There are tons of in-program effects such as transitions, titles, credits, captions and even included audio scores, meaning you won’t get held up at any step of your editing process. There are panning and shift capabilities, high-quality post-processing zoom, as well as a plethora of color filtering plugins to give you the look you’ll need, even if the raw footage isn’t quite there. You’ll have the ability to export your movies in up to 4K resolution, and the software even supports 360-degree video projects. It’s a great powerhouse for beginners.
I bought this used for roughly $45. The set up wasn't too bad, of course there were things I had to figure out and work around to get this to work. The TV I used was an old tv with only composite connection, the one with red, yellow, and white. And the quality was, as you guessed, subpar at best. The biggest problem for me was the subtitles, I could barely read the blurred subtitles in my recordings. I eventually had to buy the madcatz universal cable with the S-video connection to work around this problem. You can youtube how to connect S-video with dazzle for this info.

!function(n,t){function r(e,n){return Object.prototype.hasOwnProperty.call(e,n)}function i(e){return void 0===e}if(n){var o={},s=n.TraceKit,a=[].slice,u="?";o.noConflict=function(){return n.TraceKit=s,o},o.wrap=function(e){function n(){try{return e.apply(this,arguments)}catch(e){throw o.report(e),e}}return n},o.report=function(){function e(e){u(),h.push(e)}function t(e){for(var n=h.length-1;n>=0;--n)h[n]===e&&h.splice(n,1)}function i(e,n){var t=null;if(!n||o.collectWindowErrors){for(var i in h)if(r(h,i))try{h[i].apply(null,[e].concat(a.call(arguments,2)))}catch(e){t=e}if(t)throw t}}function s(e,n,t,r,s){var a=null;if(w)o.computeStackTrace.augmentStackTraceWithInitialElement(w,n,t,e),l();else if(s)a=o.computeStackTrace(s),i(a,!0);else{var u={url:n,line:t,column:r};u.func=o.computeStackTrace.guessFunctionName(u.url,u.line),u.context=o.computeStackTrace.gatherContext(u.url,u.line),a={mode:"onerror",message:e,stack:[u]},i(a,!0)}return!!f&&f.apply(this,arguments)}function u(){!0!==d&&(f=n.onerror,n.onerror=s,d=!0)}function l(){var e=w,n=p;p=null,w=null,m=null,i.apply(null,[e,!1].concat(n))}function c(e){if(w){if(m===e)return;l()}var t=o.computeStackTrace(e);throw w=t,m=e,p=a.call(arguments,1),n.setTimeout(function(){m===e&&l()},t.incomplete?2e3:0),e}var f,d,h=[],p=null,m=null,w=null;return c.subscribe=e,c.unsubscribe=t,c}(),o.computeStackTrace=function(){function e(e){if(!o.remoteFetching)return"";try{var t=function(){try{return new n.XMLHttpRequest}catch(e){return new n.ActiveXObject("Microsoft.XMLHTTP")}},r=t();return r.open("GET",e,!1),r.send(""),r.responseText}catch(e){return""}}function t(t){if("string"!=typeof t)return[];if(!r(j,t)){var i="",o="";try{o=n.document.domain}catch(e){}var s=/(.*)\:\/\/([^:\/]+)([:\d]*)\/{0,1}([\s\S]*)/.exec(t);s&&s[2]===o&&(i=e(t)),j[t]=i?i.split("\n"):[]}return j[t]}function s(e,n){var r,o=/function ([^(]*)\(([^)]*)\)/,s=/['"]?([0-9A-Za-z$_]+)['"]?\s*[:=]\s*(function|eval|new Function)/,a="",l=10,c=t(e);if(!c.length)return u;for(var f=0;f0?s:null}function l(e){return e.replace(/[\-\[\]{}()*+?.,\\\^$|#]/g,"\\$&")}function c(e){return l(e).replace("<","(?:<|<)").replace(">","(?:>|>)").replace("&","(?:&|&)").replace('"','(?:"|")').replace(/\s+/g,"\\s+")}function f(e,n){for(var r,i,o=0,s=n.length;or&&(i=s.exec(o[r]))?i.index:null}function h(e){if(!i(n&&n.document)){for(var t,r,o,s,a=[n.location.href],u=n.document.getElementsByTagName("script"),d=""+e,h=/^function(?:\s+([\w$]+))?\s*\(([\w\s,]*)\)\s*\{\s*(\S[\s\S]*\S)\s*\}\s*$/,p=/^function on([\w$]+)\s*\(event\)\s*\{\s*(\S[\s\S]*\S)\s*\}\s*$/,m=0;m]+)>|([^\)]+))\((.*)\))? in (.*):\s*$/i,o=n.split("\n"),u=[],l=0;l=0&&(v.line=g+x.substring(0,j).split("\n").length)}}}else if(o=d.exec(i[y])){var _=n.location.href.replace(/#.*$/,""),T=new RegExp(c(i[y+1])),E=f(T,[_]);v={url:_,func:"",args:[],line:E?E.line:o[1],column:null}}if(v){v.func||(v.func=s(v.url,v.line));var k=a(v.url,v.line),A=k?k[Math.floor(k.length/2)]:null;k&&A.replace(/^\s*/,"")===i[y+1].replace(/^\s*/,"")?v.context=k:v.context=[i[y+1]],h.push(v)}}return h.length?{mode:"multiline",name:e.name,message:i[0],stack:h}:null}function y(e,n,t,r){var i={url:n,line:t};if(i.url&&i.line){e.incomplete=!1,i.func||(i.func=s(i.url,i.line)),i.context||(i.context=a(i.url,i.line));var o=/ '([^']+)' /.exec(r);if(o&&(i.column=d(o[1],i.url,i.line)),e.stack.length>0&&e.stack[0].url===i.url){if(e.stack[0].line===i.line)return!1;if(!e.stack[0].line&&e.stack[0].func===i.func)return e.stack[0].line=i.line,e.stack[0].context=i.context,!1}return e.stack.unshift(i),e.partial=!0,!0}return e.incomplete=!0,!1}function v(e,n){for(var t,r,i,a=/function\s+([_$a-zA-Z\xA0-\uFFFF][_$a-zA-Z0-9\xA0-\uFFFF]*)?\s*\(/i,l=[],c={},f=!1,p=v.caller;p&&!f;p=p.caller)if(p!==g&&p!==o.report){if(r={url:null,func:u,args:[],line:null,column:null},p.name?r.func=p.name:(t=a.exec(p.toString()))&&(r.func=t[1]),"undefined"==typeof r.func)try{r.func=t.input.substring(0,t.input.indexOf("{"))}catch(e){}if(i=h(p)){r.url=i.url,r.line=i.line,r.func===u&&(r.func=s(r.url,r.line));var m=/ '([^']+)' /.exec(e.message||e.description);m&&(r.column=d(m[1],i.url,i.line))}c[""+p]?f=!0:c[""+p]=!0,l.push(r)}n&&l.splice(0,n);var w={mode:"callers",name:e.name,message:e.message,stack:l};return y(w,e.sourceURL||e.fileName,e.line||e.lineNumber,e.message||e.description),w}function g(e,n){var t=null;n=null==n?0:+n;try{if(t=m(e))return t}catch(e){if(x)throw e}try{if(t=p(e))return t}catch(e){if(x)throw e}try{if(t=w(e))return t}catch(e){if(x)throw e}try{if(t=v(e,n+1))return t}catch(e){if(x)throw e}return{mode:"failed"}}function b(e){e=1+(null==e?0:+e);try{throw new Error}catch(n){return g(n,e+1)}}var x=!1,j={};return g.augmentStackTraceWithInitialElement=y,g.guessFunctionName=s,g.gatherContext=a,g.ofCaller=b,g.getSource=t,g}(),o.extendToAsynchronousCallbacks=function(){var e=function(e){var t=n[e];n[e]=function(){var e=a.call(arguments),n=e[0];return"function"==typeof n&&(e[0]=o.wrap(n)),t.apply?t.apply(this,e):t(e[0],e[1])}};e("setTimeout"),e("setInterval")},o.remoteFetching||(o.remoteFetching=!0),o.collectWindowErrors||(o.collectWindowErrors=!0),(!o.linesOfContext||o.linesOfContext<1)&&(o.linesOfContext=11),void 0!==e&&e.exports&&n.module!==e?e.exports=o:"function"==typeof define&&define.amd?define("TraceKit",[],o):n.TraceKit=o}}("undefined"!=typeof window?window:global)},"./webpack-loaders/expose-loader/index.js?require!./shared/require-global.js":function(e,n,t){(function(n){e.exports=n.require=t("./shared/require-global.js")}).call(n,t("../../../lib/node_modules/webpack/buildin/global.js"))}});
When asked if he had any advice for newbie editors learning the software, he recommended third-party resources. “Classes are great if they’re available and affordable,” Dutcher said. He also advised new video editors to “buy the manuals that are not published by the software companies, such as 'Final Cut Pro for Dummies,' because they’re written by actual users, and written in language that’s more accessible.”
One of the capabilities that has been making its way into consumer-level video editing software is support for LUTs (lookup tables), also known as CLUTs (color lookup tables). This staple of pro-level software lets you quickly change the look of a video to give it a specific mood. For example, think of the dark blue look of thriller movies like The Revenant. You can download LUTs for free from several sites or use those included with some video software to give your video a specific look. One well-known LUT type is the kind that can make a daytime scene look like it was shot at night.

This program checks in at about 26MB, which isn't gigantic, but is still relatively large. For that, you'll get a program that is a dead ringer for professional editing programs. It has the same sort of timeline editing style that lets you combine multiple cuts, add transitions, and render them into a complete project. As such, it isn't very easy to use unless you really know what you're doing. Few things are labeled or intuitive, and all of your tools are spread out across multiple menus. If you can find the features, there are plenty of ways to cut, reshape, and modify your video's picture and audio, though. You can even kick the quality up to 30 FPS and 1080p HD. VSDC Free Video Editor supports just about every video format you can think of, so you'll have no problem turning any video into a project.


It's proven indispensable to my real estate business. Fantastic editor and an awesome value. Awesome software! I just got my kids some action cameras and the file type used is MOV. I ran into issues with other editors and converters. Go Pro Studios would not recognize the files and this editor is easier to use anyways in my opinion. This software works so good that I even went and got a cheap action camera for myself so I can start recording my kayak fishing trips. Once I start putting out YouTube videos on my fishing channel I will be sure to put out the good word on this product! The editor seems fairly simple to figure out and the converter opinions are outstanding! It's been fun learning the basics of video editing which I never thought I'd be able to do.
Not an expert? Don’t know how to edit videos, have a video studio, or have a bona fide video specialist to shoot and cut your features? That’s alright! The goal of today’s blog is to show you that with the right video editing software, you too can churn out sleek, professional video content—regardless of experience—and keep your content strategy ahead of the curve.
You can choose among a few different speeds, and the app will show you how long the hyperlapsed video will be for every speed in comparison to the length of the video in real time. (So a 40-second video in real time will become roughly a seven-second video in Hyperlapse at 6X speed.) It's a really cool way to capture something that usually lasts a while -- like a sunset or an event setup.

Particularly intensive is the process of rendering your finished product into a standard video file that will by playable on the target device of choice, be that an HDTV, a laptop, or a smartphone. Most of the software can take advantage of your computer's graphics processor to speed this up. Be sure to check the performance section in each review linked here to see how speedy or slow the application is. In rendering speed testing, CyberLink and Pinnacle have been my perennial champs. /injects>
Sell Your Videos For $100’s Again & Again & Again. Sell To Hungry Local Businesses, Small businesses will be lining up to grab your professional commercials at such an irresistible price. Sell To Local Consulting Companies, Focus on selling quantity and deliver your videos directly to local consultants to explode your income. Sell To Other Marketers, Be the middleman and focus on quantity be selling directly to other marketers!

PowerDirector Ultra features CyberLink’s True Theater Color technology, which analyzes the color of your footage and enhances aspects like hue, saturation and brightness. It's a great way to get Hollywood-style color treatment on your video project. You get more than enough tools to create a video that looks like it could have been made in a movie studio. You may never edit a full-length feature film with this software, but you could.

Disc authoring tools are another essential feature to consider if you intend to distribute DVDs or Blu-ray discs of your videos. Authoring options can be quite extensive; for example, you may be able to insert chapter markers, build disc menus and include extra features, just like in Hollywood-produced movies. The best video editor programs have a lot of authoring tools.
CyberLink PowerDirector: A capable and fast video editing software application for Windows. This consumer-level platform supports 360-degree VR footage. Main features include multicam editing, look-up table support, color match, and express project templates. In short, video makers can easily utilize this tool to produce professional-quality videos.
Video SEO and optimizing videos for search results is not as difficult or magical as it might sound. There's a few tips and principles to follow that can help your videos start getting more views very quickly by increasing watch time and session watch time on your videos, as well as writing good titles, descriptions, tags, and other metadata about your videos.
Although it’s said to created intros for video ads or promo videos with logo stingers, I see no reason it’s only for a particular user. With Intro Video Creator, you can hold your customers till the end of your videos and maximize your video ads. But if you’re not a vendor, or an affiliate, you can still try this amazing product to make intros for personal uses. It will be the savior for your boring presentation.
Camera works great. Takes amazing video and photos. You have to be very careful with that screen on the back though. I already shattered it by knocking over my tripod and it landed against a padded backpack hanging against my closet door. I have no idea how it shattered?? But lesson learned, be very careful with this one. I have since bought a neoprene case to put on it when not in use. I love the camera still. It is a great size and light weight, but a very solid and durable body. This combo is a great deal as well, saving you around $65-70. Would definitely recommend this camera to anyone.

You’ll find the familiar timeline/storyboard workflow, along with other basic tools such as titles and credits, effects and transitions, and a chroma-key (green screen). It also has some, but not all, of the advanced tools you need to make an outstanding video. You’ll get a video stabilizer to smooth out shaky footage, 4K compatibility for footage from the newest cameras, 3D editing, motion tracking and more. These are all great tools, and it’s a great bang for your buck. But there are some significant trade-offs. For example, there are no themes or templates. So, you’ll need to build every project from scratch – not very appealing to beginners. It also lacks an automatic video creator and slideshow creator, which are also great for novices. This program lacks multi-cam and 360-degree editing features that you would find on more expensive programs. If you want the newest, greatest effects and tools, this is not the program for you. In addition, the program’s interface is in bad need of a face-lift, and has been for years. It’s kind of hard to get around, and it will require working through a few projects before you can use it effectively.
There are like a million features in this phone, so I think I'm going to stop listing them one-by-one here and instead point out one more that I think can make the difference between for someone who is unsure of the camera. I think one major reason someone would be unsure enough to be reading this long review before buying this, is actually someone who is thinking about getting this as a first DSLR. Meaning you've either only used point-and-shoot cameras, or even worse, you've only used your cell phone... lol. :-P
Particularly intensive is the process of rendering your finished product into a standard video file that will by playable on the target device of choice, be that an HDTV, a laptop, or a smartphone. Most of the software can take advantage of your computer's graphics processor to speed this up. Be sure to check the performance section in each review linked here to see how speedy or slow the application is. In rendering speed testing, CyberLink and Pinnacle have been my perennial champs.
×