For starters, they’ve added in some crazy seamless morph transitions to help you blend together all the parts of your visual story. They’ve thrown in a pretty unique paintbrush filter effect that will work in tandem with already-shot video, letting you transform raw, live footage into living animations. Not only does Studio 21 Ultimate offer support for uploading 360-degree video but they’ve included a surprisingly intuitive set of trim, edit and control features for 360 video that will let you ensure your viewer gets the exact immersive experience you want.

VSDC Free Video Editor looks and feels just like a professional video editor. In fact, if feels almost identical to Final Cut Pro in a lot of ways. If you want to experience that style of in-depth video editing, this program is an epic way to do it for free. Be warned, though, that there's a steep learning curve unless you already have some experience.

PowerDirector Ultra features CyberLink’s True Theater Color technology, which analyzes the color of your footage and enhances aspects like hue, saturation and brightness. It's a great way to get Hollywood-style color treatment on your video project. You get more than enough tools to create a video that looks like it could have been made in a movie studio. You may never edit a full-length feature film with this software, but you could.
If you are new to video editing and have used only the built-in windows movie maker for some basic video editing before, then Avidemux is another good choice for you. Avidemux is an open source video editing software which means it is free to use. The user interface is not so fancy but there are some preset filters, subtitles hidden in the menus. Avidemux doesn’t feature the ability to share your edited footage to the social media directly, so you may need to save it to your devices first.

Particularly intensive is the process of rendering your finished product into a standard video file that will by playable on the target device of choice, be that an HDTV, a laptop, or a smartphone. Most of the software can take advantage of your computer's graphics processor to speed this up. Be sure to check the performance section in each review linked here to see how speedy or slow the application is. In rendering speed testing, CyberLink and Pinnacle have been my perennial champs. /injects>


Avid Media Composer's latest version comes with a wealth of new and improved features, such as accelerated high-res-to-HD workflows and automated media management to handle background media tasks while you focus on your creative vision. The $999 price tag is steep for amateurs, but worth it if you're looking for a professional-grade software. As the editing software of choice for summer blockbusters like Star Trek and The Great Gatsby, Avid Media Composer 7 can handle any editing challenge with ease.
He went on to say that your end goal should also play a big part in your decision, advising that if you’ll edit video infrequently, you should get simpler software. “If it’s a one-off project, the fewer whistles the better,” Tyler said.  He called out Adobe Premiere Elements and Wondershare Filmora as good choices because they have easy-to-understand workflows for non-editors.
Speaking about Autofocus, lets now talk about that new dual pixel autofocus. This has been a feature in the higher end 70d, 80d and 7D Mark 2 cameras and is one of my favourite features. A few years ago, getting good autofocus in video with a DSLR was un heard of, but now with this new system it works great. So I was reall happy when the t7i included it. So how well does it work?

The next advantage is something I already touched on earlier. The size and bulk. These prosumer line cameras are typically much smaller and lighter than their pro-grade cousins. However, I am now completely spoiled by USM lenses (specifically their new nano-USM system), and they are unfortunately bulkier than the "kit lenses" that typically come with these cameras. But overall even with the bulkier lenses, it'll still be much easier to move around with the T7i than with a 5D or a 1D...

We combined a text opener with five clips linked by a cross-fade-type transition into a 2.5-minute video shot at 60 frames per second, and rendered the projects to the MPEG-4 format at 720p. We timed rendering at both 60 fps and 30 fps. We adjusted settings to take advantage of hardware acceleration for all tests whenever possible, setting them in either the preferences or the rendering controls for the best speeds. Apple’s iMovie, the lone Mac-only app, is not included in the timed comparisons.
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