Our biggest issue with VideoPad was not knowing which features were disabled in the free version versus the trial and paid versions. We found VideoPad to be a bit slower on our transcoding tests than Hitfilm, too. But that may not matter for those looking for an app that they can use to quickly and easily edit video and then upload to the social media outlet of their choice.
BTW, for whatever the reason, Canon still does not include a lens hood with the bundle. A bit odd that. So factor in about $35 for that (note that the hood from the older 18-135mm lens included with the 70D won’t work, you’ll need the EW-73D). Plus don’t forget you should really add a UV filter to protect your lens. I recommend a 67mm B+W (Hoya is good too) which won’t break the bank.
Our team of reviewers used each program’s editing tools, effects and export options to create identical test DVDs. They timed how long it took to burn a new DVD, complete with menus and chapters when possible. Our video experts then played the new DVDs on a large-screen television and searched for imperfections such as compression artifact, motion blur and interlacing issues. The results of these tests, as well as our reviewers’ personal experiences using each program, were used to decide the programs’ final scores and ranks. All our tests were designed to replicate the experience of an average user as well as a veteran editor.
Apple’s Final Cut Pro X software falls into what we call the “prosumer” category because it treads the line between a product for consumers who want to up their video-editing game and one for professionals who need powerful editing tools. It lacks a traditional timeline-track interface, which is enough to scare some users off, but the software is intuitive and powerful nonetheless. It has great organizational tools like libraries, ratings, tagging, auto analysis for faces and scenes, and automatic color coding for track-specific clips, useful keyboard short-cuts and drag-and-drop media importing give Adobe’s Premiere Elements a run for its money. Unfortunately, you can't directly open projects from Final Cut Pro 7 or earlier, but there are many third-party plug-ins that will help you out there.
The Easy Editor launches the Magic Movie Wizard to help you create a finished video in just a few minutes. All you have to do is load the clips you want in the video, select the style of video and pick your background music. The program then analyzes your footage with its Magic Style algorithms to pick out the best shots in your footage and arrange them into a finished project. When you preview this generated video, you have the option to do some fine-tuning in the Full Feature Editor.
Matt, and his partner Todd, have been creating videos for years, and they have spent the last six months working nonstop on creating an opportunity for you that is unlike anything you’ve ever seen… You see creating a video commercial tends to be complicated. You need access to decent graphics, a good script, and the talent to put it all together. BUT Matt and Todd have done all of that for you. These videos are all ready to go, and customizing them couldn’t be easier.
Think about your budget, your current level of expertise, and how much time you’re willing to devote to learning a new skill. Whether you're looking for the best video editing software for YouTube, or the responsibility has simply fallen on you to get your team’s video marketing strategy up to snuff—don’t wait around deliberating! Get invested in one of these video editing products, and make it yours.
Cyberlink PowerDirector 16 Ultra is a prosumer video editor that aims to bring every feature under the sun to a video editor that is accessible and affordable. There’s nothing else in this price range that brings you this many well-implemented features, especially in 360 video. Complexity is its one challenge: The user interface is not always self-explanatory, and the inclusion of so many features means it can be difficult to find what you want. Read our full review.
Another great advanced tool found in PowerDirector Ultra is the multi-cam module. This allows you to import footage of an event taken from multiple sources, sync them up and then switch between angles easily. The result is a seamless single video that has the look and feel of a professionally produced piece. This is especially useful for events that have been recorded on several smartphones.
The T#i line is what they call a "pro-sumer" line, which is basically between a consumer line camera like a very basic DSLR and a professional DSLR camera, thus the term "pro-sumer." Typically what this meant is an DSLR with an APS-C sized sensor, decent resolution, and some hand-me-down professional features of pro-grade cameras from a few years ago. For this reason, sometimes it's not worth upgrading from one of these cameras to the next until at least a few generations have past (meaning if you have a T5i, it's not really a giant leap forward to upgrade to a T6i). However, the T7i is somewhat different. When I was doing research on what features it has and what it is missing compared to the pro-grade DSLRs that are considered "current" right now, I was surprised to find very little. The main differences really is that the pro-grade cameras have the LCD display on the top that would display all of your relevant camera settings, and then a few of them would also sport a full-frame sensor. Other than that, the differences are very minor. Something like maybe 1 or 2 frames less in burst mode or something like that. Nothing that would really jump out at you and make you regret not stepping up to the professional grade equivalent (Think it would be the 77D?). It actually has pretty much all of the big features of even their current pro-grade DSLRs, making the T7i probably one of the best prosumer DSLRs to buy.