When it comes to free video editing software, Filmora is about as multi-faceted as they come. Filmora is Wondershare’s standard, simple, high-quality video editing offering; but Wondershare also offers FilmoraGo (for mobile editing) and Filmora Scrn (for screen recording and editing). The design is intuitive and easy to use, and comes replete with filters, overlays, motion elements, transitions, and a small selection of royalty-free music. Here are a few more of the “basics” Filmora offers:
The next advantage is something I already touched on earlier. The size and bulk. These prosumer line cameras are typically much smaller and lighter than their pro-grade cousins. However, I am now completely spoiled by USM lenses (specifically their new nano-USM system), and they are unfortunately bulkier than the "kit lenses" that typically come with these cameras. But overall even with the bulkier lenses, it'll still be much easier to move around with the T7i than with a 5D or a 1D...
In experienced hands, the VSDC Free Video Editor can produce some seriously professional-looking video. In addition to supporting nearly every major video format, the program offers advanced video effects, including object transformation and color correction, as well as advanced audio effects like volume correction and sound normalization. And unlike WeVideo, the VSDC Free Video Editor is truly free. You can use the program's full feature set without having to deal with pesky watermarks.
Both DaVinci and VSDC mix paid features in their basic programs, but they do not explicitly mark these features as such. However, if you try to use them, you'll get an error message and an ad. We can't fault the software companies for trying to get users on board with paid versions, but just be warned that such annoyances are the hidden cost of otherwise-free video apps.
The T#i line is what they call a "pro-sumer" line, which is basically between a consumer line camera like a very basic DSLR and a professional DSLR camera, thus the term "pro-sumer." Typically what this meant is an DSLR with an APS-C sized sensor, decent resolution, and some hand-me-down professional features of pro-grade cameras from a few years ago. For this reason, sometimes it's not worth upgrading from one of these cameras to the next until at least a few generations have past (meaning if you have a T5i, it's not really a giant leap forward to upgrade to a T6i). However, the T7i is somewhat different. When I was doing research on what features it has and what it is missing compared to the pro-grade DSLRs that are considered "current" right now, I was surprised to find very little. The main differences really is that the pro-grade cameras have the LCD display on the top that would display all of your relevant camera settings, and then a few of them would also sport a full-frame sensor. Other than that, the differences are very minor. Something like maybe 1 or 2 frames less in burst mode or something like that. Nothing that would really jump out at you and make you regret not stepping up to the professional grade equivalent (Think it would be the 77D?). It actually has pretty much all of the big features of even their current pro-grade DSLRs, making the T7i probably one of the best prosumer DSLRs to buy.
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