Nothing makes an impression like moving images with sound. That's why digital video continues to grow in importance online. Couple that trend with the ever-increasing availability of devices capable of high-resolution video recording—smartphones, GoPros, DSLRs—and the case for ever more powerful video editing software becomes clear. Further, the software must be usable by nonprofessionals, and it has to keep up with new formats such as HEVC (High Efficiency Video Coding), 360-degree VR video, and 4K and above.
At the higher end of the Corel product line is Pinnacle Studio—which, at $129.95 (the amount you’ll need to pay to edit 360-degree and 4k content with the “Ultimate” version), costs more than twice as much as VideoStudio. What do you get for the extra money? Well, not only does Pinnacle come readily equipped with all the features you’d expect from an upper-echelon product—motion tracking, 360-degree VR support, 4k support, multi-cam, etc.—but you’d be hard-pressed to find a faster product on the market in terms of rendering.
Now one big question I know is on everyone's minds. APS-C or Full-Frame? Now the obvious answer is that if you're making money with the camera, go full-frame, if not, APS-C. But actually it's not that simple. First, there's no reason someone doing photography as a hobby shouldn't get a full-frame camera, other than the fact that they cost a whole lot more. But if you can afford it and you want the advantages of a full-frame camera (better resolutions, better low-light photography, etc.) and you don't mind the extra bulk, then why not? And on the flip-side, if you're a pro and want a smaller, less bulky camera to take with you on a shoot, then there's also no reason to say an APS-C camera will not be worth buying... But since you're looking at the T7i, let me go over a few actual advantages to an APS-C camera regardless of your status as an amateur or professional.

Premiere Clip is perfect for creatives whose videos are bound for social media channels like YouTube and Instagram. You can easily import video clips from places like your phone, Lightroom, Creative Cloud and Dropbox, and then use the app’s Freeform editor to trim or split clips, adjust exposure and highlights, add audio and more. And, of course, you can add filters, which is a given in today’s social media sphere.


One of the capabilities that has been making its way into consumer-level video editing software is support for LUTs (lookup tables), also known as CLUTs (color lookup tables). This staple of pro-level software lets you quickly change the look of a video to give it a specific mood. For example, think of the dark blue look of thriller movies like The Revenant. You can download LUTs for free from several sites or use those included with some video software to give your video a specific look. One well-known LUT type is the kind that can make a daytime scene look like it was shot at night.
Unlike some other users I found I could transfer to the computer without a problem through a USB interface even though I have a USB keyboard connected. Also I found that I could adjust contrast, brightness and color successfully and the quality of my videos were improved significantly. You do have to have the DVC connected with the source on when you load the "MovieStar" software to manipulate captured clips(I've no idea why...it's in there FAQ but can't find that in the manual)and I had to close out all the other running programs but Windows Explorer to make this work. This is on a machine running an ABIT BE6-II and an intel 700MHz CPU with 512Mb of ram.
As easy as CyberLink makes this software to use, there may be times when you need help. To that end, the company established DirectorZone, a community of videographers, filmmakers and aspiring editors. This allows you to connect to, collaborate with and learn from other video makers. DirectorZone is a great resource for editors of all skill levels.
If I had it to do over I would purchase a Firewire card with capture software (for a little less then I paid for this device) and edit the clips with additional software. Such software is expensive ($300 - $2000) but likely has better support. I'm thinking of purchasing the Adobe program. The DVC is adequate to capture clips as MPEG and adjust their quality.
The granddaddy of video editing, Adobe Premiere Pro is the cross-platform, uber-popular timeline based video editor that’s long set the standard for video editing software. Capable of tackling nearly any type of video format, Adobe’s software is ready to produce video for any type of professional production, including film, television and the Web. Premiere Pro offers enough horsepower to handle 360-degree virtual reality video to 8K footage all in native format. It can even import and export footage from competitive software such as Final Cut Pro.
Avid Media Composer's latest version comes with a wealth of new and improved features, such as accelerated high-res-to-HD workflows and automated media management to handle background media tasks while you focus on your creative vision. The $999 price tag is steep for amateurs, but worth it if you're looking for a professional-grade software. As the editing software of choice for summer blockbusters like Star Trek and The Great Gatsby, Avid Media Composer 7 can handle any editing challenge with ease.
When a customer asks me if I can finish editing any of the videos they´ll use for parties, proms, speeches, etc., I agree because I know I can get the job done with Movie Maker. Windows Movie Maker gives me the ability to give more life to videos by adding musical pieces; it also gives me the ability to make them more sophisticated by adding the director´s name and credits. These are some of the business benefits I get from Movie Maker: I make my clients happy.
Our team of reviewers used each program’s editing tools, effects and export options to create identical test DVDs. They timed how long it took to burn a new DVD, complete with menus and chapters when possible. Our video experts then played the new DVDs on a large-screen television and searched for imperfections such as compression artifact, motion blur and interlacing issues. The results of these tests, as well as our reviewers’ personal experiences using each program, were used to decide the programs’ final scores and ranks. All our tests were designed to replicate the experience of an average user as well as a veteran editor. 
One of the most beneficial factors of Movie Maker in the workplace is the possibility of making video presentations in record time, easy and with predesigned styles that make my work much easier and save me time. It helps my clients to better understand their completed projects and to process in a lighter and more dynamic way terms and modules that they do not handle.
Despite being the cheapest option on this list, Corel Video Studio Pro X6 is simple to use without sacrificing power. Features such as motion tracking for moving effects, even better stop motion controls, an enhanced screen capture utility and a subtitle editor with voice detection make this a low-risk purchase for amateur videographers who still want quality.
Other measures of performance include startup time and simple stability. Again, video editing is a taxing activity for any computer, involving many components. In the past, video editing programs took longer than most other apps to start up, and unexpected shutdowns were unfortunately common, even in top apps from top developers such as Adobe and Apple. The stability situation has greatly improved, but the complexity of the process, which increases as more powerful effects are added, means crashes will likely never be fully eliminated, and they often raise their ugly heads after a program update, as I found with the latest version of Pinnacle Studio.
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