You’ll find the familiar timeline/storyboard workflow, along with other basic tools such as titles and credits, effects and transitions, and a chroma-key (green screen). It also has some, but not all, of the advanced tools you need to make an outstanding video. You’ll get a video stabilizer to smooth out shaky footage, 4K compatibility for footage from the newest cameras, 3D editing, motion tracking and more. These are all great tools, and it’s a great bang for your buck. But there are some significant trade-offs. For example, there are no themes or templates. So, you’ll need to build every project from scratch – not very appealing to beginners. It also lacks an automatic video creator and slideshow creator, which are also great for novices. This program lacks multi-cam and 360-degree editing features that you would find on more expensive programs. If you want the newest, greatest effects and tools, this is not the program for you. In addition, the program’s interface is in bad need of a face-lift, and has been for years. It’s kind of hard to get around, and it will require working through a few projects before you can use it effectively.
The T#i line is what they call a "pro-sumer" line, which is basically between a consumer line camera like a very basic DSLR and a professional DSLR camera, thus the term "pro-sumer." Typically what this meant is an DSLR with an APS-C sized sensor, decent resolution, and some hand-me-down professional features of pro-grade cameras from a few years ago. For this reason, sometimes it's not worth upgrading from one of these cameras to the next until at least a few generations have past (meaning if you have a T5i, it's not really a giant leap forward to upgrade to a T6i). However, the T7i is somewhat different. When I was doing research on what features it has and what it is missing compared to the pro-grade DSLRs that are considered "current" right now, I was surprised to find very little. The main differences really is that the pro-grade cameras have the LCD display on the top that would display all of your relevant camera settings, and then a few of them would also sport a full-frame sensor. Other than that, the differences are very minor. Something like maybe 1 or 2 frames less in burst mode or something like that. Nothing that would really jump out at you and make you regret not stepping up to the professional grade equivalent (Think it would be the 77D?). It actually has pretty much all of the big features of even their current pro-grade DSLRs, making the T7i probably one of the best prosumer DSLRs to buy.
The simplest way to create a digital movie in Movie Maker is to add your clips to the timeline and choose one of the seven AutoMovie Themes—Default, Contemporary, Cinematic, Fade, Pan and Zoom (best used with photos), Black and White, and Sepia. It's nowhere near as extensive a set of options you'll see in iMovie, let alone Adobe Premiere Elements, but they're in simple good taste. These are displayed as thumbnails in the center of the Home ribbon. They add an intro title screen, transitions, and credits to the production.
Next getting the software to work was another challange. despite having a fast machine with a lot of RAM, I found the Movie Star program to be very unstable. I was able to capture up to 60 minutes of video and save it to the MPEG format, but everytime I tried to edit or export the video as Windows Media or Real, it crashed the machine. I downloaded a copy of Ulead's Video Studio, but couldn't figure out how to import MPEG files. I finally bit the bullet and wound up downloading a free 30-day trial of Adobe Premier. I found Premier to be a very stable and easy to use program. I just wish it didn't cost [so much!]
Creo videos para clientes que me contactan como profesional independiente, y Windows Movie Maker hace la mayor parte del trabajo por mí. Lo que hago es que recibo cientos de videos de derechos gratuitos, y luego los edito y los combino de maneras únicas, y los clientes que los necesitan para fines personales o comerciales, me contactan y los compran.
One of the cheaper options around ($49.99), Nero Video holds its own on this list—it comes well-stocked with a lot of the tricks and effects you’ll find among other products vying for video editing supremacy, and as far as software for beginners, you can certainly do worse. If you’re going to spend money learning how to edit videos, however, you might want to steer clear. Nero just doesn’t have the speed and functionality of some of the other products listed here, and if it’s value proposition is its price, $50 is still not all that cheap.
We still live in the days of talkies, so you want to be able to edit the audio in your digital moves as well as the images. Most of the products included here offer canned background music, and many, such as Pinnacle Studio, can even tailor the soundtrack to the exact length of your movie. All of these programs can separate audio and video tracks, and most can clean up background noise and add environmental audio effects such as concert hall reverb. A couple of the products have an auto-ducking feature, which lowers background music during dialog—a definite pro-level plus.
Other measures of performance include startup time and simple stability. Again, video editing is a taxing activity for any computer, involving many components. In the past, video editing programs took longer than most other apps to start up, and unexpected shutdowns were unfortunately common, even in top apps from top developers such as Adobe and Apple. The stability situation has greatly improved, but the complexity of the process, which increases as more powerful effects are added, means crashes will likely never be fully eliminated, and they often raise their ugly heads after a program update, as I found with the latest version of Pinnacle Studio.