Both DaVinci and VSDC mix paid features in their basic programs, but they do not explicitly mark these features as such. However, if you try to use them, you'll get an error message and an ad. We can't fault the software companies for trying to get users on board with paid versions, but just be warned that such annoyances are the hidden cost of otherwise-free video apps.

The software offer up to seven AutoMovie themes including contemporary, default, fade, cinematic, pan and zoom, sepia, and black & white. Although this collection is nowhere near the one offered by premium options, the themes are presented in simple, good taste. The editing options are quite limited, but its collection of effects is attractive and are applied with a single click.
True. The 80D “only” shoots up to 1080p HD. If you want 4K, look elsewhere — if you’re into landscapes or travel videography, this may matter to you. The world though is still mostly operating in 1080p. Keep in mind, 4K will multiply (significantly) your storage requirements, in addition to processing power needed to edit and render. Only you can decide if this is the time to make the jump (I still think mainstream 4K adoption is 2+ years away). I love my 4K computer monitors because fonts are razor sharp. Yet, I don’t see substantive different between 80D images and those, say, from a Panasonic G7. The latter looks somewhat digital to my eyes, though it’s still a fine little camera.
So you might be a little intimidated by the idea of a DSLR with the different lenses and the switches and the buttons and you were probably hearing me and others rant about the ISO, APS-C, aperture, etc. and wondered what the heck that is and why they are good or bad... Well, completely understandable. And while I recommend reading some good books on the topic (Understanding Exposure by Bryan Peterson is an excellent one BTW), this phone has a new feature that is sure to make the transition a lot easier and less intimidating. Now the default LCD information view shows like a feature guide. Basically when you select a mode on the knob, the LCD will actually display an easy to understand summary of what that mode is called and basically what it means for your photo. Sometimes with some basic graphics to represent the differences. I turned this off and is using the old-style view, not because I'm a snob, but because I have used DSLRs before and have a little technical experience with it to know what they mean. The guided view is just too bright and I like the dark theme of the standard information view. But this new way of showing the different modes is actually quite awesome if you're just starting out with DSLR photography.
We evaluated each program’s interface and workflow to see how intuitive they are. We tracked the number of clicks it takes to access and use common tools. If a tool is difficult to find, awkwardly implemented or counterintuitive, it can slow down your edits. We quickly discovered that the more accessible everything is, the better the editing experience will be. We gave each program an A to F grade based on this evaluation. 
If I had to choose something I dislike about Windows Movie Maker, it would have to be the limit it has in output files. Unlike Avid Media Composer or Adobe Premiere, it seems as though Windows Movie Maker is more limited in the type of files you can export. Also, there isn't much more advanced filters and effects you can customize from. If you're looking to customize your own effects, then maybe Windows Movie Maker isn't right for your project.
Windows' included video editing software is all about simplicity: There's really no simpler way to combine your clips into digital movies with titles, transitions, background music, and effects. In earlier releases, the program was so simple that it wasn't capable of doing things people commonly needed, but little by little, stuff like voiceover recording and even anti-shake have made their way into what is now a very useful free app for digital video editing. Let's be clear, Movie Maker still lacks a lot of effects and tools you get in Apple's entry-level video editor, iMovie, not to mention enthusiast-level products like Adobe Premiere Elements or CyberLink PowerDirector, but for basic needs and ease of use, it hits the mark.

Now one big question I know is on everyone's minds. APS-C or Full-Frame? Now the obvious answer is that if you're making money with the camera, go full-frame, if not, APS-C. But actually it's not that simple. First, there's no reason someone doing photography as a hobby shouldn't get a full-frame camera, other than the fact that they cost a whole lot more. But if you can afford it and you want the advantages of a full-frame camera (better resolutions, better low-light photography, etc.) and you don't mind the extra bulk, then why not? And on the flip-side, if you're a pro and want a smaller, less bulky camera to take with you on a shoot, then there's also no reason to say an APS-C camera will not be worth buying... But since you're looking at the T7i, let me go over a few actual advantages to an APS-C camera regardless of your status as an amateur or professional.
The motion tracking tool is great for advanced editors who want to give their videos a special look. It allows you to isolate a moving object, person or other element and then apply effects that will follow them through the video. This is great for situations such as when you want to brighten up the colors on a person but keep the background the way it is, or even change it to black and white.
Video editing has become more and more popular due to the popularity of camcorders and convenience of online video sharing. To save money, you can use some free video editing tools. But it would be a little bit difficult to find a good free video creator as there are too many free video editing programs available on the market. If you are looking for the best choice among them and want your memories in motion, you should check the following top 6 best free video creator.
PowerDirector helps you enhance your footage with Intelligent Color Correction. This allows you to quickly and easily match color settings across your entire project, which unifies the look and feel of your video and eliminates a lot of guesswork. This might seem like a small thing, but it’s a huge leap forward for video editing software at the consumer level.
The Edit menu also contains the new Stabilization choice if you're running Windows 8 or 8.1, as well as play speedup and slow-mo (this retains the audio, so you can have fun making you and your friends sound like chipmunks or lions). As in iMovie, all editing is done in the same thumbnail/timeline area—no popup windows for trimming like you find in other video editors like CyberLink PowerDirector.
Both DaVinci and VSDC mix paid features in their basic programs, but they do not explicitly mark these features as such. However, if you try to use them, you'll get an error message and an ad. We can't fault the software companies for trying to get users on board with paid versions, but just be warned that such annoyances are the hidden cost of otherwise-free video apps.
The Dazzle Multimedia DM4100 Digital Video Creator is very useful to import video from your TV, VCR or DVD player into your PC for editing and then converting to PC video formats. The device is exceptionally good for making videos for use on the Web or as e-mail attachments. Thanks to its use of USB its very simple to install and can be "hot-swaped" with other USB device without rebooting your computer.