Adobe is an instantly recognisable name to most, and its Premiere Elements 15 program is a great choice for both beginners and experienced editors. It isn't as complex as the more heavyweight Premiere Pro video editor (listed below), which is best suited to full-time video editing professionals. But Adobe Premiere Elements is packed with excellent features, such as face detection, audio effects and bundled soundtracks. And it's friendly to use, too.
This is an excellent question, and it has a simple and short answer: I make and edit videos with it, so that I can sell them and earn money. My industry is the freelance world for music and video, thus, if there´s software that allows me to make and edit videos quickly, then this software will be one of the main tools for my business, and this is the reason why Movie Maker is a vital piece for my business that allows me to handle most of my video needs.
Not an expert? Don’t know how to edit videos, have a video studio, or have a bona fide video specialist to shoot and cut your features? That’s alright! The goal of today’s blog is to show you that with the right video editing software, you too can churn out sleek, professional video content—regardless of experience—and keep your content strategy ahead of the curve.

Video Creation Is Expensive. Video editors charge $100/hour or more for their time. Content creation is especially challenging, typically requiring hours of work. And that doesn’t include the time to put the video together! Creating A Video Is Really Complicated. Compelling videos need to feature a powerful & professional script, high quality graphics, an eye-catching format, and more. Creating videos that people actually want is quite complicated! But With EZ Video Creator It’s As Easy As A – B – C

All the other tools you would expect from consumer-level video editing software are present and work excellently. You can add titles, closed captions and other text to your video project with a few simple clicks. You also get a video stabilizer that smooths out shaky video, as well as a library of over 500 effects and transitions for you to choose from.

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The easiest way to get video clips into Movie Maker is to tap the "Click here to browse for videos and photos" button in the main timeline area. There's also a permanent Add videos and photos button on the Home tab. Each button opens the Pictures library, where most people's point-and-shoot videos land when they import from camera media. There's also an "Import from Device" choice in the File menu; this just opens the Windows photo/video importer, which actually does a decent job of letting you apply keyword tags and saves the image and clips to date-and-time-organized folders—not unlike iPhoto's "Events." And finally, you can start capturing video from your PC's webcam.
Support for 4K video source content has become pretty standard in video editing software, but the support varies among the products. For example, some but not all of the applications can import Sony XAVC and XAVC-S formats, which are used by Sony's popular DSLRs, mirrorless cameras, camcorders, and professional video cameras. The same holds true for the H.265 High Efficiency Video Coding (HEVC) standard. Most of the applications here now can import and export HEVC, though there are still a few holdouts.
I've been seeing a lot of attention paid to creating title effects in the applications over the past year. Apple Final Cut Pro X has added 3D title creation, which is pretty spiffy, letting you extrude 2D titles and rotate them on three axes. Corel VideoStudio in its latest version also adds 3D Titling, though not as powerful as Apple's. PowerDirector's Title Designer offers transparency, gradient color, border, blur level, and reflection in titles; Magix has impressive title templates, complete with animations. Premiere Elements offers a nifty title effect in which your video fills the text characters. Look for an application that lets you edit titles in WYSIWYG (what you see is what you get) mode, so that you can type, format, and time it right over the video preview.
Particularly intensive is the process of rendering your finished product into a standard video file that will by playable on the target device of choice, be that an HDTV, a laptop, or a smartphone. Most of the software can take advantage of your computer's graphics processor to speed this up. Be sure to check the performance section in each review linked here to see how speedy or slow the application is. In rendering speed testing, CyberLink and Pinnacle have been my perennial champs. /injects>

After struggling with GoPro Studio's constant glitches and quirkiness, I finally got fed-up enough to search for an editor that fits my needs. For me that was something simple, reliable and actually usable. I didn't need a lot of features yet, just a means of basic editing without freezing-up. Very reliable! Two things I noticed that were minor issues for me: 1. - audio/video syncing during editing/preview was an issue that was solved by rendering often, 2. - I'd like the fade transition to be more smooth and adjustable but maybe I have to look into this a bit more. Overall a pleasure to use. I actually look forward to using it compared to the dread I felt using GoPro Studio, which isn't even available to download any more. Another appropriate review I read of GoPro Studio was that it was free, powerful and dysfunctional.

Another thing I don't like is how they decided to "encode" their batteries. I'm sure there's some advantage to it, most likely safety to ensure you're using a genuine Canon battery they can quality control, but how it's affected me is that now buying an aftermarket battery means that you won't get a read-out of how much power you have left while using them. Not a huge deal, but it is kind of annoying. I like to have spare batteries, but at almost $60 a pop, no way I can afford to have a genuine Canon one. So I'll have to live with one made by a 3rd party and not knowing how much power is left in it if I have to use it... It also means the Canon charger will refuse to charge these batteries, so the 3rd party charger will be required to charge up these 3rd party batteries...

I've been using Canon equipment for decades. I am a photo 'enthusiast' but hardly a pro-style photog. I have used various film cameras, several Canon Rebels, EOS 7D mark 1 and mark 2 plus several 'L' lenses. All that time, I've been searching for the perfect travel camera -- I don't think it exists. I've used many small digital snappers including the Sony RX100-II, which took nice photos but was maddeningly fussy to hold and use, as well as the Fuji XT100 (great camera but fixed 40mm-equiv lens).


Even if you’re an amateur you can feel like a professional filmmaker with Nero Platinum 2018 video editing software. If you're looking for a program that goes beyond just video, Nero Platinum 2018 could be the multi-tasking master in your arsenal. This multi-faceted program allows you to create, edit, burn, convert, organize, stream and play back all kinds of media, including videos, photos and music. This version includes 18 new movie design templates, 18 new disc menu templates and 12 design templates that are made to complement vertically-formatted video from your smartphone. In addition to its great editing features and 4K quality, Nero Platinum 18 also centralizes your media, so you can organize, manage and play all your files in one place.
This program checks in at about 26MB, which isn't gigantic, but is still relatively large. For that, you'll get a program that is a dead ringer for professional editing programs. It has the same sort of timeline editing style that lets you combine multiple cuts, add transitions, and render them into a complete project. As such, it isn't very easy to use unless you really know what you're doing. Few things are labeled or intuitive, and all of your tools are spread out across multiple menus. If you can find the features, there are plenty of ways to cut, reshape, and modify your video's picture and audio, though. You can even kick the quality up to 30 FPS and 1080p HD. VSDC Free Video Editor supports just about every video format you can think of, so you'll have no problem turning any video into a project.

I've been seeing a lot of attention paid to creating title effects in the applications over the past year. Apple Final Cut Pro X has added 3D title creation, which is pretty spiffy, letting you extrude 2D titles and rotate them on three axes. Corel VideoStudio in its latest version also adds 3D Titling, though not as powerful as Apple's. PowerDirector's Title Designer offers transparency, gradient color, border, blur level, and reflection in titles; Magix has impressive title templates, complete with animations. Premiere Elements offers a nifty title effect in which your video fills the text characters. Look for an application that lets you edit titles in WYSIWYG (what you see is what you get) mode, so that you can type, format, and time it right over the video preview.
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True. The 80D “only” shoots up to 1080p HD. If you want 4K, look elsewhere — if you’re into landscapes or travel videography, this may matter to you. The world though is still mostly operating in 1080p. Keep in mind, 4K will multiply (significantly) your storage requirements, in addition to processing power needed to edit and render. Only you can decide if this is the time to make the jump (I still think mainstream 4K adoption is 2+ years away). I love my 4K computer monitors because fonts are razor sharp. Yet, I don’t see substantive different between 80D images and those, say, from a Panasonic G7. The latter looks somewhat digital to my eyes, though it’s still a fine little camera. 
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