These aren't just your quick videos that give a few tips. These videos are based on the weekly Video Creators podcast and take time to go more in-depth and explore the details of growing a YouTube channel and an audience. Sometimes they're live streams, other times they're long-form interviews. Either way, you'll enjoy digging deeper into audience growth topics in this playlist.
We combined a text opener with five clips linked by a cross-fade-type transition into a 2.5-minute video shot at 60 frames per second, and rendered the projects to the MPEG-4 format at 720p. We timed rendering at both 60 fps and 30 fps. We adjusted settings to take advantage of hardware acceleration for all tests whenever possible, setting them in either the preferences or the rendering controls for the best speeds. Apple’s iMovie, the lone Mac-only app, is not included in the timed comparisons.
Other video editing applications have dedicated tracks for video, audio, images, effects, etc. Object based editing makes the program more dynamic and easier to manage tracks. This program also employs proxy editing, in which the program creates lower-resolution copies of videos to use during the editing process. This cuts down on the time it takes to import, render and preview projects before you export them. When you’re done, it uses the original source files to export the final project.
Clinton directs and shoots videos for Stark Insider. Recent projects include BTS short LUZIA with Cirque du Soleil, short film collection WHO IS STARK INSIDER?, and art-doc WRONG'S WHAT I DO BEST shot on location at the San Francisco Art Institute. His Broadway shorts, such as SHREK UNMASKED, have garnered acclaim. He's worked with DreamWorks, Disney on Ice, and "studied under" filmmaker Werner Herzog. He also writes on Stark Insider about the San Francisco arts scene, Napa, Silicon Valley and gadgets including camera gear. More about Clinton Stark: Bio | IMDB | Gear List
Those that have followed my video posts here on Stark Insider over the years know that I’m a die-hard 70D fan. I’ve used it to shoot interviews, live music concerts, backstage Broadway segments, and various food and travel episodes. I especially like the flip-out LCD (handy for framing shots when holding the camera high or very low), the sweet Dual Pixel auto-focus with subject tracking, and quiet performance of Canon’s STM lenses.
I'm in the market for a free or inexpensive movie editor. I am hoping to find editing software that allows you to attach audio clips to still photos or video clips. Imagine that you have 20 vacation photos each playing for 5 seconds. You add audio to describe each photo. Then, you drag the 3rd photo to the 11th position. I need (want) an editor that will drag your audio along with the photo. In Windows Movie Maker when you moved a photo the audio did not drag along with it.
Not an expert? Don’t know how to edit videos, have a video studio, or have a bona fide video specialist to shoot and cut your features? That’s alright! The goal of today’s blog is to show you that with the right video editing software, you too can churn out sleek, professional video content—regardless of experience—and keep your content strategy ahead of the curve.
Both DaVinci and VSDC mix paid features in their basic programs, but they do not explicitly mark these features as such. However, if you try to use them, you'll get an error message and an ad. We can't fault the software companies for trying to get users on board with paid versions, but just be warned that such annoyances are the hidden cost of otherwise-free video apps.
We also reached out to professionals who use video editing software on a regular basis and asked what aspects are most important to look for in consumer-level programs. Drew Tyler, instructor of digital media at Weber State University, told us there are two primary questions to answer: “Does it fit your eco system?” and “How much do you want to grow into the software?”
Other measures of performance include startup time and simple stability. Again, video editing is a taxing activity for any computer, involving many components. In the past, video editing programs took longer than most other apps to start up, and unexpected shutdowns were unfortunately common, even in top apps from top developers such as Adobe and Apple. The stability situation has greatly improved, but the complexity of the process, which increases as more powerful effects are added, means crashes will likely never be fully eliminated, and they often raise their ugly heads after a program update, as I found with the latest version of Pinnacle Studio.