Those that have followed my video posts here on Stark Insider over the years know that I’m a die-hard 70D fan. I’ve used it to shoot interviews, live music concerts, backstage Broadway segments, and various food and travel episodes. I especially like the flip-out LCD (handy for framing shots when holding the camera high or very low), the sweet Dual Pixel auto-focus with subject tracking, and quiet performance of Canon’s STM lenses.
Several of the products here (Adobe Premiere Elements is a notable exception) still support 3D video editing if that's your thing, though the this has been replaced by 360-degree VR footage like that shot by the Samsung Gear 360 as the current home-theater fad. As is often the case, our Editors' Choice, CyberLink PowerDirector was the first product in this group to offer support for this new kind of video media.
All the video editing programs we reviewed can help you blend your footage, audio clips and images to create new and unique videos. They also all offer basic nonlinear video editing tools. Timelines, storyboards, transitions, titles and audio editing are all common fare for the products we reviewed. These applications also have video effect libraries. The number of available effects varies from program to program; however, a library with more than 500 effects is usually sufficient for any non-professional project.
Credit: ShutterstockBasic Features: The watchword with free apps is often which one offers the best combination of technically complex software for which you would otherwise have to shell out the big bucks. All video editors should, at the very least, have some combination of familiar features like a viewer or playback window, library, timeline, and access to transitions and effects.
Adding and arranging: When you're ready to make a movie, your first step will be to choose what type of files to add. Options include Video, Audio, Image, Icon, and Lyric. You can add any and all of these to the same project and then move them around on the Timeline until you have them where you want them. And if you're new to this type of program, there's a convenient Movie Wizard to guide you through the process.
All the applications we reviewed fulfill the same basic need; however, they differ greatly in their interface layouts, workflows and toolsets. In our tests, we assessed how easy each program is to learn and use. We also tracked how hard the application makes it to perform common tasks like editing video footage; adding effects, transitions and titles; picking menu templates; customizing projects; and burning finished DVDs. We found that all the programs are relatively easy to use once you know your way around the interface, although some were much more straightforward than others.
What I like best abut Windows Movie Maker is that it is so simple to use! It's been the standard movie editing program for me for a while now, for basic movie editing needs. There is no need for countless controls and buttons. The interface is so simple and easy to use. Easily import footage such as photos and videos, and easily edit/cut and combine them all together. Even very easy to add pre-made transitions without having to manually animate them.
The T#i line is what they call a "pro-sumer" line, which is basically between a consumer line camera like a very basic DSLR and a professional DSLR camera, thus the term "pro-sumer." Typically what this meant is an DSLR with an APS-C sized sensor, decent resolution, and some hand-me-down professional features of pro-grade cameras from a few years ago. For this reason, sometimes it's not worth upgrading from one of these cameras to the next until at least a few generations have past (meaning if you have a T5i, it's not really a giant leap forward to upgrade to a T6i). However, the T7i is somewhat different. When I was doing research on what features it has and what it is missing compared to the pro-grade DSLRs that are considered "current" right now, I was surprised to find very little. The main differences really is that the pro-grade cameras have the LCD display on the top that would display all of your relevant camera settings, and then a few of them would also sport a full-frame sensor. Other than that, the differences are very minor. Something like maybe 1 or 2 frames less in burst mode or something like that. Nothing that would really jump out at you and make you regret not stepping up to the professional grade equivalent (Think it would be the 77D?). It actually has pretty much all of the big features of even their current pro-grade DSLRs, making the T7i probably one of the best prosumer DSLRs to buy.