The T#i line is what they call a "pro-sumer" line, which is basically between a consumer line camera like a very basic DSLR and a professional DSLR camera, thus the term "pro-sumer." Typically what this meant is an DSLR with an APS-C sized sensor, decent resolution, and some hand-me-down professional features of pro-grade cameras from a few years ago. For this reason, sometimes it's not worth upgrading from one of these cameras to the next until at least a few generations have past (meaning if you have a T5i, it's not really a giant leap forward to upgrade to a T6i). However, the T7i is somewhat different. When I was doing research on what features it has and what it is missing compared to the pro-grade DSLRs that are considered "current" right now, I was surprised to find very little. The main differences really is that the pro-grade cameras have the LCD display on the top that would display all of your relevant camera settings, and then a few of them would also sport a full-frame sensor. Other than that, the differences are very minor. Something like maybe 1 or 2 frames less in burst mode or something like that. Nothing that would really jump out at you and make you regret not stepping up to the professional grade equivalent (Think it would be the 77D?). It actually has pretty much all of the big features of even their current pro-grade DSLRs, making the T7i probably one of the best prosumer DSLRs to buy.
Another program, VSDC Video Editor Pro, simply has too outdated an interface, making common tasks difficult. Longtime pro video editors will note the absence of Avid Media Composer, which is simply too unwieldy for PCMag's primarily consumer audience. There are a couple of more interesting applications—NCH VideoPad and AVS Video Editor among them—that we simply haven't tested yet.
Another thing I don't like is how they decided to "encode" their batteries. I'm sure there's some advantage to it, most likely safety to ensure you're using a genuine Canon battery they can quality control, but how it's affected me is that now buying an aftermarket battery means that you won't get a read-out of how much power you have left while using them. Not a huge deal, but it is kind of annoying. I like to have spare batteries, but at almost $60 a pop, no way I can afford to have a genuine Canon one. So I'll have to live with one made by a 3rd party and not knowing how much power is left in it if I have to use it... It also means the Canon charger will refuse to charge these batteries, so the 3rd party charger will be required to charge up these 3rd party batteries...
True. The 80D “only” shoots up to 1080p HD. If you want 4K, look elsewhere — if you’re into landscapes or travel videography, this may matter to you. The world though is still mostly operating in 1080p. Keep in mind, 4K will multiply (significantly) your storage requirements, in addition to processing power needed to edit and render. Only you can decide if this is the time to make the jump (I still think mainstream 4K adoption is 2+ years away). I love my 4K computer monitors because fonts are razor sharp. Yet, I don’t see substantive different between 80D images and those, say, from a Panasonic G7. The latter looks somewhat digital to my eyes, though it’s still a fine little camera.
If you had access to the video editing pro level, then you must try DaVinci Resolve 14. Except for multi-camera editing, 3D editing, motion blur effects, and spatial noise reduction which are only available on the paid version DaVinci Resolve Studio, you can almost do any professional video/audio editing and color correction with DaVinci Resolve 14.
That’s assuming you’re just exporting files. You may want to burn a DVD or Blu-ray disc, or upload your videos directly to YouTube or Facebook. Each of these comes with its own set of necessary features that some apps have and others don’t. For disc burning, you need not only support for the right formats, but DVD menu authoring tools so viewers can navigate what you’re presenting. On the social side, it’s much easier if the application syncs up directly with your account online and allows you to enter metadata like a description, tags, and privacy settings.
If video isn’t already an important part of your content marketing strategy, odds are it’s about to be. Web content is taking a turn toward video whether SEOs and content marketers like it or not. Nearly 50% of marketers are adding YouTube and Facebook channels for video distribution in the next year; one third of online activity is spent watching video; and video itself is projected to account for more than 80% of all internet traffic by 2019. 80%!
Clinton directs and shoots videos for Stark Insider. Recent projects include BTS short LUZIA with Cirque du Soleil, short film collection WHO IS STARK INSIDER?, and art-doc WRONG'S WHAT I DO BEST shot on location at the San Francisco Art Institute. His Broadway shorts, such as SHREK UNMASKED, have garnered acclaim. He's worked with DreamWorks, Disney on Ice, and "studied under" filmmaker Werner Herzog. He also writes on Stark Insider about the San Francisco arts scene, Napa, Silicon Valley and gadgets including camera gear. More about Clinton Stark: Bio | IMDB | Gear List
I'm planning a 5 month motorcycle trip starting in Feb 2019. Presently I have a Lenovo chrome book but I plan to take alot of videos. As I am on a budget I want the best bang for my buck without breaking my bank. How much Ram would I need in a new laptop for my video processing to be put on my You Tube site? I'm also looking for the best video software for very few $$'s.
The main problem we have in regards to training is knowledge transfer and simplifying training of processes when on-boarding new staff. We do have some videos created from other platforms but no way to share. As we are primarily a Windows shop, using Movie Maker allowed me to create training videos using Microsoft approved codecs and made it much easier to share videos with other team members. The main benefit of course is they can now get some training from the videos we've created and cost savings by not having them go to another facility or rely on other training tools.