Added features such as time remapping for including slow motion, high-speed effects or freeze action are complemented by easily grouping or ungrouping clips on a timeline to edit in bulk or one at a time. With over 1,500 customizable effects, transitions and titles, there’s something for everyone. Even as the video itself is the focus, custom fitting your project with a soundtrack is handled well with custom-fit audio allowing your movies to both look and sound good.
Adding and arranging: When you're ready to make a movie, your first step will be to choose what type of files to add. Options include Video, Audio, Image, Icon, and Lyric. You can add any and all of these to the same project and then move them around on the Timeline until you have them where you want them. And if you're new to this type of program, there's a convenient Movie Wizard to guide you through the process.
We include Premiere Elements on the list mostly because it’s been an industry leader in the video editing game for some time. And $79.99 is not egregious, but we’re here to say that at that price, you’re mostly paying for the name. In the time since Premiere Elements’ inception, too many other products have surpassed it in speed and capability for us to place it among the cream of the crop. That’s to take nothing away from Premiere Elements’ usability, though—specifically for beginners.
The motion tracking tool is great for advanced editors who want to give their videos a special look. It allows you to isolate a moving object, person or other element and then apply effects that will follow them through the video. This is great for situations such as when you want to brighten up the colors on a person but keep the background the way it is, or even change it to black and white.
Clinton directs and shoots videos for Stark Insider. Recent projects include BTS short LUZIA with Cirque du Soleil, short film collection WHO IS STARK INSIDER?, and art-doc WRONG'S WHAT I DO BEST shot on location at the San Francisco Art Institute. His Broadway shorts, such as SHREK UNMASKED, have garnered acclaim. He's worked with DreamWorks, Disney on Ice, and "studied under" filmmaker Werner Herzog. He also writes on Stark Insider about the San Francisco arts scene, Napa, Silicon Valley and gadgets including camera gear. More about Clinton Stark: Bio | IMDB | Gear List

Aside from video, images and audio can also be incorporated into your project by simply dragging your desired multimedia into the project area and arranging them in timeline-like fashion. The resulting video can always be previewed in real time, as well as any effects — themes, text, music, voice-overs  — before exporting the file directly to YouTube, Facebook, or a wealth of other platforms.
This is great for setting your composition because it means you can take photos from up high or down low without having to look through the viewfinder. And if you’re a youtube or a blogger, having the ability to flip the screen completely around is great, because it means you can see yourself while you’re filming, which is what I’m doing right now. A little tip is that if you get one of those cheap $5 remotes off of amazon, you start and stop your recording without ever having to touch the camera.
Although it’s said to created intros for video ads or promo videos with logo stingers, I see no reason it’s only for a particular user. With Intro Video Creator, you can hold your customers till the end of your videos and maximize your video ads. But if you’re not a vendor, or an affiliate, you can still try this amazing product to make intros for personal uses. It will be the savior for your boring presentation.
Cyberlink is often the first to roll out new and innovative tools and features. For example, it pioneered multi-cam functionality for consumer-level software. That technology was previously only found in professional programs like Adobe Premiere Pro and Final Cut Pro. Cyberlink’s basics are also top-notch. This program has a 99-track timeline, which gives nearly unlimited versatility. You can make simple videos quickly but also delve deeply into complex projects. You may never edit a feature film with this software, but it is more than capable of that task. In our ease-of-use tests, PowerDirector earned an A. Our reviewers noted that the interface is intuitive, the tools are accessible, and even the most advanced features are simple to learn. You can unlock the fullest potential of the program easily if you learn how to use the tools properly.
We combined a text opener with five clips linked by a cross-fade-type transition into a 2.5-minute video shot at 60 frames per second, and rendered the projects to the MPEG-4 format at 720p. We timed rendering at both 60 fps and 30 fps. We adjusted settings to take advantage of hardware acceleration for all tests whenever possible, setting them in either the preferences or the rendering controls for the best speeds. Apple’s iMovie, the lone Mac-only app, is not included in the timed comparisons.
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