Export options: Another area where free meets inconvenience may be at the tail end of the project, when you want to export your video, only to discover that the free version will not output to your desired format. Before you start using a free package, make sure that it will save your video to the platform and resolution you need, whether your video will eventually wind up on YouTube or on a Blu-ray disc.
Also, you can't leave it powered for too long at a time. I have noticed that if I record small clips for 1.5+ hours then the number of frames that drop increase dramitically, and I have to unplug it to let it cool down. If you want to record voice, it only records voice that comes through the speakers of your television (meaning, if you're recording voice on xbox, go to preferences and set voice to "speaker only" or "Both Headset & Speaker"); however, sound effects of blasts and explosions of games come through very well. The quality of voice recording is pretty bad, but I didn't buy this for voice recording, I bought it for video.
As well as being free to download and use, Movie Maker Free Video Editor comes with an expansive library of features. As well as all of the standard cutting and trimming tools, the program allows you to apply effects, filters and transitions. You will be able to turn your clips into old-fashioned sepia, mirror them, change orientations, use fades and similar transitions, and apply whatever other elements you desire to help bring your videos to life. Each of these features is available to you with just a few clicks of your mouse.
As I mentioned before, one of the advantages of the platform over the fractioning of the files to edit is precisely because it is linked to its main disadvantage, and that is that Movie Maker support does not support very heavy files, or large files , because the platform loses fluency and quality, which is essential when editing. Another aspect, important is that it has many limitations of format, in addition to working with designs that are not as templates in the programmer, limited in turn to work with only a few other programs, and increasing the incompatibility of the program with other platforms. edition or reproduction of files.
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Ignore all the unfavorable reviews of the Dazzle DM4100, unless you like AOL or would recommend AOL to a friend. I tend to be a tough critic when it comes to inferior technology, but the Dazzle TRULY IMPRESSED ME!!! 15 minutes to install on an AMD K6-450 notebook, default settings, smooth 30fps better-than-VHS capture, and a reasonable price. Yes, the video out works well too, naysayers! OK, I had to figure out a couple of software issues as I experimented with options, but if you can't deal with software quirks, you shouldn't own a PC !! ....but if you do, you probably think "AOL is #1" means AOL is the best. No, it just means an unrelenting high-budget sales campaign can easily brainwash the cranially-challenged. The rest of us just ignore the ads, and enjoy using quality products like the Dazzle 4100, without opening the manual, or whining to/about tech support.

YouTube Movie Maker is a free and total solution for Make, Upload and Manage YouTube Videos, it can be used to make/edit and upload YouTube videos from various videos, pictures, audios, musics, texts, lyrics, subtitles; provides hundreds of special effects to make cool YouTube videos, fast batch convert and upload lots of various videos onto YouTube, manage and promote YouTube videos. YouTube Movie Maker is the best tool for all YouTube user.


The simplest way to create a digital movie in Movie Maker is to add your clips to the timeline and choose one of the seven AutoMovie Themes—Default, Contemporary, Cinematic, Fade, Pan and Zoom (best used with photos), Black and White, and Sepia. It's nowhere near as extensive a set of options you'll see in iMovie, let alone Adobe Premiere Elements, but they're in simple good taste. These are displayed as thumbnails in the center of the Home ribbon. They add an intro title screen, transitions, and credits to the production.
Like iMovie, Movie Maker uses a simplified version of the standard video editor timeline, with clips represented by "long thumbnails." The first frame is shown at full contrast, while the following ones are faded, in a distinction between this look and iMovie's. The thumbnail tracks optionally show you the audio waveforms along the bottom, so you can see where the loud and quiet parts of your video lay. You get five size choices for the thumbs, which is probably enough, and a zoom control at the bottom lets you stretch out these clip representations. You can trim or split clips using the cursor insertion point combined with edit buttons. It's quite easy once you get used to the unique editing system used by the app: you click at a point in your clip, and can then drag the resulting insertion line around the timeline.
There´s a slight issue with my Windows Movie Maker. Every time that I place an image at the end of the video, and merge it with the end of a video, the image breaks in half at the end. This happens all the time, with all the versions I´ve tried. But if you avoid merging an image with a video at the end of your scene, then you won´t have to worry about this issue.
For an option that falls in the middle of the price range, CyberLink has one of the most impressive arsenals of tools -- and it's still easy to use. The recently revamped interface is intuitive, and the features are “content aware,” meaning that they analyze raw footage for things such as shakiness, lighting and faces to create a better final cut. There is also added support for 4K video content.
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One of the cheaper options around ($49.99), Nero Video holds its own on this list—it comes well-stocked with a lot of the tricks and effects you’ll find among other products vying for video editing supremacy, and as far as software for beginners, you can certainly do worse. If you’re going to spend money learning how to edit videos, however, you might want to steer clear. Nero just doesn’t have the speed and functionality of some of the other products listed here, and if it’s value proposition is its price, $50 is still not all that cheap.  
There are two different licenses you can choose from with Lightworks: "Free" and "Pro." (The latter of which, as you might have guessed, requires that you cough up some cash.) The main difference between the two licenses is that the Pro version offers more features, including stereoscopic output and advanced project sharing. But the free version is still quite powerful, providing 100+ effects and supporting multicam editing.
Headquartered in New York City, Animoto is online and mobile video maker which enables a user to choose his own pictures, music, clips and turns into magical video slideshows. Founded in 2005, the website creator offers great digital experience and cloud-computing service with options like vast music library and video style options. Animoto bags second position in the countdown.
Corel’s Windows-only VideoStudio offers an equally robust set of features comparative to Adobe or CyberLink’s product line. Right off the bat, it’s easy to see why VideoStudio is a great option: It offers support for 4K, 360-degree VR, multi-cam editing, as well as a large library of royalty-free music. Beginners will quickly learn to appreciate features such as "checkmarks," which can either let you know which clips you’ve already used or can apply effects to all the clips currently in your timeline at once. Additionally, voice detection helps you match subtitles to speech in your video clips.
Every other program has dedicated tracks for each type of media such as video, audio, images, etc. The fact that you can use any media on any track makes this software much more dynamic and provides more control over your project. However, the DVD authoring tools in this program fall short of the best we tested. For example, you don’t get the ability add bonus features or save a disc image to your hard drive. While neither of these things are a deal-breaker, they’re both found in our top pick for this category.

We combined a text opener with five clips linked by a cross-fade-type transition into a 2.5-minute video shot at 60 frames per second, and rendered the projects to the MPEG-4 format at 720p. We timed rendering at both 60 fps and 30 fps. We adjusted settings to take advantage of hardware acceleration for all tests whenever possible, setting them in either the preferences or the rendering controls for the best speeds. Apple’s iMovie, the lone Mac-only app, is not included in the timed comparisons.
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