However, it doesn’t have all the features and tools we look for in DVD makers, though it has enough to fit the needs of a novice. Before you can burn a DVD, you need to transform your raw footage into a compelling narrative. As such, this program’s video editing tools are its main selling points. It has a standard timeline/storyboard workflow – you compose the broad strokes of your video in the storyboard and fine-tune it in the timeline. One of the software’s biggest drawbacks is you only have eight editing tracks to build your project, and only one is dedicated to video. This limits the program’s versatility and hinders its ability to create complex projects. As a beginner, you might only need eight tracks; however, as you gain experience, it may become a frustration. In addition, the included DVD burner can’t add menus or chapter breaks.
Every other program has dedicated tracks for each type of media such as video, audio, images, etc. The fact that you can use any media on any track makes this software much more dynamic and provides more control over your project. However, the DVD authoring tools in this program fall short of the best we tested. For example, you don’t get the ability add bonus features or save a disc image to your hard drive. While neither of these things are a deal-breaker, they’re both found in our top pick for this category.
Video editing software can be used by amateurs and professionals alike to edit video files for fun or commercial purposes. There are numerous free and paid platforms in this category available in the market. Each offers its own set of features that can be easy or difficult to use depending on your level of expertise. So, how do you do knowledgeable comparisons to select the best video editing software for your specific needs? We help you in this task by providing details on the standard features you can expect in this type of system and the other relevant factors you should consider while searching.

The next advantage is something I already touched on earlier. The size and bulk. These prosumer line cameras are typically much smaller and lighter than their pro-grade cousins. However, I am now completely spoiled by USM lenses (specifically their new nano-USM system), and they are unfortunately bulkier than the "kit lenses" that typically come with these cameras. But overall even with the bulkier lenses, it'll still be much easier to move around with the T7i than with a 5D or a 1D...

I sincerely believe that if you purchase any of these products that they will NOT work with a PS3 game system. I get the same thing that others get ... "no input signal" ... from the Pinnacle Studio 14 software included with the Dazzle. However I have the same software game for the PC, and despite TWO different capture attempts with other 3rd party software (which have no trouble capturing screen activities otherwise), the UbiSoft game could not be captured at all. Therefore, if you're using a PS3 and you want to capture your gameplay as video you'd better look elsewhere! I KNOW it can be done because the same game(s) ARE captured by others and you can see the videos on YouTube, so there must be a way. I just haven't found it here with the 'Dazzle'. Frankly, I'm not really dazzled by this hardware. Of interesting note there are two other video capture devices sold by Avid/Pinnacle, however they seem to contradict themselves with their Specifications Pages and Feature Pages. In one the Features says you can capture video from '... game systems and others...' however on the same device's Specifications page nowhere does it stipulate which gaming systems you can capture video from! In the other device it's just the reverse (i.e. Spec page says "... game systems...", and the Features page says nothing about gaming systems). Perhaps it's the PS3, or the Software Programs' video is encoded prohibiting captures? Who knows, perhaps this is a good product for video captures from other sources, but this just doesn't work for my PS3!
Though Mac users don't have the sheer number of software choices available for PCs, Apple fans interested in editing video are well served, by four products in particular. At the entry level, the surprisingly capable and enjoyable-to-use iMovie comes free with every Mac sold since at least 2011. iMovie only offers two video tracks, but does good job with chroma-keying, and its Trailers feature makes it easy to produce slick, Hollywood-style productions.
Nero Video 2017 is slightly cheaper at $50 than many competing video editing suites, but it offers most of the same features, including Ultra HD 4K support and intelligent curation features for your media library. And with H.265 format support for mobile devices and the handy ability to switch between a basic and advanced editing mode, Nero will please a wide range of users. It’s mostly intended for burning physical media, and doesn’t have good social exporting options. But even if you’re not planning to do DVDs, Nero is worth a look if you want a budget option for video editing software. (Read our full review.)
Slightly different from the league is Dvolver.com which is a set up providing moviemaking services. Dvolver organizes online film festival ‘Dfilm’ that gives opportunity to the users to make their own digital films. Dfilm has cartoon based software as well which is fun to use. It allows friends and family to chat and talk through cell phones via SMS, MMS, instant messaging and others.

The MS website offers virtually no educational materials on their program. All it has in terms of user support is a help service you can contact by email and a forum. The Movavi site, on the other hand, provides a wide variety of useful content, including FAQs, manuals, and video guides with regular updates. If something is not working properly or there’s an error of any kind, you can contact the company’s live chat service to get help in real time.

In our tests, we timed how long it took to install each application, import and organize video files, build a test video and menu, burn a disc, and more. We found that programs that take even a few minutes longer than other applications to complete simple tasks can end up adding hours to the total process. The best DVD authoring programs run fast and save that extra time you would otherwise spend babysitting a progress bar.
Next getting the software to work was another challange. despite having a fast machine with a lot of RAM, I found the Movie Star program to be very unstable. I was able to capture up to 60 minutes of video and save it to the MPEG format, but everytime I tried to edit or export the video as Windows Media or Real, it crashed the machine. I downloaded a copy of Ulead's Video Studio, but couldn't figure out how to import MPEG files. I finally bit the bullet and wound up downloading a free 30-day trial of Adobe Premier. I found Premier to be a very stable and easy to use program. I just wish it didn't cost [so much!] /injects>

Apple’s Final Cut Pro X software falls into what we call the “prosumer” category because it treads the line between a product for consumers who want to up their video-editing game and one for professionals who need powerful editing tools. It lacks a traditional timeline-track interface, which is enough to scare some users off, but the software is intuitive and powerful nonetheless. It has great organizational tools like libraries, ratings, tagging, auto analysis for faces and scenes, and automatic color coding for track-specific clips, useful keyboard short-cuts and drag-and-drop media importing give Adobe’s Premiere Elements a run for its money. Unfortunately, you can't directly open projects from Final Cut Pro 7 or earlier, but there are many third-party plug-ins that will help you out there.​


With ScreenFlow you can record any part of your screen or the entire monitor while also capturing your video camera, iOS device, microphone or multi-channel audio device, and your computer’s audio. The easy-to-use editing interface lets you creatively edit your video. When you are done, use the built-in sharing to publish your video directly to YouTube, Vimeo, Wistia, Facebook, Google Drive, Dropbox or to Telestream Cloud for transcoding. Or export an animated .GIF, ProRes file or .MP4 directly to your desktop.

The free HitFilm Express 9 has a quirky but appealing interface and plenty of powerful features, including a new layout panel and better export tools. An optional Starter Pack ($9.99) adds even more editing options. It's good for prosumers and enthusiasts with cross-platform editing and compositing abilities, tracking options, 2D and 3D effects, speed controls, audio tools and an arsenal of instructional videos.
I got this last week and have been transferring 10 to 20+ year old VHS and VHS-c movies to the computer. That is probably all I will ever use it for but it is doing a good job for me. Installed easily (Win 7 64 bit) and the editing software is good enough. I am just doing basic stuff. Splitting the video up by date and/or size (to keep it less than 2GB per file).

A lot of people ask what sort of gear we use for the Stark Insider YouTube channel. We don’t do vlogs, but I would suggest this is a highly flexible camera rig for just about every possible scenario. You could use it for weddings (though if you have the budget the Sony a7S is superb in low light and one of my top 5 camera buys), interviews, sporting events, birthdays, documentary work, live concerts… and, on and on.
(function(){"use strict";function s(e){return"function"==typeof e||"object"==typeof e&&null!==e}function a(e){return"function"==typeof e}function u(e){X=e}function l(e){G=e}function c(){return function(){r.nextTick(p)}}function f(){var e=0,n=new ne(p),t=document.createTextNode("");return n.observe(t,{characterData:!0}),function(){t.data=e=++e%2}}function d(){var e=new MessageChannel;return e.port1.onmessage=p,function(){e.port2.postMessage(0)}}function h(){return function(){setTimeout(p,1)}}function p(){for(var e=0;et.length)&&(n=t.length),n-=e.length;var r=t.indexOf(e,n);return-1!==r&&r===n}),String.prototype.startsWith||(String.prototype.startsWith=function(e,n){return n=n||0,this.substr(n,e.length)===e}),String.prototype.trim||(String.prototype.trim=function(){return this.replace(/^[\s\uFEFF\xA0]+|[\s\uFEFF\xA0]+$/g,"")}),String.prototype.includes||(String.prototype.includes=function(e,n){"use strict";return"number"!=typeof n&&(n=0),!(n+e.length>this.length)&&-1!==this.indexOf(e,n)})},"./shared/require-global.js":function(e,n,t){e.exports=t("./shared/require-shim.js")},"./shared/require-shim.js":function(e,n,t){var r=t("./shared/errors.js"),i=(this.window,!1),o=null,s=null,a=new Promise(function(e,n){o=e,s=n}),u=function(e){if(!u.hasModule(e)){var n=new Error('Cannot find module "'+e+'"');throw n.code="MODULE_NOT_FOUND",n}return t("./"+e+".js")};u.loadChunk=function(e){return a.then(function(){return"main"==e?t.e("main").then(function(e){t("./main.js")}.bind(null,t))["catch"](t.oe):"dev"==e?Promise.all([t.e("main"),t.e("dev")]).then(function(e){t("./shared/dev.js")}.bind(null,t))["catch"](t.oe):"internal"==e?Promise.all([t.e("main"),t.e("internal"),t.e("qtext2"),t.e("dev")]).then(function(e){t("./internal.js")}.bind(null,t))["catch"](t.oe):"ads_manager"==e?Promise.all([t.e("main"),t.e("ads_manager")]).then(function(e){undefined,undefined,undefined,undefined,undefined,undefined,undefined,undefined,undefined,undefined,undefined}.bind(null,t))["catch"](t.oe):"publisher_dashboard"==e?t.e("publisher_dashboard").then(function(e){undefined,undefined}.bind(null,t))["catch"](t.oe):"content_widgets"==e?Promise.all([t.e("main"),t.e("content_widgets")]).then(function(e){t("./content_widgets.iframe.js")}.bind(null,t))["catch"](t.oe):void 0})},u.whenReady=function(e,n){Promise.all(window.webpackChunks.map(function(e){return u.loadChunk(e)})).then(function(){n()})},u.installPageProperties=function(e,n){window.Q.settings=e,window.Q.gating=n,i=!0,o()},u.assertPagePropertiesInstalled=function(){i||(s(),r.logJsError("installPageProperties","The install page properties promise was rejected in require-shim."))},u.prefetchAll=function(){t("./settings.js");Promise.all([t.e("main"),t.e("qtext2")]).then(function(){}.bind(null,t))["catch"](t.oe)},u.hasModule=function(e){return!!window.NODE_JS||t.m.hasOwnProperty("./"+e+".js")},u.execAll=function(){var e=Object.keys(t.m);try{for(var n=0;n=c?n():document.fonts.load(l(o,'"'+o.family+'"'),a).then(function(n){1<=n.length?e():setTimeout(t,25)},function(){n()})}t()});var w=new Promise(function(e,n){u=setTimeout(n,c)});Promise.race([w,m]).then(function(){clearTimeout(u),e(o)},function(){n(o)})}else t(function(){function t(){var n;(n=-1!=y&&-1!=v||-1!=y&&-1!=g||-1!=v&&-1!=g)&&((n=y!=v&&y!=g&&v!=g)||(null===f&&(n=/AppleWebKit\/([0-9]+)(?:\.([0-9]+))/.exec(window.navigator.userAgent),f=!!n&&(536>parseInt(n[1],10)||536===parseInt(n[1],10)&&11>=parseInt(n[2],10))),n=f&&(y==b&&v==b&&g==b||y==x&&v==x&&g==x||y==j&&v==j&&g==j)),n=!n),n&&(null!==_.parentNode&&_.parentNode.removeChild(_),clearTimeout(u),e(o))}function d(){if((new Date).getTime()-h>=c)null!==_.parentNode&&_.parentNode.removeChild(_),n(o);else{var e=document.hidden;!0!==e&&void 0!==e||(y=p.a.offsetWidth,v=m.a.offsetWidth,g=w.a.offsetWidth,t()),u=setTimeout(d,50)}}var p=new r(a),m=new r(a),w=new r(a),y=-1,v=-1,g=-1,b=-1,x=-1,j=-1,_=document.createElement("div");_.dir="ltr",i(p,l(o,"sans-serif")),i(m,l(o,"serif")),i(w,l(o,"monospace")),_.appendChild(p.a),_.appendChild(m.a),_.appendChild(w.a),document.body.appendChild(_),b=p.a.offsetWidth,x=m.a.offsetWidth,j=w.a.offsetWidth,d(),s(p,function(e){y=e,t()}),i(p,l(o,'"'+o.family+'",sans-serif')),s(m,function(e){v=e,t()}),i(m,l(o,'"'+o.family+'",serif')),s(w,function(e){g=e,t()}),i(w,l(o,'"'+o.family+'",monospace'))})})},void 0!==e?e.exports=a:(window.FontFaceObserver=a,window.FontFaceObserver.prototype.load=a.prototype.load)}()},"./third_party/tracekit.js":function(e,n){/**
Avid Media Composer's latest version comes with a wealth of new and improved features, such as accelerated high-res-to-HD workflows and automated media management to handle background media tasks while you focus on your creative vision. The $999 price tag is steep for amateurs, but worth it if you're looking for a professional-grade software. As the editing software of choice for summer blockbusters like Star Trek and The Great Gatsby, Avid Media Composer 7 can handle any editing challenge with ease.
Shooting movies is also great now with the servo AF feature. My T3i required that I manually focused while shooting movies. With the servo AF, the camera will actually follow the moving subject adjusting the focus on the fly. I mean, your cell phone can do it and so could my point-and-shoot Canon camera, but their old DSLRs actually didn't have that feature, but now (well, since like the T5i I think) they do and it's very useful. Speaking of movie mode, I very much like that they added another step in the power switch for movie mode instead of requiring you to turn the knob all the way to the very end to get to movie mode. Now you simply flip the switch to it.
The MS website offers virtually no educational materials on their program. All it has in terms of user support is a help service you can contact by email and a forum. The Movavi site, on the other hand, provides a wide variety of useful content, including FAQs, manuals, and video guides with regular updates. If something is not working properly or there’s an error of any kind, you can contact the company’s live chat service to get help in real time.
He went on to say that your end goal should also play a big part in your decision, advising that if you’ll edit video infrequently, you should get simpler software. “If it’s a one-off project, the fewer whistles the better,” Tyler said.  He called out Adobe Premiere Elements and Wondershare Filmora as good choices because they have easy-to-understand workflows for non-editors.

However, it doesn’t have all the features and tools we look for in DVD makers, though it has enough to fit the needs of a novice. Before you can burn a DVD, you need to transform your raw footage into a compelling narrative. As such, this program’s video editing tools are its main selling points. It has a standard timeline/storyboard workflow – you compose the broad strokes of your video in the storyboard and fine-tune it in the timeline. One of the software’s biggest drawbacks is you only have eight editing tracks to build your project, and only one is dedicated to video. This limits the program’s versatility and hinders its ability to create complex projects. As a beginner, you might only need eight tracks; however, as you gain experience, it may become a frustration. In addition, the included DVD burner can’t add menus or chapter breaks.


One of the program’s benefits is that it’s easy enough for a novice to use but has the features advanced users need. This DVD maker can also act as a very effective training ground before advancing to one of the professional applications widely used in the industry, which have similar tools, workflows and features. Another reason PowerDirector is the best choice for DVD authoring software is it plays nicely with every file format and codec we look for in this type of program. You can capture content from nearly any device and export your final product to a disc or save it as any other file format. Moreover, this application allows up to 100 video- and audio-editing tracks, which is more than you could reasonably use in a consumer-level project. This means you have enough room to work with as many videos, sounds, images, effects and transitions as you want. When you're ready to burn your disc, PowerDirector has plenty of menu templates to choose from. This disc creator also allows you to add extra features and divide your project into chapters. You can burn movies to any type of disc, including single- and dual-layered DVDs and CDs.
Video Creation Is Expensive. Video editors charge $100/hour or more for their time. Content creation is especially challenging, typically requiring hours of work. And that doesn’t include the time to put the video together! Creating A Video Is Really Complicated. Compelling videos need to feature a powerful & professional script, high quality graphics, an eye-catching format, and more. Creating videos that people actually want is quite complicated! But With EZ Video Creator It’s As Easy As A – B – C
One of the capabilities that has been making its way into consumer-level video editing software is support for LUTs (lookup tables), also known as CLUTs (color lookup tables). This staple of pro-level software lets you quickly change the look of a video to give it a specific mood. For example, think of the dark blue look of thriller movies like The Revenant. You can download LUTs for free from several sites or use those included with some video software to give your video a specific look. One well-known LUT type is the kind that can make a daytime scene look like it was shot at night.
Wevideo.com, launched in 2007, has user-friendly procedure to create online videos and gives innumerable tools to unleash your creativity. It offers its services to business start-ups, campus sharing of videos, timeline and storyboard editing. The website maker stands at 4th position amongst all. Wevideo offers you a video editor mobile app also which you can use with ease. Wevideo academy teaches the basics of video making and editing to their esteemed users.
Other video editing applications have dedicated tracks for video, audio, images, effects, etc. Object based editing makes the program more dynamic and easier to manage tracks. This program also employs proxy editing, in which the program creates lower-resolution copies of videos to use during the editing process. This cuts down on the time it takes to import, render and preview projects before you export them. When you’re done, it uses the original source files to export the final project.
(function(){"use strict";function s(e){return"function"==typeof e||"object"==typeof e&&null!==e}function a(e){return"function"==typeof e}function u(e){X=e}function l(e){G=e}function c(){return function(){r.nextTick(p)}}function f(){var e=0,n=new ne(p),t=document.createTextNode("");return n.observe(t,{characterData:!0}),function(){t.data=e=++e%2}}function d(){var e=new MessageChannel;return e.port1.onmessage=p,function(){e.port2.postMessage(0)}}function h(){return function(){setTimeout(p,1)}}function p(){for(var e=0;et.length)&&(n=t.length),n-=e.length;var r=t.indexOf(e,n);return-1!==r&&r===n}),String.prototype.startsWith||(String.prototype.startsWith=function(e,n){return n=n||0,this.substr(n,e.length)===e}),String.prototype.trim||(String.prototype.trim=function(){return this.replace(/^[\s\uFEFF\xA0]+|[\s\uFEFF\xA0]+$/g,"")}),String.prototype.includes||(String.prototype.includes=function(e,n){"use strict";return"number"!=typeof n&&(n=0),!(n+e.length>this.length)&&-1!==this.indexOf(e,n)})},"./shared/require-global.js":function(e,n,t){e.exports=t("./shared/require-shim.js")},"./shared/require-shim.js":function(e,n,t){var r=t("./shared/errors.js"),i=(this.window,!1),o=null,s=null,a=new Promise(function(e,n){o=e,s=n}),u=function(e){if(!u.hasModule(e)){var n=new Error('Cannot find module "'+e+'"');throw n.code="MODULE_NOT_FOUND",n}return t("./"+e+".js")};u.loadChunk=function(e){return a.then(function(){return"main"==e?t.e("main").then(function(e){t("./main.js")}.bind(null,t))["catch"](t.oe):"dev"==e?Promise.all([t.e("main"),t.e("dev")]).then(function(e){t("./shared/dev.js")}.bind(null,t))["catch"](t.oe):"internal"==e?Promise.all([t.e("main"),t.e("internal"),t.e("qtext2"),t.e("dev")]).then(function(e){t("./internal.js")}.bind(null,t))["catch"](t.oe):"ads_manager"==e?Promise.all([t.e("main"),t.e("ads_manager")]).then(function(e){undefined,undefined,undefined,undefined,undefined,undefined,undefined,undefined,undefined,undefined,undefined}.bind(null,t))["catch"](t.oe):"publisher_dashboard"==e?t.e("publisher_dashboard").then(function(e){undefined,undefined}.bind(null,t))["catch"](t.oe):"content_widgets"==e?Promise.all([t.e("main"),t.e("content_widgets")]).then(function(e){t("./content_widgets.iframe.js")}.bind(null,t))["catch"](t.oe):void 0})},u.whenReady=function(e,n){Promise.all(window.webpackChunks.map(function(e){return u.loadChunk(e)})).then(function(){n()})},u.installPageProperties=function(e,n){window.Q.settings=e,window.Q.gating=n,i=!0,o()},u.assertPagePropertiesInstalled=function(){i||(s(),r.logJsError("installPageProperties","The install page properties promise was rejected in require-shim."))},u.prefetchAll=function(){t("./settings.js");Promise.all([t.e("main"),t.e("qtext2")]).then(function(){}.bind(null,t))["catch"](t.oe)},u.hasModule=function(e){return!!window.NODE_JS||t.m.hasOwnProperty("./"+e+".js")},u.execAll=function(){var e=Object.keys(t.m);try{for(var n=0;n=c?n():document.fonts.load(l(o,'"'+o.family+'"'),a).then(function(n){1<=n.length?e():setTimeout(t,25)},function(){n()})}t()});var w=new Promise(function(e,n){u=setTimeout(n,c)});Promise.race([w,m]).then(function(){clearTimeout(u),e(o)},function(){n(o)})}else t(function(){function t(){var n;(n=-1!=y&&-1!=v||-1!=y&&-1!=g||-1!=v&&-1!=g)&&((n=y!=v&&y!=g&&v!=g)||(null===f&&(n=/AppleWebKit\/([0-9]+)(?:\.([0-9]+))/.exec(window.navigator.userAgent),f=!!n&&(536>parseInt(n[1],10)||536===parseInt(n[1],10)&&11>=parseInt(n[2],10))),n=f&&(y==b&&v==b&&g==b||y==x&&v==x&&g==x||y==j&&v==j&&g==j)),n=!n),n&&(null!==_.parentNode&&_.parentNode.removeChild(_),clearTimeout(u),e(o))}function d(){if((new Date).getTime()-h>=c)null!==_.parentNode&&_.parentNode.removeChild(_),n(o);else{var e=document.hidden;!0!==e&&void 0!==e||(y=p.a.offsetWidth,v=m.a.offsetWidth,g=w.a.offsetWidth,t()),u=setTimeout(d,50)}}var p=new r(a),m=new r(a),w=new r(a),y=-1,v=-1,g=-1,b=-1,x=-1,j=-1,_=document.createElement("div");_.dir="ltr",i(p,l(o,"sans-serif")),i(m,l(o,"serif")),i(w,l(o,"monospace")),_.appendChild(p.a),_.appendChild(m.a),_.appendChild(w.a),document.body.appendChild(_),b=p.a.offsetWidth,x=m.a.offsetWidth,j=w.a.offsetWidth,d(),s(p,function(e){y=e,t()}),i(p,l(o,'"'+o.family+'",sans-serif')),s(m,function(e){v=e,t()}),i(m,l(o,'"'+o.family+'",serif')),s(w,function(e){g=e,t()}),i(w,l(o,'"'+o.family+'",monospace'))})})},void 0!==e?e.exports=a:(window.FontFaceObserver=a,window.FontFaceObserver.prototype.load=a.prototype.load)}()},"./third_party/tracekit.js":function(e,n){/**

Our team of reviewers used each program’s editing tools, effects and export options to create identical test DVDs. They timed how long it took to burn a new DVD, complete with menus and chapters when possible. Our video experts then played the new DVDs on a large-screen television and searched for imperfections such as compression artifact, motion blur and interlacing issues. The results of these tests, as well as our reviewers’ personal experiences using each program, were used to decide the programs’ final scores and ranks. All our tests were designed to replicate the experience of an average user as well as a veteran editor. 


Being a YouTube creator is hard. When you're not getting subscribers nor views on your videos, it's easy to feel discouraged, disappointed, frustrated, and quit. Yes, YouTube is hard and there's a lot you need to learn in order to grow a successful YouTube channel, including video editing, audience growth, storytelling, video production, business development, and more. But when you have a mission that's bigger than all that, the motivation to keep going can be stronger than all the struggles and difficulties in the process. This is how I stay motivated on YouTube and don't quit despite the struggles.
The fact that I can make any video or animation look professional in a matter of minutes is the best quality of Windows Movie Maker: its drag and drop tool enables me to drag the portions of video and image that I want to use. Moreover, Movie Maker´s crop tool allows me to cut any unwanted scene of my videos. Another exciting feature is its merging tool, as you can create a film quality intro by merging a high-quality title image with the beginning of your video. This way, your videos will always look professional.

If you have the budget, the 70D would be my pick of the litter. Keep in mind, if you own an iPhone and are simply publishing basic vlogs to YouTube, you might not need anything more. If you’re aiming to achieve “filmic” results, and want to interchange lenses (so you can capture close-ups and wide angles for instance) then definitely give these DSLR cameras consideration.
Video editing has become more and more popular due to the popularity of camcorders and convenience of online video sharing. To save money, you can use some free video editing tools. But it would be a little bit difficult to find a good free video creator as there are too many free video editing programs available on the market. If you are looking for the best choice among them and want your memories in motion, you should check the following top 6 best free video creator.
Dual Pixel AF is, no question, best-in-class. And it’s still the primary reason to look at the 80D (or even the older 70D from 2013). In my experience focus is superb — dead accurate, fast tracking, silent. Perfect for video. Even if you’re a purist, and prefer manual focus (which you should always learn) nailing initial focus is a treat with the DPAF (45-point); then once you’ve got that you can flick the switch to manual to tweak from there or adjust as a scene develops.
A lot of people ask what sort of gear we use for the Stark Insider YouTube channel. We don’t do vlogs, but I would suggest this is a highly flexible camera rig for just about every possible scenario. You could use it for weddings (though if you have the budget the Sony a7S is superb in low light and one of my top 5 camera buys), interviews, sporting events, birthdays, documentary work, live concerts… and, on and on.
The main problem we have in regards to training is knowledge transfer and simplifying training of processes when on-boarding new staff. We do have some videos created from other platforms but no way to share. As we are primarily a Windows shop, using Movie Maker allowed me to create training videos using Microsoft approved codecs and made it much easier to share videos with other team members. The main benefit of course is they can now get some training from the videos we've created and cost savings by not having them go to another facility or rely on other training tools.
×