Wevideo.com, launched in 2007, has user-friendly procedure to create online videos and gives innumerable tools to unleash your creativity. It offers its services to business start-ups, campus sharing of videos, timeline and storyboard editing. The website maker stands at 4th position amongst all. Wevideo offers you a video editor mobile app also which you can use with ease. Wevideo academy teaches the basics of video making and editing to their esteemed users.
Windows Movie Maker was once the world's most popular free video editing tool for Windows and users can make home movies by simple drag-and-drop. It contains features such as video effects, video transitions, adding titles/credits, audio track, timeline narration, and Auto Movie. Although Windows Movie Maker is built for Windows 7, and if you are looking for some free video editing software for Windows 8 or Windows 10, then you should skip Windows Movie Maker. However, Windows Movie Maker has been discontinued by Microsoft, you can still find installation packages on some third-party authoritative download sites:
If you have the budget, the 70D would be my pick of the litter. Keep in mind, if you own an iPhone and are simply publishing basic vlogs to YouTube, you might not need anything more. If you’re aiming to achieve “filmic” results, and want to interchange lenses (so you can capture close-ups and wide angles for instance) then definitely give these DSLR cameras consideration.
Wideo.com is yet another online platform to create the best digital content for your education, business or home use. It provides you a flexible procedure to choose, create, edit and share video instantly. Wideo.com is all about making result-oriented videos suiting to your needs with minimum efforts. It offers you the facility to save the video online and edit it later which is extremely laudable in the current scenario.
The Express Projects module offers a library of preprogrammed video templates to choose from. PowerDirector walks you through sorting your footage, choosing the best shots for your video and letting you experiment with where to place footage in the template. This is important for two reasons: First, it allows beginner and novice users the opportunity to complete a project without being intimidated by the complexity of the software; second, it does so in a way that teaches you to use the tools in the Full Feature Editor, making the jump that much easier.
We also spoke with Richard Dutcher, an independent filmmaker and director of eight feature films including “Brigham City,” “Falling," "God's Army” and “Evil Angel.” He told us that the time you spend learning a new program is at a premium. “I like things that are intuitive and with the fastest learning curve. The less time spent becoming familiar and proficient the better. The sooner I can get to work and putting the film together - that’s the most important thing to me.”
First is the 1.6x multiplier you get to have for free with telephoto lenses. Because the APS-C sensor is smaller, you're basically "cropping" the image that comes in a lens made for a full-frame camera. Thus the term "crop sensor" used to describe something like an APS-C sized sensor. But rather than cropping the image post-process, all of the camera's light sensing pixels work within this cropped area. So if you buy a lens that is meant to work on a full-frame camera (the way you can tell is by the prefix. An "EF" lens is a full frame lens while an EF-S lens is made for the APS-C sensor. You can use an EF lens on any camera, full frame or APS-C, but if you use an EF-S lens on a full-frame camera the edges of the image will be cut off by the edge of the lens), whatever the specifications are, multiply that by 1.6. So for example, I bought the EF 70-300mm IS II USM lens to use with this. So being that this is an APS-C camera, that lens for me is effectively a 112-480mm lens. Of course the downside of this is if you want a more wide angle, a 10mm EF lens would actually be 18mm, meaning no longer wide-angle. But for those you just make sure to buy an EF-S lens, then the specifications will be correct. For me I have the EF-S 18-135mm IS USM lens for it, and at 18mm it's perfect for general use wide-angle photography. If I wanted even wider there is an EF-S 10-18mm lens out there as well.
I like that Windows Movie Maker makes my life easier and helps me earn a few extra dollars. And how? Well, as it´s super easy to use, I only have to drag and drop a video (with no audio) inside the panel of Movie Maker. After this, I just add a few special effects from the upper menu, and finally, I add audio (that contains subliminal affirmations) in an easy way by using again the drag-and-drop function that this software allows. Everything I´ve just said is what I like about Windows Movie Maker.
If you are familiar with Windows software, Movie Maker has a lot of functionality - and if you know where to look. The product has a small learning curve if you want to do simple tasks like edit video length or add audio. You can simply drop in video and the interface can easily be navigated. You can save video into different formats or extract audio with ease.
Most video editing software for consumers and mainstream users is best used for one or another of these specific functions, but there are a few generalists out there, too. We look at the full spectrum: Free video editing software; paid consumer video editing programs that cost $80 or less; and "prosumer" versions that offer deeper feature sets, though usually for high purchase prices.
All the applications we reviewed fulfill the same basic need; however, they differ greatly in their interface layouts, workflows and toolsets. In our tests, we assessed how easy each program is to learn and use. We also tracked how hard the application makes it to perform common tasks like editing video footage; adding effects, transitions and titles; picking menu templates; customizing projects; and burning finished DVDs. We found that all the programs are relatively easy to use once you know your way around the interface, although some were much more straightforward than others.
Tyler explained that the software you buy should complement the hardware you use, as well as the type of project you’re working on. “You want to have software that will work well with your phone, digital camera, action cam or whatever you’re shooting on. If you plan on shooting on a lot of different devices, you want a program that’s compatible with a lot of different formats.”
We combined a text opener with five clips linked by a cross-fade-type transition into a 2.5-minute video shot at 60 frames per second, and rendered the projects to the MPEG-4 format at 720p. We timed rendering at both 60 fps and 30 fps. We adjusted settings to take advantage of hardware acceleration for all tests whenever possible, setting them in either the preferences or the rendering controls for the best speeds. Apple’s iMovie, the lone Mac-only app, is not included in the timed comparisons.