Finally, we used each program to compress a 4K video file into a smaller resolution. We then examined the results looking for imperfections in the picture such as compression artifacts, motion blur, distortion, ghosting and more. PowerDirector’s results were simply outstanding. We could find almost no indication that the video had been compressed, even when viewed on an ultra-high-definition monitor.
I sincerely believe that if you purchase any of these products that they will NOT work with a PS3 game system. I get the same thing that others get ... "no input signal" ... from the Pinnacle Studio 14 software included with the Dazzle. However I have the same software game for the PC, and despite TWO different capture attempts with other 3rd party software (which have no trouble capturing screen activities otherwise), the UbiSoft game could not be captured at all. Therefore, if you're using a PS3 and you want to capture your gameplay as video you'd better look elsewhere! I KNOW it can be done because the same game(s) ARE captured by others and you can see the videos on YouTube, so there must be a way. I just haven't found it here with the 'Dazzle'. Frankly, I'm not really dazzled by this hardware. Of interesting note there are two other video capture devices sold by Avid/Pinnacle, however they seem to contradict themselves with their Specifications Pages and Feature Pages. In one the Features says you can capture video from '... game systems and others...' however on the same device's Specifications page nowhere does it stipulate which gaming systems you can capture video from! In the other device it's just the reverse (i.e. Spec page says "... game systems...", and the Features page says nothing about gaming systems). Perhaps it's the PS3, or the Software Programs' video is encoded prohibiting captures? Who knows, perhaps this is a good product for video captures from other sources, but this just doesn't work for my PS3!
The software offer up to seven AutoMovie themes including contemporary, default, fade, cinematic, pan and zoom, sepia, and black & white. Although this collection is nowhere near the one offered by premium options, the themes are presented in simple, good taste. The editing options are quite limited, but its collection of effects is attractive and are applied with a single click.
Premiere Clip is perfect for creatives whose videos are bound for social media channels like YouTube and Instagram. You can easily import video clips from places like your phone, Lightroom, Creative Cloud and Dropbox, and then use the app’s Freeform editor to trim or split clips, adjust exposure and highlights, add audio and more. And, of course, you can add filters, which is a given in today’s social media sphere.
The only advantage of Windows Movie Maker over Filmora is that Windows Movie Maker is free. Though you need to pay for Filmora, the available features make it really worth the money. With all of these features, and many more, it is quite easy to see why Wondershare Filmora has taken over as the new No. 1 video editing software choice. Why don't give it a shot and download it now?
Many video editing apps now include tools that cater to users of action cameras such as the GoPro Hero7 Black. For example, several offer automated freeze-frame along with speedup, slowdown, and reverse time effects. CyberLink PowerDirector's Action Camera Center pulls together freeze frame with stabilization, slo-mo, and fish-eye correction, and color correction for underwater footage. Magix Movie Edit Pro Premium includes the third-party NewBlue ActionCam Package of effects. And Wondershare Filmora lets you subscribe to new effect packs on an ongoing basis.
All the other tools you would expect from consumer-level video editing software are present and work excellently. You can add titles, closed captions and other text to your video project with a few simple clicks. You also get a video stabilizer that smooths out shaky video, as well as a library of over 500 effects and transitions for you to choose from.
I've been using Canon equipment for decades. I am a photo 'enthusiast' but hardly a pro-style photog. I have used various film cameras, several Canon Rebels, EOS 7D mark 1 and mark 2 plus several 'L' lenses. All that time, I've been searching for the perfect travel camera -- I don't think it exists. I've used many small digital snappers including the Sony RX100-II, which took nice photos but was maddeningly fussy to hold and use, as well as the Fuji XT100 (great camera but fixed 40mm-equiv lens).
We still live in the days of talkies, so you want to be able to edit the audio in your digital moves as well as the images. Most of the products included here offer canned background music, and many, such as Pinnacle Studio, can even tailor the soundtrack to the exact length of your movie. All of these programs can separate audio and video tracks, and most can clean up background noise and add environmental audio effects such as concert hall reverb. A couple of the products have an auto-ducking feature, which lowers background music during dialog—a definite pro-level plus.
Particularly intensive is the process of rendering your finished product into a standard video file that will by playable on the target device of choice, be that an HDTV, a laptop, or a smartphone. Most of the software can take advantage of your computer's graphics processor to speed this up. Be sure to check the performance section in each review linked here to see how speedy or slow the application is. In rendering speed testing, CyberLink and Pinnacle have been my perennial champs.