Finally, we used each program to compress a 4K video file into a smaller resolution. We then examined the results looking for imperfections in the picture such as compression artifacts, motion blur, distortion, ghosting and more. PowerDirector’s results were simply outstanding. We could find almost no indication that the video had been compressed, even when viewed on an ultra-high-definition monitor.
There are two main draws to the Creator app. First, it includes some special features for Facebook Live. Anyone using it will be able to create custom intros and outros — intros are especially handy, as it takes a moment before other people see the link and start watching — as well as the ability to add interactive stickers and a custom video frame. The app is also able to take and edit photos and post them to Facebook Stories and other platforms (it’s not clear if that includes Instagram, but it really should).

Avidemux is the Instagram of video editing software — quick, dirty, and impressively capable. The software is designed for quick trimming, filtering, encoding, and a slew of other basic features. The cross-platform software also remains open-source — with a resourceful wiki page to boot — and tasks can be automated using assorted projects, job queues, and custom scripting capabilities that push it beyond barebones functionality.


First is the 1.6x multiplier you get to have for free with telephoto lenses. Because the APS-C sensor is smaller, you're basically "cropping" the image that comes in a lens made for a full-frame camera. Thus the term "crop sensor" used to describe something like an APS-C sized sensor. But rather than cropping the image post-process, all of the camera's light sensing pixels work within this cropped area. So if you buy a lens that is meant to work on a full-frame camera (the way you can tell is by the prefix. An "EF" lens is a full frame lens while an EF-S lens is made for the APS-C sensor. You can use an EF lens on any camera, full frame or APS-C, but if you use an EF-S lens on a full-frame camera the edges of the image will be cut off by the edge of the lens), whatever the specifications are, multiply that by 1.6. So for example, I bought the EF 70-300mm IS II USM lens to use with this. So being that this is an APS-C camera, that lens for me is effectively a 112-480mm lens. Of course the downside of this is if you want a more wide angle, a 10mm EF lens would actually be 18mm, meaning no longer wide-angle. But for those you just make sure to buy an EF-S lens, then the specifications will be correct. For me I have the EF-S 18-135mm IS USM lens for it, and at 18mm it's perfect for general use wide-angle photography. If I wanted even wider there is an EF-S 10-18mm lens out there as well.
When it comes to free video editing software, Filmora is about as multi-faceted as they come. Filmora is Wondershare’s standard, simple, high-quality video editing offering; but Wondershare also offers FilmoraGo (for mobile editing) and Filmora Scrn (for screen recording and editing). The design is intuitive and easy to use, and comes replete with filters, overlays, motion elements, transitions, and a small selection of royalty-free music. Here are a few more of the “basics” Filmora offers: 
As I mentioned before, one of the advantages of the platform over the fractioning of the files to edit is precisely because it is linked to its main disadvantage, and that is that Movie Maker support does not support very heavy files, or large files , because the platform loses fluency and quality, which is essential when editing. Another aspect, important is that it has many limitations of format, in addition to working with designs that are not as templates in the programmer, limited in turn to work with only a few other programs, and increasing the incompatibility of the program with other platforms. edition or reproduction of files.
The swivel LCD is another great feature, although not new, my T3i had it, but still worth a mention. One difference, think starting with the T6i, is the LCD is now also a touchscreen. Although I turned mine off because I don't want to accidentally change anything since a lot of things can touch the screen, from my hands to my nose... I'd rather use the buttons which have a lot less chance of accidental activation. But I know everyone has been conditioned to love touchscreens, so it's there, hooray. :-)
If you want something that is aimed more at the professional from a marketing standpoint, it couldn’t hurt to look into the Vegas Pro line. On its 15th iteration, Vegas has introduced a ton of new features, from hardware acceleration harnessing Intel QSV to a picture-in-picture OFX plug-in, all the way to a super intuitive new instant freeze frame option for referencing shots without stopping workflow. If you opt for the premium, upgraded package (which won’t run cheap), you’ll even get an exhaustive package of NewBlueFX fIlters to color your projects like a true Hollywood flick. What’s interesting about Vegas, and what we think gets overlooked, is they’ve attempted to give you an intuitive set of controls that takes the best of Final Cut, Premiere and others and merges them into one. Sure, it might not have the streamlined, Adobe CS-friendliness of Premiere, nor is it even compatible with Macs, but that’s OK. The workflow in this might just give certain users who can’t quite jive with the other guys a place to truly shine.

Finally, we used each program to compress a 4K video file into a smaller resolution. We then examined the results looking for imperfections in the picture such as compression artifacts, motion blur, distortion, ghosting and more. PowerDirector’s results were simply outstanding. We could find almost no indication that the video had been compressed, even when viewed on an ultra-high-definition monitor.


Are you passionate about making videos and searching for a right option to create a few? In the following article, we will list some remarkable online video makers who will cater to all your needs. Be aware of the fact though that these video makers are online-based services and thus the available editing features can be quite limited. Readers who are seeking for full-featured video editors will need a PC program, check a short video to get an instant overview of what PC program is able to do:
There are so many different video formats out there, and one device may capture in a different format than another. Furthermore, different devices and platforms need specific file formats for playback—and those formats may be different than what your camera captures! That means you’ll want software that can import from a variety of sources and that will support many file formats for export.
This editing software offers three main ways to create your video projects. You can use the Full Feature Editor, which is the familiar timeline, or storyboard, layout used by industry professionals since time immemorial. But in case you're not ready to jump into that quite yet, there's also a simplified editor that automatically creates a video for you in just minutes. Additionally, you can use the Express Project module that allows you to fill in preprogrammed templates with your own content, which teaches you how to use the Full Feature Editor to its fullest potential.
First is the 1.6x multiplier you get to have for free with telephoto lenses. Because the APS-C sensor is smaller, you're basically "cropping" the image that comes in a lens made for a full-frame camera. Thus the term "crop sensor" used to describe something like an APS-C sized sensor. But rather than cropping the image post-process, all of the camera's light sensing pixels work within this cropped area. So if you buy a lens that is meant to work on a full-frame camera (the way you can tell is by the prefix. An "EF" lens is a full frame lens while an EF-S lens is made for the APS-C sensor. You can use an EF lens on any camera, full frame or APS-C, but if you use an EF-S lens on a full-frame camera the edges of the image will be cut off by the edge of the lens), whatever the specifications are, multiply that by 1.6. So for example, I bought the EF 70-300mm IS II USM lens to use with this. So being that this is an APS-C camera, that lens for me is effectively a 112-480mm lens. Of course the downside of this is if you want a more wide angle, a 10mm EF lens would actually be 18mm, meaning no longer wide-angle. But for those you just make sure to buy an EF-S lens, then the specifications will be correct. For me I have the EF-S 18-135mm IS USM lens for it, and at 18mm it's perfect for general use wide-angle photography. If I wanted even wider there is an EF-S 10-18mm lens out there as well.
Other recent features include a basic audio editor, the option to make previews for apps you’ve developed, and the even ability to make your own movie trailers complete with transitions and end credits. It’s not a tour de force in terms of video editing, but it’s perfectly suitable for home videos and minor projects. Consider combining it with free audio recording software!
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