For an option that falls in the middle of the price range, CyberLink has one of the most impressive arsenals of tools -- and it's still easy to use. The recently revamped interface is intuitive, and the features are “content aware,” meaning that they analyze raw footage for things such as shakiness, lighting and faces to create a better final cut. There is also added support for 4K video content.
For Those who see this Shotcut is a very good Truly Windows Movie Maker's Successor, for those who are beginners. Its fast, doesn't take long loading the video and more accurate & customizable than Windows Movie Maker its also up to date. NO TRIAL, ITS OPEN SOURCE, AND HAS THE ABILITY TO RECOVER YOUR WORK IF IT CRASHES http://filehippo.com/download_shotcut/ The things that are different from Windows Movie Maker - Adding Track via Timeline Menu (3 Stack Lines) - Adding Video and Audio to Timeline via Drag and Drop - Transitions via Overlap 2 Videoclip in Timeline - Changing Transitions via Click on Transition > Look Top Left for "Open File", "Save", "Undo", etc > Look for Properties > Below Transition is Video > Beside "Video" is a DropMenu with "Dissolve" > Click on it to change - You accurately move around with the Arrow Keys or Timebox - Double Click on video on Playlist to Play, Click on Video Clip in Timeline then Space to play
After using the camera for a couple of weeks, I ordered the M-22mm lens and the EOS lens adapter. I have a couple of older small kit lenses with longer zooms that work well on the M6. And I wanted the 22mm prime for night/low-light shots. The M lenses are so light and tiny they're super-easy to carry around. I'm leaving in a few weeks for Japan and Korea and I'm looking forward to putting this camera through its paces. Plus, it weighs only about one-fourth of my 7D with lens but is capable of similar high quality photographs.
We also reached out to professionals who use video editing software on a regular basis and asked what aspects are most important to look for in consumer-level programs. Drew Tyler, instructor of digital media at Weber State University, told us there are two primary questions to answer: “Does it fit your eco system?” and “How much do you want to grow into the software?”
We evaluated each program’s interface and workflow to see how intuitive they are. We tracked the number of clicks it takes to access and use common tools. If a tool is difficult to find, awkwardly implemented or counterintuitive, it can slow down your edits. We quickly discovered that the more accessible everything is, the better the editing experience will be. We gave each program an A to F grade based on this evaluation.
I've been using Canon equipment for decades. I am a photo 'enthusiast' but hardly a pro-style photog. I have used various film cameras, several Canon Rebels, EOS 7D mark 1 and mark 2 plus several 'L' lenses. All that time, I've been searching for the perfect travel camera -- I don't think it exists. I've used many small digital snappers including the Sony RX100-II, which took nice photos but was maddeningly fussy to hold and use, as well as the Fuji XT100 (great camera but fixed 40mm-equiv lens).
Creating a new video from existing ones becomes really easy by using Windows Movie Maker. It gives me the ability to prepare, edit, and deliver videos to my audience and clients, and they really love the material I deliver. I simply thin that the best thing freelancers can do is to communicate what their service is about with an awesome and engaging video.
While most professional-grade software can handle multi-cam editing, Premiere Pro goes one step beyond, handling as many sources as necessary with as many angles as required. The inclusion of the bundled Lumetri Color Panel allows advanced color adjustments to be handled with ease. Additionally, Adobe’s integration with After Effects and Photoshop adds even more reason for professional grade editors to choose Premiere Pro.
Of course, none of the extras matter if an app can't do the most basic editing tasks. At this point, however, all of the products included here do a good job of letting you join, trim, and split video clips. They also let you make use of special effects such as animated transitions, picture-in-picture (PiP), chroma-key (the technique that lets you place a subject against any background, often known as green screening), and filters that enhance colors or apply creative effects and distortions. With most of them you can add a multitude of timeline tracks that can accommodate video clips, effects, audio, and text overlays.
If you had access to the video editing pro level, then you must try DaVinci Resolve 14. Except for multi-camera editing, 3D editing, motion blur effects, and spatial noise reduction which are only available on the paid version DaVinci Resolve Studio, you can almost do any professional video/audio editing and color correction with DaVinci Resolve 14.