minor problems." I downloaded and installed the patch and after rebooting the machine, I was able to get it to detect the unit.
The software offer up to seven AutoMovie themes including contemporary, default, fade, cinematic, pan and zoom, sepia, and black & white. Although this collection is nowhere near the one offered by premium options, the themes are presented in simple, good taste. The editing options are quite limited, but its collection of effects is attractive and are applied with a single click.
There are so many different video formats out there, and one device may capture in a different format than another. Furthermore, different devices and platforms need specific file formats for playback—and those formats may be different than what your camera captures! That means you’ll want software that can import from a variety of sources and that will support many file formats for export.
I like how simple Windows Movie Maker is to use. It don't come with pre-installed with Windows 10, but I was able to quickly download and install it. The controls are pretty straightforward and remind me of the controls on other Windows software, like Microsoft Word and Excel. I like being able to add basic effects and transitions without needing to set a ton of parameters.
After my experience, I cannot recommend this unit to others. I don't think it's fair that this company charges Windows 2000 users extra $.. for buggy software. And I think they could improve the USB connect so it isn't so difficult to use. I am giving this Unit two stars because it does the job, but only after spending a lot of time and some additional money to make it work.
Shooting movies is also great now with the servo AF feature. My T3i required that I manually focused while shooting movies. With the servo AF, the camera will actually follow the moving subject adjusting the focus on the fly. I mean, your cell phone can do it and so could my point-and-shoot Canon camera, but their old DSLRs actually didn't have that feature, but now (well, since like the T5i I think) they do and it's very useful. Speaking of movie mode, I very much like that they added another step in the power switch for movie mode instead of requiring you to turn the knob all the way to the very end to get to movie mode. Now you simply flip the switch to it.
Tech support and documentation: One of the big distinctions between paid and free software is the level of documentation and tech support; paid software has more-explicit and -detailed documentation and guides than the free versions. That said, many software packages post instructional videos of the most popular features to YouTube, and more-complex free packages may offer extensive documentation.
Notable features include professional-level color correction, GPU-accelerated real-time effects, video capture, and nearly all-encompassing format support. However, the free version is only capable of exporting MPEG-4 files with a resolution of up to 720p. Thankfully, Lightworks also offers traditional tools for importing, trimming, and seamlessly weaving audio and video together with a few effortless mouse clicks.
With light features also comes a light footprint, and Avidemux takes up little space compared to the other programs in our roundup. It also allows users to change extensions and select individual output formats when they’re finished editing a video, but the less-than-friendly interface makes it difficult to utilize the more intricate features and worthwhile tools. It may remain a bit buggy and prone to crashing, but the program’s defaults still work as intended, making Avidemux a standout choice once you’ve learned your way around the software. Just remember to save your work.
We have been reviewing video editing software since Top Ten Reviews launched in 2003. We have watched these programs grow from simple timeline editing to include tools that were only dreamed about for programs at the consumer level. Every year, our expert reviewers gather all the best software and use each program to create dozens of videos. The reviewers who evaluate video editing software all have a background in media production, particularly video. They have used the programs they review in a professional environment and in their personal lives. Their reviews and evaluations are informed not only by the hard data they collected but by years of personal experience using these types of applications.
Other recent features include a basic audio editor, the option to make previews for apps you’ve developed, and the even ability to make your own movie trailers complete with transitions and end credits. It’s not a tour de force in terms of video editing, but it’s perfectly suitable for home videos and minor projects. Consider combining it with free audio recording software!