There is an awesome video creator called "VideoMakerFX". Althought, it may seem that it is a typical software of that type,but it has a lot distinquishable features,which will help you to create the best video. However, it costs quite a lot, but you can download it with a 40% discount using the following link: https://bit.ly/2Obzouh Thank you for spending time to read my comment - have a nice day! Eugene.

Hi Everyone! My name is Danny. I'm a young marketer who loves making money online and learning from the best information products and software available. I only review and recommend powerful tools, software, plugins and information products that are proven to deliver solid money making results. Personally, I love this product and see the potential of what it can do for my business. If you feel the same way, I encourage you to please take action. This is an opportunity to gain all the benefits that the product can offer for your business by increasing your productivity, efficiency, and most importantly, . . . profitability! Thank you for visiting my website and reading my review. Best Regards!
I decided to upgrade (pay) when the free version only allowed 5 min videos max. So I paid for a gold class and now I am told I can only make 10 min videos - WTF! You would assume once you pay you can make much longer videos! That cost me $42 AUD. I also notice that once the video is "completed" some of the processed video is black and only has sound. Windows Movie Maker (which was actually FREE) never did this, and its controls were much easier to use. The controls are also very hard to use.
PowerDirector helps you enhance your footage with Intelligent Color Correction. This allows you to quickly and easily match color settings across your entire project, which unifies the look and feel of your video and eliminates a lot of guesswork. This might seem like a small thing, but it’s a huge leap forward for video editing software at the consumer level.
Then, along comes the EOS M5 and M6. I was reluctant to take the plunge due to slow-focusing issues I'd read about. I wanted the smallest possible camera but very high quality. Then, I read that the M6 has a nearly identical APS-C sensor to the new 80D - which has even better dynamic range than my 7D Mii. Then, I thought "but it doesn't have a viewfinder." Well, heck, I take photos all the time with my phone. So, I ordered the M6 with the 15-45 kit lens. I took many test photos. The camera is very easy to work with and I was pleased with the results. Compared to my previous Canon glass, M-lenses are tiny, but they're sharp. Plus, any small faults can be corrected in software. I don't really miss the viewfinder but there is one available to attach to the hot shoe. The controls are intuitive and the touchscreen is a joy to use. Manual exposure is easy to dial in quickly.
One thing that I didn’t mention before was that the Rear LCD Screen is also a touch screen. Now this might seem like a big deal but it really does make using the camera a breeze. Rather than having to use the dial on the side here to change your settings, you can simply use your finger to quick change what you want. It’s very similar to using your phone and it’s also very responsive. Sure it might seem like a beginners feature, but I’ve found myself using it a lot to move quickly though the menus. Not only, now that the Canon T7i has it’s new dual pixel autofocus system, you can simply touch on the screen where you want it to focus and it will quickly and cinematically come into to focus. It’s great.
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The best advice I can gie you is that you need to solve the issue that appears when you merge images with videos. Let me be clearer with this: if you use the merging effect (for intros and outros) and you use this option when you marge the last part of the video with a new image placed at the end of the same video, the moment when the video is blurring and the image appears, you can see half of the image on the top of the screen, and half of the video on the bottom of the screen. This only happens when you use this option at the end of your work,
Movie Maker uses a very simple version of standard video editor timeline along with clips which are represented by “long thumbnails”. The thumbnail tracks provide options to show the audio waveforms along the bottom, such that you can where are the quiet and loud parts of your video. You also get five different size choices for the thumbs, along with zoom control at the bottom to let you stretch out these clip representation. You can easily trim and split clips by using the cursor insertion point combined with available edit buttons.

There are two different licenses you can choose from with Lightworks: "Free" and "Pro." (The latter of which, as you might have guessed, requires that you cough up some cash.) The main difference between the two licenses is that the Pro version offers more features, including stereoscopic output and advanced project sharing. But the free version is still quite powerful, providing 100+ effects and supporting multicam editing.
Another feature that's new to me coming from a T3i that I love is the grid that you can have showing in the view-finder. Before you had to buy a replacement viewfinder eye-piece to get a grid and they didn't offer one for the T3i. Now it's done digitally and it's awesome. My only gripe is that you can't actually customize what grid pattern you want. But it's definitely a step in the right direction.
Because it's so deeply entwined with the macOS, iMovie was one of the fastest apps when it came to encoding video. Once that's finished, it also gives you plenty of sharing options: You can upload directly to YouTube, Facebook and Vimeo, and share any video frame as an image. When you couple iMovie with iMovie Theater and iCloud, you can also view your creations on any Apple device or via Apple TV.
Other measures of performance include startup time and simple stability. Again, video editing is a taxing activity for any computer, involving many components. In the past, video editing programs took longer than most other apps to start up, and unexpected shutdowns were unfortunately common, even in top apps from top developers such as Adobe and Apple. The stability situation has greatly improved, but the complexity of the process, which increases as more powerful effects are added, means crashes will likely never be fully eliminated, and they often raise their ugly heads after a program update, as I found with the latest version of Pinnacle Studio.
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