One of the things that can be a pain in the neck is that if you're working with a long video, and you want to give different types of effects to different parts of this video, then you have to cut out the parts of that same video you need to change, and later, you need to apply the type of effect you want to each of these pieces of videos separately, and then save them like different files. After all that, you need to join them together. It would be lovely that there was an option to achieve this without so much work.
Nero Video 2017 is slightly cheaper at $50 than many competing video editing suites, but it offers most of the same features, including Ultra HD 4K support and intelligent curation features for your media library. And with H.265 format support for mobile devices and the handy ability to switch between a basic and advanced editing mode, Nero will please a wide range of users. It’s mostly intended for burning physical media, and doesn’t have good social exporting options. But even if you’re not planning to do DVDs, Nero is worth a look if you want a budget option for video editing software. (Read our full review.)
VSDC Free Video Editor looks and feels just like a professional video editor. In fact, if feels almost identical to Final Cut Pro in a lot of ways. If you want to experience that style of in-depth video editing, this program is an epic way to do it for free. Be warned, though, that there's a steep learning curve unless you already have some experience.
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I'll keep this short ... despite a bad review on Amazon, I bought this product. I received it promptly, I installed the highly regarded Pinnacle Studio v14 software FIRST, on my computer, AS INSTRUCTED. I connected the Canon DV tape camcorder to the Dazzle with the 'AV Out' cable that came with the camcorder originally, plugged the Dazzle into a front-mounted USB port on the computer, launched Studio, and imported 6 year old video from tape to disk by simply hitting the 'play' button on the camcorder ... I have a lot more work to do for video editing, but this beats the HELL out of installing a machine specific capture card. I can't think of a simpler way to capture tape-based video. You can pick from a variety of file outputs, I used AVI and I'll probably experiment more and use whatever burns to DVD the best for HD tv viewing. I was dreading the pain of capturing old video, but this has made it much easier than I expected, at a very reasonable cost considering the hardware/software package you get. In fact, it works well enough that I'm willing to stick with my DV tape camera for a while longer. More importantly I have old but good quality video of family, dogs and fun that I can now capture and save to DVD.
Apple’s revamped video editing software boasts speedier performance, a friendlier interface, auditions for alternate clips, good organization tools, powerful new multicam support and support for both Thunderbolt and studio-monitor output. While you can’t import projects from previous Final Cut versions without a third-party plugin, this new software is a consumer-friendly upgrade to a pro-level Mac editor.
You can choose among a few different speeds, and the app will show you how long the hyperlapsed video will be for every speed in comparison to the length of the video in real time. (So a 40-second video in real time will become roughly a seven-second video in Hyperlapse at 6X speed.) It's a really cool way to capture something that usually lasts a while -- like a sunset or an event setup.
Compared to HitFilm's high-energy interface, VideoPad has a simple, soothing look which makes it more approachable for novices. It works with both Macs and PCs and still lets you edit 360-degree video with the same ease as you would traditional movies, though adding text to 360-degree clips can be a bit tricky. VideoPad also lacks some of the advanced features you'll find with HitFilm, like multicam editing, high-end special effects and motion tracking, but you can purchase a number of add-ons to expand VideoPad's feature set.