It's proven indispensable to my real estate business. Fantastic editor and an awesome value. Awesome software! I just got my kids some action cameras and the file type used is MOV. I ran into issues with other editors and converters. Go Pro Studios would not recognize the files and this editor is easier to use anyways in my opinion. This software works so good that I even went and got a cheap action camera for myself so I can start recording my kayak fishing trips. Once I start putting out YouTube videos on my fishing channel I will be sure to put out the good word on this product! The editor seems fairly simple to figure out and the converter opinions are outstanding! It's been fun learning the basics of video editing which I never thought I'd be able to do.
You can only install Movie Maker as the Essentials bundle, a free set of lifestyle and utility apps for Windows 7 and Windows 8 that also includes Windows Photo Gallery. The single installer for all the Essentials apps offers an initial option of installing everything or letting you choose which to install. Since you may not need the Family Safety program, for example, I recommend the latter installation option. Movie Maker installs as a desktop application in Windows 8, and unfortunately, is not available for Windows RT tablets (though they do have alternatives like ArcSoft ShowBiz).
The easiest way to get video clips into Movie Maker is to tap the "Click here to browse for videos and photos" button in the main timeline area. There's also a permanent Add videos and photos button on the Home tab. Each button opens the Pictures library, where most people's point-and-shoot videos land when they import from camera media. There's also an "Import from Device" choice in the File menu; this just opens the Windows photo/video importer, which actually does a decent job of letting you apply keyword tags and saves the image and clips to date-and-time-organized folders—not unlike iPhoto's "Events." And finally, you can start capturing video from your PC's webcam.
There is one major hang-up with DVD authoring software: DVDs were invented before the advent of high-definition video. As such, they can only display standard-def footage. Since most videos are now shot in HD quality, your DVD authoring program has to compress the footage before it can burn it to a disc. This compression resulted in significant quality loss in each of the products we reviewed.
PowerDirector helps you enhance your footage with Intelligent Color Correction. This allows you to quickly and easily match color settings across your entire project, which unifies the look and feel of your video and eliminates a lot of guesswork. This might seem like a small thing, but it’s a huge leap forward for video editing software at the consumer level.
Final Cut Pro: Offers speed and power for the new generation of video editors. The latest edition boasts a clean new look and a low-profile interface that increases work space. An interesting feature is the improved Magnetic Timeline 2 feature that offers flexible layouts based on roles and automatic color coding. The latest release is ideal for the new MacBook Pro as it supports wide color workflows and the Touch Bar.
Another thing I don't like is how they decided to "encode" their batteries. I'm sure there's some advantage to it, most likely safety to ensure you're using a genuine Canon battery they can quality control, but how it's affected me is that now buying an aftermarket battery means that you won't get a read-out of how much power you have left while using them. Not a huge deal, but it is kind of annoying. I like to have spare batteries, but at almost $60 a pop, no way I can afford to have a genuine Canon one. So I'll have to live with one made by a 3rd party and not knowing how much power is left in it if I have to use it... It also means the Canon charger will refuse to charge these batteries, so the 3rd party charger will be required to charge up these 3rd party batteries...
However, simple editing can be done on the cheap if you’re willing to ditch powerful, high-end software such as Final Cut Pro, or Adobe Premiere, in favor of a more modest program. Let’s face it, you’re probably not going to be taking home the Palme d’Or with the film you cut on your laptop, but your home movies and YouTube uploads can take on a whole new shine with a few straightforward tools.
Our video experts examined each of the test DVDs, looking for imperfections in the picture such as pixelation, compression artifact, general distortion and interlacing issues. While no program performed perfectly, the best ones minimized the quality loss caused by compression. At the end of our evaluation, we gave each program a quality grade from A to F.
If you want something that is aimed more at the professional from a marketing standpoint, it couldn’t hurt to look into the Vegas Pro line. On its 15th iteration, Vegas has introduced a ton of new features, from hardware acceleration harnessing Intel QSV to a picture-in-picture OFX plug-in, all the way to a super intuitive new instant freeze frame option for referencing shots without stopping workflow. If you opt for the premium, upgraded package (which won’t run cheap), you’ll even get an exhaustive package of NewBlueFX fIlters to color your projects like a true Hollywood flick. What’s interesting about Vegas, and what we think gets overlooked, is they’ve attempted to give you an intuitive set of controls that takes the best of Final Cut, Premiere and others and merges them into one. Sure, it might not have the streamlined, Adobe CS-friendliness of Premiere, nor is it even compatible with Macs, but that’s OK. The workflow in this might just give certain users who can’t quite jive with the other guys a place to truly shine.
Avidemux is the Instagram of video editing software — quick, dirty, and impressively capable. The software is designed for quick trimming, filtering, encoding, and a slew of other basic features. The cross-platform software also remains open-source — with a resourceful wiki page to boot — and tasks can be automated using assorted projects, job queues, and custom scripting capabilities that push it beyond barebones functionality.
We combined a text opener with five clips linked by a cross-fade-type transition into a 2.5-minute video shot at 60 frames per second, and rendered the projects to the MPEG-4 format at 720p. We timed rendering at both 60 fps and 30 fps. We adjusted settings to take advantage of hardware acceleration for all tests whenever possible, setting them in either the preferences or the rendering controls for the best speeds. Apple’s iMovie, the lone Mac-only app, is not included in the timed comparisons.