It starts with its simplest feature: a storyboard mode that allows you to lay out your narrative on a simpler, at-a-glance screen. That way if you don’t want to drill down to the details, you don’t have to get bogged down with all kinds of extra proprietary controls. But if you do want to drill down to a more detailed approach, you can do so with its Details mode that allows you to mix in 200 multimedia tracks, giving you seemingly endless possibilities for your project.
Nothing makes an impression like moving images with sound. That's why digital video continues to grow in importance online. Couple that trend with the ever-increasing availability of devices capable of high-resolution video recording—smartphones, GoPros, DSLRs—and the case for ever more powerful video editing software becomes clear. Further, the software must be usable by nonprofessionals, and it has to keep up with new formats such as HEVC (High Efficiency Video Coding), 360-degree VR video, and 4K and above.
For the amateur video editor, all the functionality that's available can be a bit overwhelming. But if you're looking to produce truly professional-quality video -- without having to deal with watermarks -- Blender is a solid option. The best part: "You are free to use Blender for any purpose, including commercially or for education," according to its website. For the fine print, check out its licensing info.
You can choose among a few different speeds, and the app will show you how long the hyperlapsed video will be for every speed in comparison to the length of the video in real time. (So a 40-second video in real time will become roughly a seven-second video in Hyperlapse at 6X speed.) It's a really cool way to capture something that usually lasts a while -- like a sunset or an event setup.
On the nikon side you might looking at the Nikon D3400 or the Nikon D5600. Both of these cameras were released last year and they’re both very nice. The D5600 is the most similar and also has a fully articulating screen. If you’ve never used a nikon dslr before it might take you a little while to get used, but again both of these cameras are quite good although I would still give the advantage to the T7i.
The T#i line is what they call a "pro-sumer" line, which is basically between a consumer line camera like a very basic DSLR and a professional DSLR camera, thus the term "pro-sumer." Typically what this meant is an DSLR with an APS-C sized sensor, decent resolution, and some hand-me-down professional features of pro-grade cameras from a few years ago. For this reason, sometimes it's not worth upgrading from one of these cameras to the next until at least a few generations have past (meaning if you have a T5i, it's not really a giant leap forward to upgrade to a T6i). However, the T7i is somewhat different. When I was doing research on what features it has and what it is missing compared to the pro-grade DSLRs that are considered "current" right now, I was surprised to find very little. The main differences really is that the pro-grade cameras have the LCD display on the top that would display all of your relevant camera settings, and then a few of them would also sport a full-frame sensor. Other than that, the differences are very minor. Something like maybe 1 or 2 frames less in burst mode or something like that. Nothing that would really jump out at you and make you regret not stepping up to the professional grade equivalent (Think it would be the 77D?). It actually has pretty much all of the big features of even their current pro-grade DSLRs, making the T7i probably one of the best prosumer DSLRs to buy.